L'uomo dei ghiacci

This is what I love about Movies back in the 80's and 90's, and really just older movies in general, you can see the difference. The difference is they didn't have the technology to make what they do today, which in actuality is usually too much! Therefore though, that's what people like, so that's what you get nowadays, tons of special effects with the same type of action, CGI, with little or no story. The older movies had better stories and were more clever about their action and special effects, and actually I preferred the not so fancy special effects, in my opinion, it kind of ruins a movie nowadays it seems because it's just too much CGI and too much action.

So with Iceman, this is a very thought driven movie. Lot's of crazy ideas/concepts being thrown out there. I'm not sure how John Lone didn't get nominated for any kind of awards here(I mean he's even academy award nomination worthy here as his portrayal as the Neandrathal Man).

It's truly a brilliant performance by Lone, and probably one of the best portrayals I've ever watched in a film of an actor playing a Neandrathal Man. Iceman is really worth a look just for John Lone's performance, it's a brilliant performance to watch. John Lone is an excellent actor, you won't even be able to believe that this is the same guy/actor from The Last Emperor.

It's sad to read some of the "summaries" and comments here about "Iceman." Some people dismiss 1980s movies outright, and think the usually overblown, CGI dominated "science fiction" movies of the 21st century are better!?! That makes me laugh. "Iceman" is a fine, understated, thought-provoking (ooh, that might injure some viewers) movie of the first order, no matter the genre.

I like the previous comment about John Lone being unjustifiably denied an Oscar nomination for that year (1983) -- he should have not only been nominated as best supporting actor, he should have won. And I thought so at the time. (The winner was Jack Nicholson for his supporting role in "Terms of Endearment," a pleasant if lightweight performance for him.) The original screenplay; the excellent, evocative soundtrack by Bruce Smeaton, and perhaps even director Fred Schepisi should also have been nominated, though I can understand the votes for the winners in those categories.

Those who think this character is a "Neanderthal" have a problem with anthropological/archaeological logic. He is a migrating human ancestor from 40,000 years ago, primitive but quick to learn and ingenious -- yet very different from those who would be his modern descendants (though with traditional links), let alone those of us whose ancestors MUCH later migrated to North America. He led a very hard life before he was frozen and has a much different belief system.

As for the ending: Those who don't get it seem to lack a true sense of wonder and mystery ... or are more than a little dense.

People think Timothy Hutton didn't do any good movies after winning the Oscar for Ordinary People, but that's not true. Among other really good movies he's done are Q&A, Taps, Falcon & The Snowman, French Kiss, and Iceman, which is way better than you'd think it would be, considering the plot is so much like Encino Man. Scintists dig up a Neanderthal and thaw him out. Some want to study him, and one (Hutton, in a good performance) just wants to communicate with him. Most of the actors are good (Danny Glover has a small role) and the script isn't stupid. The Iceman comes off as a real person, not just a furry guy with a club. Like Quest For Fire, the guy is played as a primitive person, not just an ape.

The Iceman is played by John Lone (the bad guy in Year of the Dragon and the star of The Last Emperor), He almost unrecognizable under all the makeup, but his performance is right on the money, A lot of his acting is through body language, and its really good. He conveys many emotions with subtle and unsubtle movements. Again, this is underrated movie, and Mr. Lone should have gotten an Oscar of his own for his performance.

Unusually intelligent sci-fi, about a group of polar researchers who discover a hibernating (and slightly too human-looking) Neanderthal. The scientists (predictably) just want to cut him up, but Tim Hutton plays the lone anthropologist who befriends him and teaches him how to sing along to Neil Young. At times the film (pre-CGI) seems dated in appearance, but its strength is not to underestimate the difference between the Neanderthal's world and our own, nor his capacity to deal with it. Good to see a sci-fi film that for once is more interested in substance than surface.

I saw this again after many years, and was not disappointed. It's a well written, thoughtful SF film that doesn't insult the viewer's intelligence. John Lone is very moving as the bewildered hunter who is discovered by scientists. Timothy Hutton is credible as Shepherd, the compassionate scientist who connects with the Neanderthal, who he calls "Charlie". The film's portrayal of Charlie as a human being with a deeply spiritual side is strangely prescient, especially in light of recent discoveries about our own Neanderthal DNA. The scene where Shepherd and Charlie try to sing Neil Young's "Heart of Gold" is memorable and fun. This is a quietly effective film with a subtle message that doesn't beat you over the head with it.