Recensioni degli utenti

It's interesting to see Irish reviewers' takes on movies like this. I haven't seen Cal in years, but I still listen to the beautiful soundtrack by Mark Knopfler. I put it on this morning, which is why I thought to look up the movie here.

I remember being captivated by the drama of this young kid in over his head, both with the IRA and in his romance with an older woman. The scenes had a raw grittiness that felt very real to me when I saw it in the theater, back in the mid-1980s.

So it's surprising to me to hear the film described by at least one reviewer here as both unlikely and clichéd. And I can't argue with that, in terms of history or culture or politics, because I wasn't there. Anyone who lived in Belfast at the time would surely have a more realistic view of the IRA and of Irish culture than I do.

But this morning, my young son looked up when that first song came on, and gave me a look, like, "What in the world is this?" After the song ended, he said, "Dad, it's so beautiful, it almost hurts." That's how I always felt about Cal. I'm a sucker for anything that's both beautiful and sad. That's how I remember the movie.

Although I had never watched this because it was rather difficult for me so that the IRA and the bombs still so near in the 70s. But when I saw Neil Jordan's, the wonderful, Angel (1982) I bought it. But I still didn't watch it although after I'd seen Kenneth Branagh's Belfast (2021) then I thought surely I was brave enough to watch this. Of course it turns out that it is not at all terrible or harrowing and it becomes to be more like a romance. There is still some killing and fighting and burning but nothing like as it could have been. It begins well but becomes just a bit silly towards the end. I also thought that Helen Mirren was fine but no idea how she had an award at Cannes. She had been fantastic in The Long Good Friday (1980) and also Hussy the same year and even rather brave with Caligula (1979). I guess that it was difficult doing, The Cook, the Thief & Her Lover (1989) but was one of her best but Cal is only okay.

"The wages of sin is death" ---Romans 8:5. That's the board nailed on a tree by a priest soon after the opening credits. Lots of killings and finally the wages of sin is indeed death. Ordinary tale of the hatred between the Protestants and Catholics in Northern Ireland. However, Ms (Dame) Helen Mirren is truly wonderful in this film, deserving of her Cannes Best Actress win for her role here.

A lot of people will miss the meaning of this film. Only those who are from Northern Ireland or who "know" the truth about Northern Ireland will appreciate this movie. A classic!!

This story is truly a tragedy about Northern Ireland. The protagonist is Cal, a sensitive and aimless working-class Catholic youth in Ulster. Cal holds down various low-paying manual jobs during the day and at night, sometimes performs services for the Irish Republican Army, even though he's only a minor participant. In his most significant job, he becomes the getaway driver for the killer of a Protestant policeman, an assignment which upsets him greatly. A year later, he meets Marcella, a lonely, widowed librarian and becomes infatuated with her, and they drift into an affair. However, he learns to his horror that her late husband was the murdered policeman and can't bring himself to tell her. Meanwhile, both the law and the I.R.A. are beginning to close in on him. The film's intentions are good. It's an attempt to tell the story of ordinary people trapped in a place and time of political violence that damages everyone and everything around it, and forces people to make decisions that inevitably have tragic consequences. Unfortunately, there is too much tragedy, too much sadness, so much that it becomes hard to believe. The lead characters are a problem, too. The are weak and resigned people who can only evoke pity. You certainly cannot cheer them on like you could stronger people, the kinds of people who make good things happen for them. The result is tragedy overkill. Eventually, the viewer will also become resigned and glum.

Catholic "Cal" (John Lynch) lives with his father (Donal McCann) in an overwhelmingly Protestant area under constant threat of being burned out. They are determined not to be forced from their home, even when things turn violent, but this isn't the young man's only exposure to thuggery. He has been a driver for Republican hit-man "Crilly" (Stevan Rimkus) and his boss "Skeffington" (John Kavanagh) and that has left him with a dark secret to keep as well as a reluctance to join their crusade. Meantime, he has taken a bit of a shine to widowed local librarian "Marcella" (Helen Mirren) who lives out of town at her family's farmhouse. Her husband was an RUC officer gunned down on his doorstep whilst her grandfather was also badly wounded. "Cal" now orchestrates a plan to befriend the woman and as the story develops, we learn more of what connects and may ultimately destroy the pair. Largely, I thought, down to Ray McAnally's stoic "Dunlop", this is quite a telling evaluation of the "troubles" in Northern Ireland (where it was considered too dangerous to actually film this). His characterisation of their farm manager brings home the realisation that there were "bastards on both sides", and the random brutality - though stylised to avoid being excessive - goes some way to illustrate not just the hatred but also the extent to which that permeated through a society viscerally divided. Flags were symbols and weapons here as much as they ever were during the Battle of the Boyne. Mirren isn't the best here. Her underwhelming efforts border on the simpering at times and with the denouement fairly obvious from the start, the story itself doesn't really ever ignite. Mark Knopfler provided the score, but even that only really delivered a few recognisable bars now and again rather than anything more substantial, and maybe that just summed the whole thing up as a rather bitty romance set in what is little better than a guerrilla war zone. It is worth a watch and certainly resonated more as the IRA and a newly invigorated and re-elected British government showed little sign of compromise at the time, but even there it really underplays the sinister nature of what was every day life - for both traditions.

