Nausicaä della valle del vento

... and it's only got angrier since this epic critique of the damage and destruction the human race affects against the flora and fauna of the place we call home, as well as upon itself. Visionary, prophetic, disturbing and heartbreaking, often concurrently, a testament to future generations that we were fully aware of our impact and neglect, that we chose to do very little about it and that what we did do was long after the horse, the fish, the insects (especially the bees) had bolted.

Brilliant, captivating, and sometimes just plain awesome are some of things that come to mind while watching yet another one of Miyazaki's epic tales: Nausicaä of the Valley of the Winds. Deliberately slow-moving at points, yet undeniably exciting in and out of it's action sequences, and a fantastic introduction to anime itself.

Without revealing too much of the plot, it takes us through the life of Nausicaa, a princess of a small village, and her struggles to stop warring nations from destroying an important source that can save the planet. The planet has already gone through a major destruction that nearly wiped out humanity, and their are large insects called ohmu, that guard the source that is spreading through the world.

Miyazaki introduces an empowerment of female characters in his animes, such as Princess Mononoke, Kiki's Delivery Service, and his most recent, Howl's Moving Castle (Hauru no ugoku shiro). The characters are done with style and care, and, in Nausicaa, there is no exception.

It amazes me that this film created some controversy when released, being banned in Poland because of it's depiction of an ecological disaster. Though the movie is obviously fantasy, it turns out that some may consider it a touchy subject. I didn't find any offense whatsoever with anything the movie showed, just a futuristic disaster no doubt caused by man.

Combining fantasy and science-fiction, Nausicaa is nice to look at. It certainly shows it's age when compared to some newer animes, not having the help from high-end computers. Considering it was done in the 80's, Miyazaki's production team did a great job. Little details, backgrounds, gadgets, & animals are drawn slightly better then some Japanese animes from that time.

Keep in mind that my review is based on the Disney release (Feb 2005). It's cleaned up, unedited, with new voices from well known actors that sound great (but I still prefer subtitles). Keep far away from the old version 'Warriors of the Wind', which chops off more then half-hour from the movie.

9 out of 10

This was the film which introduced me (and many others in the 1980s) to Miyazake, and even in the form of a poor quality VHS on an ordinary TV, it was amazing. By 1984 Miyazake was already well known in Japan for his anime work in film, TV, and for the comic strip that this film was based upon.

In this early full length film he really got to spread his wings. There are fantastic aerial sequences like the jet-glider evading the flying snakes, which (this predates computed 3D, and aerial sequences are present in most of his work) are just a tour-de-force of imagination and geometry. And yet this is a world that feels very organic, not geometric, with a cast of characters drawn in a unique cross between hobo, samurai, and pirate - totally blending in to an imaginary post apocalyptic world where humans scratch out a precarious life in villages hidden in the few green valleys left in a world of desert, where the only remaining resources are wind, sunlight, and humans.

But it is also a world of enormous dangers, including airborne bandits and the strange, mutated creatures that have evolved to control the barren and scarred earth. When our heroine's valley home is attacked by raiders, she embarks on an adventure against them that will lead her, and some unlikely allies found along the way, to an eventual confrontation combining warring armies of bandits, ancient machines of infernal destruction, and the implacable, mysterious, threatening beasts which roam the badlands. The pace is swashbuckling - if this were a book, it would be one you could not stop reading.

It has the feel of the original comic books, but plays out wonderfully on the screen - you don't need to know the comics. The style is very unique. Even though it is very stylized (no photorealism here), you immediately get the feeling of the world and the characters. The story works for children of all ages (mine both first saw this before they were 6, and have memorized it long since), and combined with the wonderful visuals it is a treat for adults too. As a genre I would classify it as soft (no attempt at scientific correctness) sci-fi rather than fantasy, though some might think it more a work of fantasy. It is fascinating partly because its roots in style and action are unexpected for a western viewer. Japanese manga and stories had evolved in their own way, and although this is early Miyazake, it is already a product of that mature and distinct art form.

