VALUTAZIONE IMDb
5,9/10
14.769
LA TUA VALUTAZIONE
Un gangster assume un ex giocatore di football per trovare la sua ragazza. Quando la trova, si innamorano e iniziano i guai.Un gangster assume un ex giocatore di football per trovare la sua ragazza. Quando la trova, si innamorano e iniziano i guai.Un gangster assume un ex giocatore di football per trovare la sua ragazza. Quando la trova, si innamorano e iniziano i guai.
- Candidato a 1 Oscar
- 3 vittorie e 3 candidature totali
Recensioni in evidenza
Loosely based on a 1947 film noir, "Out of the Past," Taylor Hackford's "Against All Odds" has strong performances in all but the most critical role. Jessie, a confused disoriented heiress, is the romantic obsession of two men and the crux of the film's action. However, Rachel Ward fails to convince that Jessie could obsess anyone with her flat delivery and phoned-in performance. Jessie runs off to Mexico to snorkel and shop, and her gangster boyfriend hires an injured football player to find her. Sending a handsome hunky athlete off to find your girlfriend at the beach is not an inspired idea, and both the expected and the unexpected ensue. The twisted convoluted tale occasionally meanders, and the pacing falters at times. However, when the sweaty romantic scenes are over, the plot manages to re-energize and re-capture attention towards the fade out.
Despite her physical beauty, Ward is the black hole at the film's center. However, her two co-stars are more captivating. James Woods can play slimy gangsters in his sleep, and his Jake Wise is appropriately chilling and creepy, which makes Jessie's attraction to him even less convincing. Evidently Jake had a brain fart when he decided to hire Terry Brogan to search for the girl who deserted him, because Jake and Terry are worlds apart in the looks and charm departments. Jeff Bridges's athletic Terry, who has history with Jake, is unwittingly drawn into a vortex of corruption during his search for Jessie. Although always watchable, Jeff Bridges has had better and more demanding roles than an injured jock playing private eye. Despite a decent script adapted by Eric Hughes from Daniel Mainwaring's original, the film's central mystery is why Jake and Terry would be hopelessly drawn to a shallow drifter like Jessie. Ward received top billing over Bridges and Woods, another mystery as baffling as any in the plot.
Experienced veterans provide solid supporting performances, led by a still-handsome Richard Widmark, who, at age 70, remained a commanding presence. In a nod to film buffs, Jane Greer, star of the 1947 version, appears as Ward's cold distant mother. Location work in the Mayan temples of Mexico's Yucatan is travel-log appealing, and the end credits feature an Oscar-nominated title song by Phil Collins. An exciting car race through Los Angeles traffic is thrilling, if pointlessly reckless. Although "Against All Odds" runs more than 20 minutes longer than the 1947 original, Bridges and especially Woods are compelling enough to hold attention even when the tricky plot wanders.
Despite her physical beauty, Ward is the black hole at the film's center. However, her two co-stars are more captivating. James Woods can play slimy gangsters in his sleep, and his Jake Wise is appropriately chilling and creepy, which makes Jessie's attraction to him even less convincing. Evidently Jake had a brain fart when he decided to hire Terry Brogan to search for the girl who deserted him, because Jake and Terry are worlds apart in the looks and charm departments. Jeff Bridges's athletic Terry, who has history with Jake, is unwittingly drawn into a vortex of corruption during his search for Jessie. Although always watchable, Jeff Bridges has had better and more demanding roles than an injured jock playing private eye. Despite a decent script adapted by Eric Hughes from Daniel Mainwaring's original, the film's central mystery is why Jake and Terry would be hopelessly drawn to a shallow drifter like Jessie. Ward received top billing over Bridges and Woods, another mystery as baffling as any in the plot.
Experienced veterans provide solid supporting performances, led by a still-handsome Richard Widmark, who, at age 70, remained a commanding presence. In a nod to film buffs, Jane Greer, star of the 1947 version, appears as Ward's cold distant mother. Location work in the Mayan temples of Mexico's Yucatan is travel-log appealing, and the end credits feature an Oscar-nominated title song by Phil Collins. An exciting car race through Los Angeles traffic is thrilling, if pointlessly reckless. Although "Against All Odds" runs more than 20 minutes longer than the 1947 original, Bridges and especially Woods are compelling enough to hold attention even when the tricky plot wanders.
Against All Odds is an less than effective remake of Out of the Past that RKO noir classic that starred Robert Mitchum, Jane Greer, Kirk Douglas and Rhonda Fleming. Not that the players in this film are bad, far from it. But the whole basic structure of the story was completely changed.
What made Out of the Past the classic it is, is the moody tension and overwhelming sadness surrounding the leading characters. Most of all Jane Greer who is an evil temptress beyond description bringing death and destruction to all around her.
Jane Greer is in this film, but as the mother of Rachel Ward who plays the part Greer had in the original. Ward in this one is just a spoiled young woman who runs off with bookie James Woods to upset mom and then runs off with him.
Greer is the owner of a professional football team in Los Angeles which she runs with her high priced fixer of a lawyer Richard Widmark. I think they're characters are modeled on Joan Payson who was the original owner of the New York Mets and M. Donald Grant who was reputed to be the hard character Widmark portrays.
Anyway Jeff Bridges gets into the act when he's cut from Greer's team and goes to work for Woods trying to locate Ward. The rest of the film is pretty much following the plot of Out of the Past until the ending which is completely different. Remember how everyone ended up in the RKO film and the same doesn't happen to most of them.