I enjoyed this film very much particularly because of its Irish flavor. John Lynch is incredibly real as an IRA member(not of his own doing) who really hasn't the stomach for it. Everything about the film is as it should be. Lynch's long suffering Cal who has helped murder the Protestant husband of the woman he is now infatuated with is wonderfully portrayed. Day to day life of the people is almost like watching a documentary. Cal's guilt-ridden life couldn't be more boring from playing his guitar to borrowing tapes at the library to spying on Marcella all the time aware that the UVC will burn him and his "Da" out.

Love the Irish lingo and wit as well as the Uilleann pipes and traditional Irish soundtrack that make it sing. The sensual relationship between Cal and Marcella is bound to take off but you know it is doomed from the start. Two people searching for meaning in a harsh and lonely world. Helen Mirren gives another great performance as the unsatisfied older woman giving in to love. If you want to see a simple film about real people don't miss this sad, revealing tale.

One of my all time favorites.

A strangely and unhappily compelling film from the pen over the wildly over-rated Bernard MacLaverty. The script piles improbability on improbability but, given that its premise is so unlikely, perhaps that is the point, a kind of coincidental momentum of the poor and the bad.

Helen Mirren doesn't fare too well as an RUC widow - there are many Irish actresses who could have suited and played this role much more convincingly. John Lynch is fine, looks the part, capturing something of the long-haired, unwashed aesthetic of the hunger-strikers of the time. The best performance is easily by Donal McCann as Lynch's Da, greasily working up a sweat at the local slaughterhouse. Ray McAnally is wasted in a small part.

I wouldn't recommend it to anyone, but it's an interesting addition to the Troubles archive. Some fine photography and backdrops go a long way towards salvaging a rotten script.

Irish romantic drama with Helen Mirren and John Lynch

This film by Pat O'Connor from 1984 is a memory of English lessons at the reformed high school in the Federal Republic of Germany. The atmospherically dense and well-acted film is based on the novella of the same name by the Irish author Bernard MacLaverty (*1942), who also wrote the screenplay. The great music comes from Mark Knopfler (Dire Straits), the camera was directed by Jerzy Zielinski from Poland. The film was shot in the eastern Irish port town of Drogheda.

The story is told by Cal (John Lynch, *1961). Young, unemployed and without direction, he provides driving services for the underground IRA. He also took part in the murder of an RUC member. About a year after this crime, he met the attractive Marcella Morton (Helen Mirren, *1945) in the city library, who immediately captivated the young man. It turns out that the Catholic woman was married to the murdered RUC member. Nevertheless, young Cal begins an affair with the slightly older woman...

The Northern Ireland conflict was still very present in the early 1990s when I saw the film for the first time. The later ACADEMY AWARD winner Helen Mirren (she won the award in 2007 for her role in THE QUEEN) acts so impressively in this film that she was awarded the Silver Palm at the Cannes Film Festival. It is completely clear to the viewer why Cal immediately falls in love with this woman. A fantastic performance by this great actress!

Many many years ago (late 80s) in a town near by I entered a record store and saw a sound track album by Mark Knopfler for a film called Cal.

Recorded at the same time and place as mega hit album Brothers in Arms, in the same way as Private Investigations and Local Hero the 2 albums had been done concurrently. Cal (the Album) contains the music that was not used on BiA, for what ever reason, wrong Vibe, too much like, whatever it is Mark's intimate music at that time.

Unlike Local Hero the film is a very sad, and much as I've tried to like it I cannot. Thankfully the cause of this story is now lost and hopefully forever.

I wold recommend the Album to anyone, but the film to no one.

the atmosphere, the predictable end, Cal as a kind of new Raskolnikov, the love story , the cinematography, all, each are pieces of a beautiful film about pain, past and regrets. and this is the explanation why "Cal" remains, against the errors, a gem . because it reflects, in delicate-precise manner, a state. ambiguous, profound, Irish at whole, shadow of deep solitude and the illusion to escape from yourself. and, sure, the chance to have two great actors in the lead roles is one of the good things. but its force is result of the belief in the second chance. and in the forgiveness who could change everything. in essence, it is the film of John Lynch who gives a splendid Cal. but, in same measure, it is one of films for remember. not only the traces of the past. but the price of its errors.

The film "Cal" is about a young boy who falls in love with Marcella, both Catholic. Cal "works" for the IRA, and he participated in the killing of Marcella's husband. Cal wants to get out of the IRA, but that's not too easy. Anyway, the whole story is really about the relationship between Cal and Marcella, a great Irish love story. A story with an Irish ending...