Fenomeni paranormali incontrollabili

Firestarter (1984)

** (out of 4)

Weak adaptation of the Steven King novel about a young child named Charlie (Drew Barrymore) who has the special power of being able to set things on fire by just using her thought. She's on the run with her father (David Keith) from various government people wanting to exploit her talent as she tries to control her gift. I haven't read the novel that this movie is based on so I can't comment on what this got right or wrong. However, I'm one who never expects a movie to follow the book 100% so with that in mind I can only say that this film is a complete mess. Thankfully this thing offers up an all-star cast including some legends because without them this film would be nearly impossible to get through. Clocking in just under two-hours, the film feels twice as long and I think a lot of the blame has to go to director Mark L. Lester. His direction is all over the place and not for a second did I feel any tension in the story and I also thought the pacing was pretty bad. I will say that not all of this might be his fault because the screenplay itself has a fair number of problems. One such problem is that the entire thing never really seems to know what it wants to do. Is it a horror film? Science fiction? Is it trying to be some sort of hard, negative look at the government and their powers? The film is all over the map in regards to what it's trying to do but sadly it doesn't do any of them very well. The performances are actually pretty good and are the best thing in the film. Barrymore delivers a strong and believable performance as the haunting girl and I've always liked Keith in just about everything he's done. Heather Locklear does a nice job in her scenes as the mother and we get vets like Martin Sheen and George C. Scott offering up fine performances. The highlight of the film deals with a couple farmers played by Art Carney and Louise Fletcher. Yes, FIRESTARTER has three Oscar-winning actors. The special effects are another plus and help give the film some energy. I must admit that the entire story struck me as being silly and especially early on as we see Keith's character getting nosebleeds from doing his psychic powers and Barrymore crying from setting people on fire. These scenes really made me laugh the majority of the time and once we keep seeing the same thing over and over it just gets boring.

This movie is about, of course, a girl who can start fires with her mind. Through a series of flashbacks we see how she came about these powers and why the government is now pursuing her. This movie features a few stars such as the title character Drew Barrymore, David Keith, George C. Scott, and Martin Sheen. Keith plays Barrymore's dad and he also has special abilities mainly consisting of a strange ability to control a persons mind. Through the first half of the film we see these two chased by this organization called "the shop" which is actually referred too in a couple of other King novels (never read this one though). The second half has them captured by this organization and performing tests on Barrymore's character. For the most part this movie is very slow moving and a bit confusing. I have watched it a few times and I still am unsure of George C Scott's motivations. You see Charlie (Barrymore) use her powers here and there, but nothing to grand, that is until the end where the movie really ends with a bang.

Firestarter is the story of Charlie (Drew Barrymore at age 8) and Andy, her dad (David Keith), and the people who are trying to imprison, control and/or kill them (Martin Sheen, George C. Scott, Moses Gunn, and others). Charlie is a mutant. Her father and mother were part of an experiment on mutagenic substances performed on college students in the 1960s by The Shop. The experiment gave Andy the ability to control others minds, but the mutation, apparently dormant in his wife, was passed on through the sex chromosome to his daughter. Charlie, quite plainly, can combust virtually anything with her mind.

Though all the acting in this film is good, Barrymore and Scott are truly awesome. Scott plays a brilliant sociopath, and can go from a kindly old Viet Nam vet to a ruthless killer with one quick change of facial expression. And Barrymore (at the age of 8, if you didn't pick up on that the first time I said it) gives her character a fully believable person-hood with great depth.

Like the novel, this is more of a horror-thriller than classic King ghost stories - like The Shining. It is also less classic King horror - like Carrie. And its also not a great drama like Dolores Claiborne, Misery and Stand By Me. Though it fits into roughly the same category as Hearts in Atlantis, it is not a literary as this much later King work and the characters are not as well developed. Although the book could be said to be one of King's earlier experiments with what would become a formula for his lesser works, King's writing is so lucid, and his characters are so interesting, believable and nicely examined, that his 'B fiction' is still somewhat above the average best-seller. The film follows the book very closely, and, like the book, is sort of a prototype for the more formulaic films in the King portfolio.

The directing is very good, the cinematography (especially the effects) is excellent, and the film is, as a whole entertaining. But, for those who have not read the book, the film will likely come off as 'no big deal.' As with many of the more formulaic King-derived films, this is best seen as a cathartic summary of the original work (like Dreamcatchers, Running Man, The Stand, Maximum Overdrive, The Mangler and others).

The main problem with "Firestarter" is it tries to adapt the story of the book faithfully, at the expense of character development. It is impossible to cram a five hundred page book into one two hour movie and make it work favourably. For much of the picture, the pacing feels awkward and rushed, more interested in moving the plot along than developing the characters.

Brian De Palma's "Carrie" followed the story of the book just as closely. But seeing as "Carrie" is less than half the length of "Firestarter", it made for a much more comfortable adaptation.

Stanley Kubrick had the right idea with "the Shining". The book was about the same length as "Firestarter", and as a result the plot was butchered heavily to make it work for the screen. Stephen King (and much of his loyal fanbase) have misgivings about Kubrick's adaptation, a lot of people who love film (and recognise it as the different medium that it is) regard it as a masterpiece.

Mark Lester's "Firestarter" isn't all bad however. George C. Scott's John Rainbird is inspired casting, and probably the best thing this film has going for it. The scene at the Manders' farm, and the conclusion at the Shop's headquarters make for enjoyable viewing and are handled capably.

It's a shame, that as a whole, the film doesn't work too well. I'd definitely like to see this re-adapted into another film or a mini-series. The book isn't exactly King's best, but it has a lot of potential for another screen outing. 5/10

Despite the fact that the films usually revolve around good and interesting stories, film adaptations of Stephen King's works are often not the best horror movies. Firestarter isn't the best known of his books, and that's slightly odd as this film adaptation is one of the best based on his stories. The film takes obvious influence from Brian De Palma's 'The Fury', as aside from the fact that this one is about a young girl that can start fires, and De Palma's film features a boy with psychic abilities; the way that both plots play out is very similar indeed. The plot has a number of problems, and the characters don't always act logically; but this is offset by the likable nature of the film, and characters that are easy to get along with due to their relatively simplistic nature. The film follows the aftermath of an experiment in which people were given an experimental drug. The ultimate result of this experiment was a child born of Andy and Vicky McGee; a child with a unique ability known as 'pyrokinesis' - the ability to start fires at will.

The film benefits from a range of cult stars. A young Drew Barrymore takes the title role, and although her acting skills hadn't been honed by the time this film was released, and she is more than a little bit wooden; she provides an interesting lead. David Keith and Martin Sheen back her up well in supporting roles, but the main acting plaudits go to the great George C. Scott who is good in what is probably the meatiest role of the piece. The running time is a little long for a film like this, but it's well used and the fact that the story doesn't get caught up with needless elements such as the girl's mother and father falling in love is definitely a good thing. The plot is very relaxed for most of the way through, and director Mark L. Lester seems content to just let things play out. That is until the last fifteen minutes; when the plot reaches its full potential and explodes with a fun and exciting finale. The film does feel more than a little bit like a TV movie at times; and the dumbed down techno soundtrack doesn't help this. Overall, the film definitely isn't perfect; but it's an enjoyable watch and King films have definitely been a lot worse!