Carmen

I'm not an opera fan ... mainly because the words usually seem so trite compared to the music which carries the real meaning of the story and actions. Anyway, after years of enjoying the music without ever seeing the Opera of Carmen I watched this video and am totally enthralled! Bravo! Encore! Francesco Rosi certainly brings the story to life in a most wonderful way using the medium of film ... Bravo! Encore!!! Bravo!!!

I want to comment on the review of Mike. The fact that he writes: "the vast armpit hair on Carmen" and that he finds the subtitles annoying doesn't make a movie awful. He watched the movie against his will at school. But if you do enjoy opera, and realise that in the time this movie is shot or represents the ladies didn't shave there armpits this is a pretty good movie. Good sets, deep, classic story and the camera work is okay but what can you aspect from an opera that is written to be watched from just 1 angle, the audience in front of the stage. This movie is a French classic with all the good singing of an opera, good sets, average camerawork and good stage acting. (An opera is always more body language because of the fact it used to be in a hard language to be understanded from the "normal" people.). So, enjoy this movie!

It was a wonderful way to welcome in 2006: TFO presented this classic opera-film for my complete enjoyment. Francesco Rosi made some classic films in Italy (Salvatore Giuliano, The Mattei Affair) and he knows how to mix violence and passion with ravishing music. If Placido Domingo's face doesn't show very much of the emotion that boils below the surface, his voice is sublime. He was the best Don Jose I have ever heard.

Julia Migenes would not be called beautiful, but she knows how to portray the sluttish and irresponsible sides of Carmen. You know this woman is not going to achieve lasting happiness because of her volatile, impulsive nature. Ruggero Raimondi as Escamillo shows why he could get women with animal magnetism. The parting of Jose and Carmen outside the arena is wonderfully poignant, a triumph of direction and acting.

Julia M-J oozes sexuality. She is the most erotic Carmen I have ever seen at the Met, Statsoper, Covent Garden, La Scala, on TV or in flicks and I go back to the forties. The photography is superb, it gives a sun drenched washed out effect that takes you back in time when all that happens is where you want to be. People have trashed the opening Bullfight background to the overture, I don't agree but then I am not very PC and don't believe in a sanitized blood free world. In the context of a nineteenth century opera it's valid. So listen to a young Domingo and watch Julia Mi-J have her way with him. I wold rate this as an opera movie second only to the Domingo-Richiarelli Otello.

Julia M-G is amazing! Despite not being the most physically stunning of women, she radiates such fire that you cannot help but see how every man she walks by falls in love with her version of Carmen. Placido Domingo, of course, is superb (and it's cool to see him when he was young and relatively slender). The movie is shot beautifully, on location in Spain, and the little details of the setting add to the pleasure of watching this wonderful film. I'll admit up front that I'm not a real opera connoisseur. In fact, there are not that many operas I really like. This movie is pretty much the entire reason I started enjoying opera at all, and it has become for me the standard against which I judge all renditions of Carmen. Obviously, most Americans won't like this movie, but then again, it wasn't made for them.