La Medusa

There is a much bigger story here than I'd spelled out in the script. Think about it. Don't be distracted by the nudity and undressing. That's not the story. Consider how did Chris get to know certain people when she was 16. How did her mom not know? Why is Dad acting so detached? Put all that together and the real story comes out. No, you are not led by the hand. No, you are not explained the most intriguing part of this drama. And no, you shouldn't act as though a topless beach club is risque in France. Just down from this club is a fully nude beach club. This is normal in Saint Tropez. No no no! Don't be distracted. Dig into this story and find the true villains. The first thing I said to my wife when the movie ended: now here's a movie that gives people a lot to consider when it's over.

I choose that movie spontaneously. I never heard that movie before and don't know any actor or actress but when I watch I aware that the movie totally touches the emotions about love and relationships belong the family, lovers and humans. On the other hand the time has chosen specifically. Because the side of the sea during the summer love is alive every time. So I love the subject and I started to follow the director's other movies. I believe that I can really find very important character analysis in other movies too. Entirely when you watch that movie just focus on the relationship. Absolutely you will find very unique behaviours. Keep going 👏🏼

Chris (Valerie Kaprisky) and her mother Claude (Caroline Cellier) are spending their vacation at a beach resort in the Côte d'Azur. Chris is an 18 year old teenager that is searching for her place in the world – she is sensitive, amoral, egocentric, erratic… and to get what she wants she doesn't mind trampling on other people. There's a hidden rivalry between Chris and her mother, Claude. Chris watches Claude and her relationships with a mixed feeling of jealousy and indignation, but the funny thing is that her mother seems not to be aware of what's taking place within Chris's mind. Chris has many relationships – She is sweet and dangerous - Chris takes people, uses them and disposes of them - she destroys them if necessary. But Chris feels also insecure and doesn't really know what she wants and where to go.

The Côte d'Azur of the 80s is very freewheeling. Mother (Claude) and daughter (Chris) sunbathe topless (all the women on the beach do the same), and nudity is no problem at all in "L'Année des Meduses" (The year of the jellyfish). The beautiful Valerie Kaprisky appears frequently naked, but "The year of the jellyfish" is not an exploitation film and the nudity comes naturally - it plays an important part in the environment described by the film. People go to the Côte d'Azur (or any other beach resort) not just to swim, enjoy the scenery or go to discos - they are also looking for something different… different love games, new thrills etc...

There's a difference between "The year of the jellyfish" and the similar-themed Italian films of the 70s (perverse/sweet teenage girl). The Italian films (at least those that I've seen), are sexual/romantic (sex and fantasy) and they may be cynical, but many of them are also a bit naive and sentimental. "The year of the jellyfish", on the other hand, is more grim, but it's neither a gray, nor an existentialist film - there's the Côte d'Azur, the girls, the beautiful scenery and the blue sky… and the film displays a subtle irony and sense of humor. Besides showing a greater sense of reality there's sometimes a discreet poetry in its images.

Those that are tired of the conventional youth films made nowadays should check out "The year of the jellyfish" – it's a breath of fresh air.

A tedious, drawn out film about rich French people lounging on the beach, screwing each other and playing social power games.

Main character is a narcissistic teenage girl who likes to manipulate and seduce people.

None of the characters are likeable and are hardly relatable. They are all vapid and sometimes despicable. That is probably the point of the film, but it is difficult to suspend your disbelief when you can't relate to a single character in the film.

The movie did not need to be two hours long. There is probably a combined total 30+ minutes of close-up shots of the lead actress just staring past the camera.

The only redeemable parts about the film are that it does a good job of immersing the viewer in the setting, is sometimes sexy and has good cinematography and editing.

This is only a passable thriller I guess, but I found it interesting for several reasons. First, it is surprisingly trashy and unpretentious for a French movie. While the Italians and the Spanish have made tons of movies like this, the French have always seemed more hesitant to make flat-out genre or exploitation movies without a lot of high-art pretensions. This film is a trashy "lethal Lolita"-type flick along the lines of "Pretty Poison" or "The Crush" (or Italian equivalents like "Peccati di gioventu"). The cinematography, however, is quite impressive--up to the high French standards of arthouse films like "Pauline on the Beach" or "One Wild Moment". It helps that, like those movies, it was filmed in a cinematographer's paradise, the south of France. And, of course, it also features the very, um, photogenic Valerie Kaprisky (who is usually topless and often completely nude) as the lethal Lolita. Kaprisky was in some pretty interesting French movies like this and "La Femme Publique" before she was no doubt black-balled for appearing in the horrible Hollywood remake of "Breathless" with Richard Gere. This one is pretty hard to find, but is definitely worth looking for.