Il gioco del falco

Excellent drama about 2 alienated, spoiled punks who go afoul of the federal government, each for his own reasons. One, a druggie, just wants to score some bucks for his next fix, but the other has a far more sinister agenda fueled in part by a resentment of his father. Good performances and a hot script makes this a winner.

There is something about true stories that makes them so much more interesting than fiction. I guess it is the fact that truth has always been stranger than fiction. The Falcon and the Snowman tells the true story about Christopher Boyce and his buddy Daulton Lee. Boyce (Hutton) is a former alter boy and intellectual, trying to find an occupation that can support and entertain him. His FBI father is able to pull some strings and get his idealist son a job working in the defense department. Boyce has few responsibilities and seems to be complacent drinking and goofing around with his co-workers. However, as time goes on, Boyce starts to learn top secret information that causes him to doubt the morality of his government. The idealist Boyce soon sees the illegal operations that the CIA is carrying out in above all places, Australia. Boyce eventually decides that he will leak some of the top secret info he is privy to, to the KGB. Of course, Boyce's mistake is the assumption that because the USA is doing bad things, the USSR is the good guy. Over time, Boyce and his drug-dealing buddy Lee (Penn), start to sell their top secret information to the KGB. What was once idealism, turns into capitalism and espionage. The strength of this movie is the incredible performances by Hutton and Penn. Although one of them starts off with the best intentions, they will both soon find themselves in an unending downward spiral. Great direction, music, everything. Not only a great film, but one of my all-time favorites.

John Schelesinger's career as a film director was extraordinary. We had watched this film when it first came out, but wanted to see it again when it showed on cable recently. The film has a faded look, as one watches it today, but still, it is interesting because of the intense performances of the two principals.

If you haven't seen it, please don't read any further.

Chris and Daulton were two childhood friends that came from upper middle class backgrounds. Chris went to enter a seminary to be a priest, but gives up. Daulton became a small time drug user and trafficker. The two lives seem to run parallel as the pair become involved in an illegal activity that will prove their short sightedness. In fact, it shows how both young men miscalculate in their attempt to fool the CIA and the Soviet Union. These two, in a way, were so naive in thinking they could pull something that bigger, and better equipped people couldn't even imagine could be done.

Chris' motivation is legitimate, as he feels outraged in discovering the underhanded role of the agency for which he works in dealing with other nations, in this case Australia, something he finds by sheer coincidence. When he involves Daulton, we know the whole thing is doomed because no one into drugs, as he is, will ever amount to anything. In fact, Chris and Daulton had no conception of the scope of what they are trying to do, or its consequences.

Timothy Hutton was at this period of his career, an actor that was going places. He had proved he had talent with his work in other films, so it was a natural choice for Mr. Schlesinger to select him, a choice that pays off well. Sean Penn, also was a young actor who showed an intensity, like one hadn't seen before. In fact, at times, Mr. Penn, reminded us of a young Robert Mitchum in the making. Both actors' contribution to the film is incredible. One can't think who could have played this duo but them.

"The Falcon and the Snowman", while not up to the par with other great John Schlesinger's movies, is an interesting look to our not too distant past.

Fascinating true-life tale stars Timothy Hutton as Christopher Boyce, a government employee in charge of guarding sensitive documents, who becomes disillusioned and decides to sell those documents to the Soviets. He enlists the help of his drug pusher/user friend Daulton Lee(Sean Penn) to be the go-between. Things go well at first, but of course they are eventually discovered, which leads to devastating consequences for them and their families.

Well directed by John Schlesinger, and solid acting from the two leads, film is a quite interesting and compelling look at the foolish choices these two men make(and why), which makes them traitors. Future "Poirot" star David Suchet is excellent as their Soviet contact.

I think some critic somewhere said this film fell short of being a great film, but was a very good one. That's accurate, you are left wanting to know more. The best performance comes from David Suchet as a sardonic and frequently supercilious Russian. The film commendably avoids trying to make us empaphise with traitors and even manages some humour in all the madness. In one blink or you'll miss it scene, Daulton infiltrates an embassy function where he speaks to a foreign diplomat. "Is this the usual garb of your countrymen?" He asks. "Yes, it's garbage" the man replies.

The film appears open minded about whether Boyce is an idealist or an opportunist who fails to realise the significance of his actions. His confession of having received payment from the Soviets and his cynical dismissing of money as 'never being very important to me' suggests a more amoral stance, but his other remarks perhaps reveal a more complex and sincere character. Boyce seems to be suggesting that any leap forward in technology must also go hand in hand with an equal quantitative one in morality. But I think it was Einstien who said that the bomb has changed everything except the way man thinks. This suggests that Boyce's weary indifference while being interviewed was due to his realisation that this moral leap was beyond man and therefore there was no hope, we are doomed to extinction. All political and religious life had been rendered meaningless to him due to the impermanence of man in the face of super-technology. This may account for his reluctance to recite the 'valley of death' speech to his father, as he knew full well that it's message was also meaningless in the context of modern warfare. No-one, not even the generals would be left standing. Boyce then, was possibly suffering a certain existential despair, as he stated America was the first country to use nuclear weapons. His concern that his betrayal meant little because we are already in jeopardy is even more pertinent today, with more and more countries either acquiring or seeking to acquire nuclear technology. It's rather like a group of toddlers playing with a grenade, passing it around. Say you were to add more grenades, would you then increase the likelihood of an accident such as the pulling out of a pin?

This rare political film asks a more broad and philosophical question, perhaps. If Boyce says he knows something about predatory behaviour (and the film is full of big fish eating little fish motifs) and left the church because he has decided that man is not divine and just another animal, where does that leave man if he cannot ultimately change his nature? The film does not leave you with an answer, merely the fear on the faces of uncomprehending parents and the unseen spectre of a mushroom cloud.