Un milionario morente trasferisce la sua anima in una donna più giovane. Tuttavia, qualcosa va storto, e lei si ritrova nel corpo del suo avvocato - insieme all'avvocato.Un milionario morente trasferisce la sua anima in una donna più giovane. Tuttavia, qualcosa va storto, e lei si ritrova nel corpo del suo avvocato - insieme all'avvocato.Un milionario morente trasferisce la sua anima in una donna più giovane. Tuttavia, qualcosa va storto, e lei si ritrova nel corpo del suo avvocato - insieme all'avvocato.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 3 candidature totali
- Peggy Schuyler
- (as Madolyn Smith)
Recensioni in evidenza
Starting with THE JERK (1979), Martin and Reiner would make 4 films together the last of which was the 1984 comedy ALL OF ME starring Martin and Lilly Tomlin. And like all Reiner/Martin comedies this one is smartly written with heart and a physically comedic performance by Martin that must be seen to believed.
Martin stars as Lawyer Martin Cobb, an aspiring musician who views his lawyer job as a means to support his dream of becoming a musician. Lilly Tomlin co-stars as one of Martin's clients - a dour, serious millionaire who's dying wish is to have her soul transferred into the body of a younger woman. When the transfer goes wrong, Tomlin finds herself inside Martin's body and the two polar opposites spar each other whilst inside the same body.
A pretty ridiculous premise that is executed wonderfully under the watchful Direction of Reiner. He pushes the premise far - but not too far - focusing (wisely) most of the attention of this movie on Martin and his body's maniacal behavior as both Martin and Tomlin wrestle for control of his body.
Martin, of course, is perfectly cast in a role that was tailor made for him. His physical comedy skills are well used by Reiner and the scene of Martin walking down the street in control of the left side of his body while Tomlin is in control of the right side of his body is worth the price of admission right there. But Martin brings a heart and warmth to his character as well as his well known personae of a person who thinks he is the only sane one in the room - where, in fact, he is the INSANE one.
Tomlin fares less well in her role - being trapped (literally) inside Martin's body and is only seen as reflections in a mirror. Here character is the polar opposite of Martin's, so while Martin is "wild and crazy", she is dour and buttoned up - and this doesn't do her any favors.
Special notice needs to be made of Richard Libertini's turn as Prahka Lasa, the well-meaning "yogi" who is the conduit of the body switching soul. His limited English, earnest and well meaning almost steals the film from Martin.
All in all, an enjoyable evening at the movies which showcases Reiner's ability as a Director and Martin's ability as a gifted, physical comedian very well.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
This is a great movie, & was made when Steve Martin was still funny (remember "The Man with Two Brains"? In that sort of vein of comedy, not the abortive attempts of LA Story, Sgt Bilko, etc, etc, etc).
Great performances from Steve Martin, Lily Tomlinson is absolutely fantastic & Victoria Tennent as the pretty but evil conniving bitch is great fun to watch.
Not the best comedy of all time, but one of Steve Martin's best movies! Check it out just for the court room scene!!!
With Edwina controlling one half of Roger's body, the silver haired comedian is given ample opportunity to showcase his wacky style of comedy and does so with gusto; the result is a memorable central performance from Martin in a consistently funny film that also sees co-star Tomlin on fine form as the lonely rich woman who, in death, learns to enjoy life and who finally makes a friend.
Breezy direction from Reiner ensures a lively pace, the action accompanied by a suitably jazzy score, with comedy highlights including Roger visiting the men's room with a little help from Edwina (tap tap), a hilarious courtroom scene wherein Edwina takes control while Roger sleeps, and a wonderfully silly bedroom scene where Roger attempts to have sex with Terry while Edwina is taking a nap.
Lo sapevi?
- QuizTeddy Edwards: The tenor saxophonist legend in the funeral scene as a band leader on bass drum leading the Dixieland Band.
- BlooperAfter Edwina enters Roger's body and they use the bathroom for the first time, there are stalls behind Edwina. Behind Roger there is a wall. The same thing should be seen since he's looking into a mirror.
- Citazioni
Edwina Cutwater: What is so important about sex?
Roger Cobb: What's so important about sex? That's like "What's important about laughing?" Or," "Duke Ellington" or the "World Series"? It's one of those things that makes you feel like you're really - living, Iike you're glad to be alive!
Edwina Cutwater: I am already glad to be alive. I don't need to play 'tonsil hockey' with some English tart to feel good. I already feel good. I feel wonderful In fact, I feel - quite tingly!
Roger Cobb: Yeah, that's right. Those are my tingles you're feeling.
Edwina Cutwater: What do you mean?
Roger Cobb: It's called "sexual - excitement".
Edwina Cutwater: It is?
Roger Cobb: Yes. If you think this feels good, wait'll you feel what hot, passionate boffing feels like.
Edwina Cutwater: And what happens? Bigger tingles?
Roger Cobb: Oh! Major tingles.
Edwina Cutwater: But, will she still respect us tomorrow?
Roger Cobb: She doesn't respect us now!
Edwina Cutwater: Let's boff.
- Versioni alternativeABC edited 3 minutes from this film for its 1987 network television premiere.
- Colonne sonoreAll of Me
Written by Seymour Simons and Gerald Marks
Performed by Joe Williams
Arranged by Billy May
Courtesy of Bourne Company
Played in closing credits
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- Mi otra mitad
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Botteghino
- Lordo Stati Uniti e Canada
- 36.403.064 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5.803.848 USD
- 23 set 1984
- Lordo in tutto il mondo
- 36.403.064 USD