Country

"Country" was filmed in 3 miles north and 1 mile west of Dunkerton, IA. A deserted farmstead was selected for the film because it was a surprise that Iowa had modern farm homes. I lived 8 miles from the farm used on a farm of my own. I knew at least 8 of the extras in the movie, so I'm fairly confident of my facts. A number of the farmers in the movie were in fact retired farmers. Reagonomics was the cause of nearly of the the farmers problems. The FHA and bank had encouraged farmers to expand their farm operations. Shortly after they had made huge financial commitments grain and livestock prices dropped drastically. Neither the FHA or banks were overly sympathetic to their plights. The relationship of the Ivy family is very believable and touching, as is Jewels attempt to rally support from among the neighbor farmers. The auction has a basis in history referred to as the "nickel" auctions. During the 30's as farmers were foreclosed on the neighbors would bid a nickel on a piece of equipment and when winning the bid return it to the farmer as a gift. It was their way to support those that supported them. Oh, by the way the guy yelling who gets the money is my dad, and he and his dad went to these nickel auctions. If I can answer and further question about the area etc., contact me at, stoutwood50@aol.com Tag it Country questions.

Thematically comparable to "The Grapes Of Wrath", "Country" pits a modern Iowa farm family against an imperial American government, via oppressive FHA agency bureaucrats, who intend to execute farm foreclosures on rural residents who can't pay back their loans.

The plot focuses on details of the family's everyday life, and the grief the FHA causes. Characters spend a lot of time at the dinner table talking and eating. Outdoor shots feature a typical Midwest farm setting. Absence of background music in some segments, detailed production design, and ambient sound effects all combine to convey a heightened sense of realism. Overall acting trends well above average. Jessica Lange is quite good as the mother who holds the family together and takes action against the FHA.

On the other hand, the setting and the characters tend to be stereotypical and shallow, except perhaps for the father.

Good editing keeps the plot moving. Even so, I don't think this film would fly today. It's too quiet, too introspective, too slow for modern, especially urban, viewers. Which is unfortunate, because the film speaks to ordinary people regardless of whether they live in cities or on farms.

Politically, I'm afraid that not a lot has changed in America since this film was released in 1984. Imperial institutions still oppress and tyrannize. And films like "Country", "The Grapes Of Wrath", and others, effectively document this tragic historical reality.

In 1984, there were three films produced about farm life in the midwest. The first, and best film, "Places in the Heart" showcased an older form of life, a world where the farmer's only real enemy was nature; human or mother. The second two - "The River" and this film, "Country" - focused on the modern (for 1984, that is) struggles of farming the land. Of those two films, "Country" is the better. The real curious problem with "The River" is that it failed to show the average person's life. It felt more like a disaster movie, and the farmer seemed more like a poor, pathetic loser than a noble man trying to stay alive.

The main thing that holds it all together is Richard Pearce, a director who makes personal, legitimate films as opposed to big events and images. Five years earlier, he covered similar ground in his first film, "Heartland". I'm a firm believer that great cinematography can make a great film. If something is worth looking at, the first steps are already covered. It's not that David M. Walsh is necessarily shooting in a mindblowing, new way, but Pearce gives him wonderful things to photograph. There's so much time given to just let things happen. The final scene is a perfect example. The wordless, drawn-out connection of two humans. It seems to go forever. This film lets you watch at the most perfect, crucial moments.

The actors. What can I say about them? They're utterly convincing, and that's got to be the main and almighty concern for any film-goer. Jessica Lange, Sam Shepard, and Wilford Brimley are all more human than some of the bigger stars that might have been picked to act in such a film. They still have that sense of not being watched, at least enough so that they can live a character untouched. Lange, who I've seen in several films, never quite impressed me like she does here. Brimley, the glorious character actor who made a career in the 1980s playing 'that guy' in quiet dramas, is very much welcome here. In fact, I can't ever remember an instance when I regretted seeing him on film. He adds needed personality to the mix. The children (played by Theresa Graham and Levi Knebel) don't ever feel less than perfectly real.

There are a lot of parts to this film, passages and images. In fact, that's what most makes it all work. If one thought feels out of place, humanity strikes again like lightning. Yes, there is the obligatory Big Statement scene, where the music swells and all poor farmers rise up against the Man. And yes, it is almost that bad. But even though it might make your eyes roll, there's far too much real life and human subtlety on display in "Country" for such a tired scene to crush it.

Richard Pearce directs true, quiet dramas. If you want more of what you felt watching this, seek out these other films by him - Threshold (1981), The Long Walk Home (1990), A Family Thing (1996).

A good farm film should be as grimy as the main characters' fingernails after a day in the field and that's exactly what "Country" is. I was impressed by the tenderness of the acting and the unvarnished nature of the writing. This is one of those kitchen-sink dramas where voices are hardly raised and tears fall silently, without a scene being made by the character who is letting them go.

Jessica Lange and Sam Shepard are two of the finest actors of their generation and they prove it further here. Lange produces some moments of genuine strength that will inspire you and real vulnerability that will move you, all without ever taking it over the top. The whole feeling of this film is even and sure handed, even though it deals with some heavy subject matter like toxic pride and unethical lending practices.

Wilford Brimley also turns in one hell of a performance here as Lange's father. His mannerisms are so real and his powerful eyes just make his presence magnetic in every scene he's in.

"Country" is a must see for fans of movies that tell a great story without flare or easy answers.

Like "The Grapes of Wrath" before it, Richard Pearce's "Country" is about poverty-stricken farmers up against the banks and the kind of weather that could wipe them out in an instant. It may lack the poetry of Ford's masterpiece but Pearce gives it a wonderful documentary-like feeling helped by terrifically naturalistic performances from Jessica Lange and Sam Shepard. Its dramas don't feel manufactured, just as the family at its centre feel like a proper family, despite the obvious star quality of its leads. It is, in fact, the kind of film Americans do better than almost anyone else when they set their minds to it; strong, honest and intelligent and it seldom puts a foot wrong. I'm just amazed Pearce's career never really went anywhere.