VALUTAZIONE IMDb
5,9/10
5153
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA former assassin comes out of retirement to avenge the brutal murder of his friend at the hands of a sadistic torturer employed by an oppressive foreign dictatorship.A former assassin comes out of retirement to avenge the brutal murder of his friend at the hands of a sadistic torturer employed by an oppressive foreign dictatorship.A former assassin comes out of retirement to avenge the brutal murder of his friend at the hands of a sadistic torturer employed by an oppressive foreign dictatorship.
- Regia
- Sceneggiatura
- Star
José Ferrer
- Dr. Hector Lomelin
- (as Jose Ferrer)
René Enríquez
- Max Ortiz
- (as Rene Enriquez)
Conrad Hool
- Fugitive
- (as Alan Conrad)
Ernesto Gómez Cruz
- Cafe Owner
- (as Ernesto Gomez Cruz)
Angélica Aragón
- Maria
- (as Angelica Aragon)
Recensioni in evidenza
In recent times I've been watching the collaborations between director J. Lee Thompson and actor Charles Bronson with pretty decent results. "The Evil that Men Do" was somewhat an interesting, and cynically effective little shocker. From the very beginning you realise this gritty b-grade fodder is looking to simply shock you with its sadistic subject of torture for political ground, and the hidden acceptance of it in the governments that makes Maher's pitiless character believe his actions of the trade to be far from evil. The material stays powerful, scathing and covered with moral questioning. It's always seems to be about retribution, and finding it in themselves to take that next step. Even when it isn't visually hard-hitting, the despairing oral context can get under your skin. Strictly the tone and style Thompson opts for is unpleasant, rough and ice-cold.
I was engrossed, but then the formula (but still packing an excessive sting) changed to a by-the-numbers revenge spin and an unconvincingly irate Theresa Saldana floods the screen. I just didn't buy her, and the chemistry with Bronson felt weak. Joseph Maher easy performance drips with a strangely subtle intensity of callousness that's purely evil. He's not some demanding, towering presence but those vile sadistic acts, and unflinching cruelty comes second nature for this character, that just listening to his softly spoken voice is very uneasy. Charles Bronson's calculated, stalwart and quite mystique turn is hard to switch off because he makes this character an all-out professional killer with a more humane view of things, and managing to keep his self-righteousness intact.
Thompson's raw, tactical direction utilises the low-budget, and working in its favour is the grimy, fade-out look from the authentically seedy urban consolidations to the sparse desert locations. A harrowing music score by Ken Thorne has a slight and edgy tinge, and Javier Ruvalcaba Cruz's tight, voyeuristic cinematography hit's the mark. When called upon the tension stays hard-boiled, and some scenes pack an abrasive bite as the meaningful violence is highly explicit and explosive. However it's not an all-out torture parade full of senseless snapshots. Antoinette Bower, Jose Ferrer and Max Ortiz offer strong support.
Rather a effortless manner by all, but certainly it does the daring job it sets out to do.
I was engrossed, but then the formula (but still packing an excessive sting) changed to a by-the-numbers revenge spin and an unconvincingly irate Theresa Saldana floods the screen. I just didn't buy her, and the chemistry with Bronson felt weak. Joseph Maher easy performance drips with a strangely subtle intensity of callousness that's purely evil. He's not some demanding, towering presence but those vile sadistic acts, and unflinching cruelty comes second nature for this character, that just listening to his softly spoken voice is very uneasy. Charles Bronson's calculated, stalwart and quite mystique turn is hard to switch off because he makes this character an all-out professional killer with a more humane view of things, and managing to keep his self-righteousness intact.
Thompson's raw, tactical direction utilises the low-budget, and working in its favour is the grimy, fade-out look from the authentically seedy urban consolidations to the sparse desert locations. A harrowing music score by Ken Thorne has a slight and edgy tinge, and Javier Ruvalcaba Cruz's tight, voyeuristic cinematography hit's the mark. When called upon the tension stays hard-boiled, and some scenes pack an abrasive bite as the meaningful violence is highly explicit and explosive. However it's not an all-out torture parade full of senseless snapshots. Antoinette Bower, Jose Ferrer and Max Ortiz offer strong support.