Still it's not a bad film, but Against All Odds just won't be a classic.
What made Out of the Past the classic it is, is the moody tension and overwhelming sadness surrounding the leading characters. Most of all Jane Greer who is an evil temptress beyond description bringing death and destruction to all around her.
Jane Greer is in this film, but as the mother of Rachel Ward who plays the part Greer had in the original. Ward in this one is just a spoiled young woman who runs off with bookie James Woods to upset mom and then runs off with him.
Greer is the owner of a professional football team in Los Angeles which she runs with her high priced fixer of a lawyer Richard Widmark. I think they're characters are modeled on Joan Payson who was the original owner of the New York Mets and M. Donald Grant who was reputed to be the hard character Widmark portrays.
Anyway Jeff Bridges gets into the act when he's cut from Greer's team and goes to work for Woods trying to locate Ward. The rest of the film is pretty much following the plot of Out of the Past until the ending which is completely different. Remember how everyone ended up in the RKO film and the same doesn't happen to most of them.
Still it's not a bad film, but Against All Odds just won't be a classic.
Having already sustained a shoulder injury previously, an aging professional football player by the name of "Terry Brogan" (Jeff Bridges) is not exactly a hot commodity for a team looking to add fresh new talent. Adding to that, his arrogant attitude isn't helpful either and as a result he is subsequently cut from the team by an underhanded owner named "Ben Caxton" (Richard Widmark) who only cares about the bottom line. To that extent, when a local gambler named "Jake Wise" (James Woods) offers him $10,000 to track down a former girlfriend by the name of "Jessie Wyler" (Rachel Ward) who has stolen money from him and fled to Mexico, he reluctantly accepts the job. What he doesn't know is that Jake hasn't been totally honest with him and that Rachel means a lot more to him that he lets on. Now rather than reveal any more I will just say that this was a good film by and large but there wasn't a great deal of chemistry between the characters with all of them being rather unlikeable as well. In short, although this remake of "Out of the Past" certainly wasn't bad by any means, it didn't quite have the same appeal as the original film and I have rated it accordingly. Slightly above average.
I expected a cringefest, but actually ended up liking this movie a lot. Befitting its era, it has a sleazy "Miami Vice" atmosphere, complete with Porsches, Ferraris, casual jackets, big hair and a great soundtrack including a live show by the one and only Kid Creole. But there's more. Nice location shoots in Mexico - Cozumel, Tulum and Chichen Itza. Jeff Bridges and James Woods, who play fairly complex characters well. A dark script that delivers some good moments, especially during the final 30 minutes.
Yes, it's a B-movie, and at times it feels like a protracted episode of Knight Rider, the A-Team or the aforementioned Miami Vice. But is that a bad thing?
If you're looking for a real 80s experience, find "Against All Odds" on VHS, pop it in your VCR and soak it in.
Yes, it's a B-movie, and at times it feels like a protracted episode of Knight Rider, the A-Team or the aforementioned Miami Vice. But is that a bad thing?
If you're looking for a real 80s experience, find "Against All Odds" on VHS, pop it in your VCR and soak it in.
I thought the plot was far superior to most cardboard cut out Hollywood love triangles. That may be due to the fact that Against all Odds "borrows" a lot of stuff from the movie "Out of the Past" starring Kirk Douglas in 1947. I really enjoyed it, but probably for different reasons. As a kid I loved football. When I first saw this film I had to be 12. The movie combines football with beautiful scenery from Cozumel Mexico, (and of course the beautiful Rachel Ward) just enough to grab my interest and take me away from my miserable existence that is the Midwest. As I watch it now 20 years later I am still filled with joy. Amazing how selective the mind can be. I recommend it. It will take you to another time for a while. A place devoid of terrorists, war, anger, and hate. you know the things our media (local news)crams down our collective throats everyday. Not that the film's subject matter is very glamorous. Just what reality was 20 years ago, which although violent doesn't even come close to what we deal with today. When I lived through the cold war and the fear of nuclear Armageddon, I never thought the situation could get any worse. Boy was I wrong. Show how much we know as children. Check out the movie. Its great to open those time capsules every once in a while and slip out of this unreality. To maybe even draw insight into how we got to this point?
Lo sapevi?
- QuizJames Woods and Jeff Bridges both loved working with Richard Widmark, and fondly remembered the late actor's love of pancakes. He used to have a plate waiting for him while shooting a scene, and Woods and Bridges would often hide it. Widmark refused to go back to shooting before the cakes had been recovered.
- BlooperA dog could never ride untethered in any seat, especially a front bucket seat, of a car racing through traffic and steering and accelerating and braking as violently as happened in Jake Wise's (James Woods') car in the racing scene, without being violently thrown around inside the car, hurt, and/or thrown from the car..
- Citazioni
[last lines]
Terry Brogan: Look, when you need me in court, I'll be there for her.
Ben Caxton: But forget anything else. Remember, Brogan - you're out of her life.
Terry Brogan: Figure that's up to her. You're not going to control us forever. Believe me.
- Versioni alternativeCBS edited 9 minutes from this film for its 1986 network television premiere.
- Colonne sonoreAgainst All Odds (Take a Look at Me Now)
Written and Performed by Phil Collins
Produced by Arif Mardin
Courtesy of Atlantic Records / Virgin Records
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- El poder y la pasión
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 13.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 21.689.062 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.766.128 USD
- 4 mar 1984
- Lordo in tutto il mondo
- 21.689.062 USD
- Tempo di esecuzione
- 2h 8min(128 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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