Goma-2

A masterpiece of Spanish cinema, Goma 2 is a beautiful revenge story in which an ex-ETA member who has no problem calling themselves "the Spanish" and who is marked by ETA, decides to take revenge on the mafia farmers after the death of his wife (Ana Obregón, who provides a formidable performance) in an attack in Roussillon (Very in the ETA style) and the inaction of the Spanish authorities who supposedly control the protagonist as part of his amnesty pave the way for explosive revenge in on the other side of the Pyrenees.

Without forgetting Lee Van Cleef as villain in command and lawyer for the bad guys, making this piece of art one of the best samples of Spanish cinema.

Apart from special mention is the fact that the ETA members have a file with their members in Spanish, only in Spanish.

This minor Euro-actioner was released in the greedy 80's on Sybil Dannings' Adventure Video label in those great big old cereal box video cases. Although this was made quickly and cheaply, and before it becomes a standard revenge action melodrama, this is a fairly absorbing drama as Jorge Rivero seeks revenge against Lee Van Cleef after his cohorts cause a disruption during some labor wars which results in the death of his wife (the lovely Ana Orbregon). These international films are always amusing alone just for the eclectic cast members. Somehow Willie Aames (who collected more than a few cheques in Grade Z Euro-Trash after "Eight is Enough" was cancelled) is Ana's BROTHER. Plus, Rivero gets some assistance from doomed starlet Margaux Hemingway against the diabolical Julot. There is nothing special in the acting or (certainly) directing department (check out the sloppily-edited car explosion sequence), but it does get a few shots in the arm with some scenes of our main man, Lee Van Cleef. Before he goes into court over some misdealings perpetrated by his henchman (Richard Jaeckel!), in his typically dry-voiced demanour and eagle-eyed glance, he says, "You guys are getting too public. I don't like it." You know he means business.

A profesional hit-man has started a new life as a track driver in Spain. In a travel to France, carrying oranges, escorted by his lovely wife, he will run into a lot of problems, because of the local mafia that is trying to control the market of fruits. He will try to stay away from trouble, but his beloved wife, by mistake, will find a horrible death, trapped inside the truck, when They will put fire in it. After this, he is simply forced to return back to his old ways, find through his old contacts all the guns and information that he needs and then kill each and everyone of the bad guys. Simple film, with ordinary plot and flat characters, for entertainment without any expectations. For those who like this kind, not so bad for rent and see in the video.

Steel-fisted, preternaturally handsome action hero, Jorge 'Fist Fighter' Rivero thrills as, Txema Basterrenech, a former explosive expert for a shady hardline terrorist outfit who grimly discovers that his new straight life as long distance lorry driver, and loving husband to the beautiful, pregnant, Elisa (Ana Obregon) is to be fraught with no less danger than the shadowy past he had hoped to distance himself from! The intractable, Txema won't kowtow to the relentless brutality of enjoyably despicable B-movie mob boss, Major Julot (Lee Van Cleef), this defiance fatefully becomes the shatteringly violent catalyst which propels, Txema upon an explosive campaign of righteously destructive retribution, methodically hunting down the three vermin responsible for his wife's death with the same ruthless efficiency as his arch nemesis, Major Julot!

Making the most of this incendiary cocktail of volatile exploitation material director, J. Anthony Loma wastes very little time with narrative niceties, the distressing scene of a physically overwhelmed, Txema being savagely beaten and then forced to watch on helplessly as, Julot's hired goons torment his young wife makes for a memorably unpleasant interlude, thereby making it absolutely impossible not to sympathize with Txema's roiling hatred for cruel Machiavellian gangster, Julot and the unconscionable brutality of his pitiless henchmen.

'Killing Machine' delivers gritty, skull-shattering B-Movie catharsis of the highest order, and watching the earnestly enraged, Txema sending his ignominious abusers into the flesh-searing inferno they so richly deserve makes for gloriously edifying, blood-lusting entertainment, and not only is Txema's explosive revenge excitingly mounted, 'Killing Machine' has a notable cast of illuminated Euro-cult Thespians, Richard 'Grizzly' Jaeckel, Hugo 'City of the Living Dead' Stiglitz, Aldo 'A Fistful of Spaghetti westerns' Sambrell, Frank 'Pieces/Slugs' Brana, and the truly reprehensible mafia sleaze, Julot being essayed with immaculately glacial élan by screen con Lee Van Cleef. But one of Killing Machine's greatest strengths lies in the sublimely moody synth score by Euro-crime legends, Guido & Maurizio De Angelis whose magnificent theme is, perhaps, one of their very finest works! 'Killing Machine' is a bona fide, Grade 'A' B-Move Cult waiting to be discovered!

I can't say why, but this is probably (together with the ator films) the worst film I've ever seen. Twice I've fallen asleep while watching it. It's dark and blurry and the story is pathetic. But then again, Lee van Cleef is in it, and he's fun. I don't have so much to say about it, so I stop here.