Rather a effortless manner by all, but certainly it does the daring job it sets out to do.
The Evil That Men Do is at once typical and atypical Charles Bronson 1980s fare. On one hand, it contains the grind house trademarks of graphic violence and gratuitous sex that characterized most of Bronson's eighties output. At the same time, it touches on serious political themes that most of his other action films shied away from.
In particular, the film examines the torture being carried out by right wing Latin American regimes during that decade with tacit American support. Unlike most of the right wing vigilante films that Bronson appeared in, this film takes a subtle, if not particularly well explored left wing tack.
The film's violence will not disappoint action or gore fans. The opening torture sequence, reportedly heavily cut, is still quite gruesome. Furthermore, the villains meet some of the nastier deaths in action film history, particularly in the bloody climax. The Columbia / TriStar DVD release renders all this in a beautifully restored print, making it look like it was released yesterday, rather than 26 years ago.
However, one cannot help but wish their had been a more open examination of the political themes that underlie the film, particularly the American involvement in human rights abuses. The film itself begs for a remake, focusing on torture during the War on Terror.
In particular, the film examines the torture being carried out by right wing Latin American regimes during that decade with tacit American support. Unlike most of the right wing vigilante films that Bronson appeared in, this film takes a subtle, if not particularly well explored left wing tack.
The film's violence will not disappoint action or gore fans. The opening torture sequence, reportedly heavily cut, is still quite gruesome. Furthermore, the villains meet some of the nastier deaths in action film history, particularly in the bloody climax. The Columbia / TriStar DVD release renders all this in a beautifully restored print, making it look like it was released yesterday, rather than 26 years ago.
However, one cannot help but wish their had been a more open examination of the political themes that underlie the film, particularly the American involvement in human rights abuses. The film itself begs for a remake, focusing on torture during the War on Terror.
I am surprised there is so much negative buzz around this film. I found it to be well acted and well done. I felt that the villain and his sister in the film were chillingly scary. Bronson acts as natural as can be and is more realistic and cool than today's action film stars. The film did have its quirks ( Was the daughter's voice dubbed in ?) But hearing the voice on the videos about the doctor, and the opening scene give you a chill. This film is no more violent than those of today, so I don't understand the criticism. The film has a good cast and keeps your attention, although I wish there was more of the Dr.'s sister in the film. Those of you that like action and vengeance should definitely check this one out.
Stumbling upon this 1984 movie by random chance in 2023 and seeing that it starred Charles Bronson, of course I opted to sit down and watch it.
I had actually never heard about this movie before, so I didn't know what I was in for here. So writer John Crowther and Fred A. Wyler had every opportunity to entertain me with this movie.
The storyline in "The Evil That Men Do" was entertaining enough for what it turned out to be. It wasn't, however, the best of Charles Bronson movies. And that being said, don't get me wrong, because it definitely is a watchable movie, it just was sort of bland in a way.
The movie does have some familiar faces on the cast list, aside from Charles Bronson himself, with the likes of Joseph Maher, John Glover, Roger Cudney and Joe Seneca.
As it turned out, then I hadn't exactly been missing out on a particularly outstanding Charles Bronson feature here. And now that I have seen it, I doubt that I will actually ever return to watch it a second time, because the storyline just didn't have all that much appeal.
My rating of director J. Lee Thompson's 1984 movie "The Evil That Men Do" lands on a five out of ten stars.
I had actually never heard about this movie before, so I didn't know what I was in for here. So writer John Crowther and Fred A. Wyler had every opportunity to entertain me with this movie.
The storyline in "The Evil That Men Do" was entertaining enough for what it turned out to be. It wasn't, however, the best of Charles Bronson movies. And that being said, don't get me wrong, because it definitely is a watchable movie, it just was sort of bland in a way.