As always with Miyazake - if you haven't seen his work, well you haven't seen anything like it, and it is time you did.

First off, let me state emphatically that I'm referring to the REAL version of the film, not the pathetic crippled creature distributed as "Warriors of the Wind" on video. Although I must admit that I first fell in love with the movie in that form, I have now seen the full subtitled version, and I place a hideous curse on those who hacked over 20 minutes from its running time.

Although the incredible "Princess Mononoke" later upstaged this early work in terms of art and detail, in many ways I still prefer "Nausicaa". Its imaginitive and well-conceived world puts me in mind of Dune with its feuding factions, its giant creatures, and its strong ecological message. Even with a rather long running time, the story moves very briskly (boiled down as it was from a very lengthy manga series). The music deserves special mention, as well, as it is a large step up from the electronic pop stylings of most anime.

If you can get your hands on a copy of the original version, you'll find it more than worth the effort.

The first thing to establish is that this is a science fiction epic. It has more in common with 'Dune' or any number of SF novels - Brian Aldiss's 'Hothouse' springs to mind for one- than it does with a typical western animated children's film. Therefore one's expectations should be a little different, and ultimately it was the SF aspect which gave the movie such a high grade in my books. Whereas it didn't have quite the emotional clout that I look for in an animated feature, it was a stupendously told SF story.

Technically not a Ghibli film (Miyazaki actually used the studio which did most of 'The Last Unicorn', and which more or less became Ghibli when 'Laputa' was made a couple of years later), 'Nausicaa' is a far-future SF story with a princess/warrior/nature-lover heroine and strong environmental themes. There's also an opposing princess/leader trying to use technology to overcome the apparently hostile environment. If you're starting to think 'Princess Mononoke', you'd be on the right track. In some ways 'Nausicaa' seems like an early stab in the direction of 'Mononoke', though the latter would delve far more into spirituality and mythology, eschewing the SF aspects.

There aren't really any major weak points in Nausicaa - unless you count the frustrating 12 drawings per second animation which I constantly complain about in Japanese animation. The backgrounds aren't as amazing and the animation not as good as the last few Ghibli films, but for 1984 it was plenty good enough. I have a fairly trivial complaint in that the character of Kuratowa is drawn in a slightly more 'anime' style, ala Lupin III, whereas all of the other characters are done in a realistic style. He just seems a little out of place, though he's quite delightfully drawn.

The really strong points of the movie are its pacing (at least until the very end. Miyazaki was unhappy with the end too), its story telling, which manages to be sophisticated without being impossibly complex, its engrossing background drawings and settings, - and most of all in the amazing attention to detail in the fully realized post-apocalypse SF-fantasy world in which the story is set. Every little thing is worked out and placed such that you find yourself admiring inventions, ideas, structures, creatures, etc which don't draw attention to themselves, but simply exist as part of the backdrop of the movie. Of course 'Nausicaa' had existed for several years as a serialised Manga, so Miyazaki no doubt knew its universe inside-out.

There's a very clever plot, which I won't give away, but which involves humanity's relationship with the Earth and nature.

It's the sort of movie which you can get thoroughly caught up in, and which will stand repeated viewings. It really is a film which is perfectly pitched at both a young and an adult audience. As Miyazaki's second feature film it is also, rightly or wrongly, usually considered the start of Studio Ghibli, and is arguably worth watching for historical reasons, too.

Not the very best from Miyazaki or Ghibli, but an auspicious beginning.

PS, in case you didn't know, there was a heavily butchered US version floating around called 'Warriors of the Wind', which is universally reviled as a disgrace. Just to make it confusing, some of the Japanese copies are also called 'Warriors of the Wind'. The thing to look for is the 116 minute running length. If you get that, you've got the right one. At the moment the only way you can get the film is in Japanese dialog with English subtitles. Personally I'd go ahead and do that, rather than wait while Disney squats on the US distribution rights (Amazon gives it a release date of 2010 for God's sake). You can always replace it later.

Good stuff.