Due vite in gioco

I thought the plot was far superior to most cardboard cut out Hollywood love triangles. That may be due to the fact that Against all Odds "borrows" a lot of stuff from the movie "Out of the Past" starring Kirk Douglas in 1947. I really enjoyed it, but probably for different reasons. As a kid I loved football. When I first saw this film I had to be 12. The movie combines football with beautiful scenery from Cozumel Mexico, (and of course the beautiful Rachel Ward) just enough to grab my interest and take me away from my miserable existence that is the Midwest. As I watch it now 20 years later I am still filled with joy. Amazing how selective the mind can be. I recommend it. It will take you to another time for a while. A place devoid of terrorists, war, anger, and hate. you know the things our media (local news)crams down our collective throats everyday. Not that the film's subject matter is very glamorous. Just what reality was 20 years ago, which although violent doesn't even come close to what we deal with today. When I lived through the cold war and the fear of nuclear Armageddon, I never thought the situation could get any worse. Boy was I wrong. Show how much we know as children. Check out the movie. Its great to open those time capsules every once in a while and slip out of this unreality. To maybe even draw insight into how we got to this point?

The single thing that stand out most for me in this film is the very last shot of Rachel Ward looking at the camera while Phil Collins, singing the title song, says "How can I just watch you walk away, when all I can do is watch you leave".

If you've ever been part of a couple where 2 people loved each other so very much, but it had to end because circumstances like jobs, school, parents, etc. made it impossible to continue, this movie is for you.

If you've lived through a time in your life when you and your friends/lovers were immortal-young lions-with the world at your feet, but one day you sense a change of seasons in the air... a change that for shadows the coming of the real world you always knew was there but that you had hoped against hope to avoid, you'll love this movie.

Great characters, solid performances, top notch script, beautiful natural scenery in Mexico, great soundtrack and a real "LA in the 80's" feel. For the most part the film holds up well today and the "look" is timeless. Very few holes in the plot, if any, and a fine supporting cast.

Just recently discovering this on dvd, I'm actually suprised I haven't heard much about it before. A modern film noir that's a very loose remake of "Out of the Past" with Robert Mitchum and Kirk Douglas. The film instead focuses on gorgeous, sunny locations like Mexico and the finer locations of L.A. instead of the dark and grungy look that most film noir's follow. Jeff Bridges stars as a pro L.A. football player that gets cut because of a mild injury. Upset because he has some good years left in him, he attempts to sue the team to no avail. Broke and looking for a job, a shady past friend played by James Woods shows up with a job offer: find his girlfriend who split on him and headed to Mexico. This girlfriend also happens to be the daughter of the woman who owns the L.A. pro football team, a ruthless business woman who is primarily interested in real estate and inherited the team from her late husband. When he decides he needs a vacation and the money, he takes Woods up on his offer. After a couple days of useless searching, he finally finds her...and immediately falls in love. The femme fatale is played by Rachel Ward, a hot commodity back then, coming off of The Thornbirds. A spoiled rich princess-type, she eventually succumbs to him and the following scenes are some of the most beautiful sequences put on film. The only commercial movie that has filmed scenes in the gorgeous ancient ruins of Chichen Itza and Tulum, these sequences make the film. The sex scene is one of the best I've seen, really putting a passion on the screen without becoming too...late night cinemax. Unfortunately, from here, the film plummets into a convuluted mess trying to deal with issues that seem out of place with the film: The L.A. business elite, gambling, real estate, etc. I think the film is definitely worth a watch for the first two-thirds alone. Also, dvd fans are encouraged to listen to the cast commentary. One of the better commentaries I've heard, there is a lot of great anecdotes from a rare track by Jeff Bridges and James Woods. The two leads really seem to come off as real friends joking and ribbing each other, unlike some of the stuffy professional actor commentaries that are usually the case.

Having already sustained a shoulder injury previously, an aging professional football player by the name of "Terry Brogan" (Jeff Bridges) is not exactly a hot commodity for a team looking to add fresh new talent. Adding to that, his arrogant attitude isn't helpful either and as a result he is subsequently cut from the team by an underhanded owner named "Ben Caxton" (Richard Widmark) who only cares about the bottom line. To that extent, when a local gambler named "Jake Wise" (James Woods) offers him $10,000 to track down a former girlfriend by the name of "Jessie Wyler" (Rachel Ward) who has stolen money from him and fled to Mexico, he reluctantly accepts the job. What he doesn't know is that Jake hasn't been totally honest with him and that Rachel means a lot more to him that he lets on. Now rather than reveal any more I will just say that this was a good film by and large but there wasn't a great deal of chemistry between the characters with all of them being rather unlikeable as well. In short, although this remake of "Out of the Past" certainly wasn't bad by any means, it didn't quite have the same appeal as the original film and I have rated it accordingly. Slightly above average.

Loosely based on a 1947 film noir, "Out of the Past," Taylor Hackford's "Against All Odds" has strong performances in all but the most critical role. Jessie, a confused disoriented heiress, is the romantic obsession of two men and the crux of the film's action. However, Rachel Ward fails to convince that Jessie could obsess anyone with her flat delivery and phoned-in performance. Jessie runs off to Mexico to snorkel and shop, and her gangster boyfriend hires an injured football player to find her. Sending a handsome hunky athlete off to find your girlfriend at the beach is not an inspired idea, and both the expected and the unexpected ensue. The twisted convoluted tale occasionally meanders, and the pacing falters at times. However, when the sweaty romantic scenes are over, the plot manages to re-energize and re-capture attention towards the fade out.

Despite her physical beauty, Ward is the black hole at the film's center. However, her two co-stars are more captivating. James Woods can play slimy gangsters in his sleep, and his Jake Wise is appropriately chilling and creepy, which makes Jessie's attraction to him even less convincing. Evidently Jake had a brain fart when he decided to hire Terry Brogan to search for the girl who deserted him, because Jake and Terry are worlds apart in the looks and charm departments. Jeff Bridges's athletic Terry, who has history with Jake, is unwittingly drawn into a vortex of corruption during his search for Jessie. Although always watchable, Jeff Bridges has had better and more demanding roles than an injured jock playing private eye. Despite a decent script adapted by Eric Hughes from Daniel Mainwaring's original, the film's central mystery is why Jake and Terry would be hopelessly drawn to a shallow drifter like Jessie. Ward received top billing over Bridges and Woods, another mystery as baffling as any in the plot.

Experienced veterans provide solid supporting performances, led by a still-handsome Richard Widmark, who, at age 70, remained a commanding presence. In a nod to film buffs, Jane Greer, star of the 1947 version, appears as Ward's cold distant mother. Location work in the Mayan temples of Mexico's Yucatan is travel-log appealing, and the end credits feature an Oscar-nominated title song by Phil Collins. An exciting car race through Los Angeles traffic is thrilling, if pointlessly reckless. Although "Against All Odds" runs more than 20 minutes longer than the 1947 original, Bridges and especially Woods are compelling enough to hold attention even when the tricky plot wanders.