The movie does have some familiar faces on the cast list, aside from Charles Bronson himself, with the likes of Joseph Maher, John Glover, Roger Cudney and Joe Seneca.
As it turned out, then I hadn't exactly been missing out on a particularly outstanding Charles Bronson feature here. And now that I have seen it, I doubt that I will actually ever return to watch it a second time, because the storyline just didn't have all that much appeal.
My rating of director J. Lee Thompson's 1984 movie "The Evil That Men Do" lands on a five out of ten stars.
This movie was a foray into the darker sides of men. It was released in the final-wave post WWII 'man hunt' era, and the midsts of human rights troubles in various parts of the world where governments tried to rule by violence. The year of its release '1984' is probably not an accident either.
Unfortunately, this movie quickly fell victim to the 'PC' culture, apparently, and with a few snips of the sissors became nothing but a hollow vision of barely believable evil.
This movie, largely because of the now 'missing' scenes, etched its message deeply upon me the first time I saw it. The second time I saw it, those scenes were gone. And they are not in either of the 2 VHS releases I have.
Playings on both pay and free TV over the past decade have cut out (at least) the first scene where the 'doctor' discusses and demonstrates the differences in torturing men vs women. Without that opening scene, many of the following scenes and much of the movie become pointless depictions of torture without the insights into the deepest 'evil that men do.'
Admittedly, even with those scenes, it was not Charles Bronson's best, yet any movie that etches itself as deeply, and as hauntingly upon the memory is worth seeing at least once, uncut.
Unfortunately, this movie quickly fell victim to the 'PC' culture, apparently, and with a few snips of the sissors became nothing but a hollow vision of barely believable evil.
This movie, largely because of the now 'missing' scenes, etched its message deeply upon me the first time I saw it. The second time I saw it, those scenes were gone. And they are not in either of the 2 VHS releases I have.
Playings on both pay and free TV over the past decade have cut out (at least) the first scene where the 'doctor' discusses and demonstrates the differences in torturing men vs women. Without that opening scene, many of the following scenes and much of the movie become pointless depictions of torture without the insights into the deepest 'evil that men do.'
Admittedly, even with those scenes, it was not Charles Bronson's best, yet any movie that etches itself as deeply, and as hauntingly upon the memory is worth seeing at least once, uncut.
Lo sapevi?
- QuizIt was originally intended that Bronson's real-life wife Jill Ireland play Bronson's leading lady, but as associate producer she advocated for Theresa Saldana to play the role. Saldana had survived being stabbed by an obsessive stalker only two years earlier and was looking to get back into acting in films. After much debate with the producers, Saldana was allowed to play the role and insisted on doing some of her own stunts to prove she was physically all right. That same year, Saldana played herself in the film Victims for Victims: The Theresa Saldana Story (1984), which re-enacted her miraculous survival of the murder attempt.
- BlooperThe doctor's Mercury Grand Marquis which is attacked by the miners during the climax switches from an early 1980s model to a 1974 Ford LTD.
- Curiosità sui creditiWriters R. Lance Hill and David Lee Henry are the same person. Hill was given the chance to adapt his own novel but used the pseudonym David Lee Henry. His work on the script was eventually written out by John Crowther, though the pseudonym of Henry still received a credit.
- Versioni alternativeThe original UK cinema version was cut by 52 secs by the BBFC with a further 10 secs being cut from the video release. The electricity torture scene was very heavily edited and the film also suffered cuts from the opening fight in the bar and assorted gunshot wounds. All BBFC cuts were restored in the 2007 Network DVD release, though the print used is the U.S R-rated version and missing brief blood spurts from the shooting of Briggs and Randolph's gory death.
- ConnessioniFeatured in Remo, Rambo, Reagan and Reds: The Eighties Action Movie Explosion (2014)
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Dettagli
Botteghino
- Budget
- 4.600.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 13.102.025 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.538.400 USD
- 23 set 1984
- Lordo in tutto il mondo
- 13.102.025 USD
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