Robin Hood

This version of the Robin Hood myth added so much to the original, it must be the definitive adaptation. Full of nature, earth and greenery, and steeped in the spirit of the forest, this Robin is a real hero. A mystical edge and a sinister atmosphere give a uniquely original feel, the cast is superb and Clannad's soundtrack adds the perfect final touch. Unsurpassed.

This is THE best fantasy series ever, particularly the first two seasons which are flawless. The scriptwriting is beautiful, the performances never bettered- Michael Praed is the most charismatic Robin Hood yet, and Judi Trott's Marion is head and shoulders over all others, but the acting laurels have to go to Ray Winstone as Will Scarlett- watching his intense performance as a man on the verge of psychosis really drives home the fact that Christian Slater was a pale imitation of him. The direction is, perhaps, consistently better than any other series, and that music...

Above all, it is the fact that it is the only programme that I watched as a kid that seemed BETTER when I saw it as an adult. If there is one TV series that deserves to be released on DVD it is this one.

Unfortunately, only four episodes of this series are commercially available, and it is not often re-run on television. Although the few available episodes can often be found in the children's or family sections of video stores, they deserves much more respect than this; this show is one of those rare incidences of really good television.

The show mixes magic and paganism into the familiar Sherwood tale, and music by Clannad adds to the mystical atmosphere. But the characters are anything but the swashbuckling cardboard heroes that the Robin Hood stereotype embodies, and we have come to expect.

Michael Praed (in my mind, the perfect Robin Hood), plays a fallible, conflicted Robin, who is nonetheless idealistic and strong. All of the Merry Men are fleshed out as full characters, with their own motivations and ideas, and Marion (Judi Trott) is represented particularly well. She avoids many female stereotypes: she is beautiful but not plastic, a fighter but still definitely feminine. The Sheriff of Nottingham (Nicholas Grace) and Guy of Gisburne (Robert Addie) are present as the classic villains, but they both go far beyond the usual limited parameters of these roles.

The characters are all comfortable and unselfconscious, as though they don't realize that they are legends. To me, this is their most appealing trait of all.

The creators of the show also deserve kudos for their brave move in replacing Michael Praed when he opted out after two seasons: instead of recasting another actor in the same role, a different Robin Hood was introduced -- a man of noble background (played by Jason Connery-- yes, the son of *that* Connery)as opposed to the peasant upbringing of Michael's Robin. The show thereby manages to address both accounts of Robin Hood's origin. (Many people prefer Jason's Robin. I personally still gravitate toward Michael. It is an ongoing debate among fans.)

Even after all this time, the show still has a devoted cult following, who gather for yearly conventions with the stars. Their devotion is understandable; "Robin of Sherwood" is the best representation of the Robin Hood legend that has ever been created for the screen.

Ok, some facts to get a few potential misunderstandings out of the way: This is an early 80's British production. So, everybody expecting the highest US production standards and a gloss factor 10 should back off NOW! Everybody else will have an HONEST ball of a time rediscovering one of the most underrated, and at the same time most precious gems in Fantasy TV as well as movies. This isn't only the definitive blueprint of the 'modern' conception of the Robin Hood tale, as well as 'modern' fantasy, it's also a 25-part journey through high quality Fantasy story-telling as we've ever encountered it before or after. Too bold? I don't think so. Re-watch the excellent DVD collection (the last part will appear in November) and marvel at the originality laying foundations to almost every similar project going.

Be aware! It's old-fashioned and VERY simple! It's demanding and VERY clever! Contradiction? Not really. It's a child of its time as well as a prototype of what's to come. But everyone who's still kept a sense for the simple, as well as most precious prospects in story-telling, will be delighted. This is a unique gem that can only be surpassed by a greater budget coupled with at least a similarly good script. Let me tell you: That hasn't happened yet.

Re-educate yourself in the unique virtues of early 80's UK television. You won't be disappointed.

Schogger13

My dad taped a bunch of these off TV when they were imported here to the States and he recently re-purchased them off the net in two gift packs dividing the two seasons and two Robin Hoods as "The Praed Collection" and "The Connery Collection". Since I grew up watching this by many fires on misty and snow bound nights, it is probably my favorite telling of the Robin Hood story.

What I liked best about this show growing up and still like best (although I do have more appreciation for Judi Trott) was the mysticism of the show. All the other tellings told of Robin Hood's rise to heroism and then his ultimate triumph and then that was it and while it was certainly fun, this series seemed to have more meat to its bones because of its introducing all those mythical elements. The music was also pretty cool, haunting and beautiful.

After watching this and "Excalibur" one misty day, I noticed that some of the myths here were similar to Arthurian legend. Herne is to both Robin Hoods (Praed, Connery) what Merlin was to King Arthur. And the two Robins are later given a magic sword, Albion (which later became the name of our family dog).

The show ran for about 4 seasons I think, the first two featured Michael Praed as Robin of Loxley, and the last two featured his successor, Robert of Huntington, played by Jason Connery (Sean's son; Sean also played Robin Hood in case you didn't know, in "Robin & Marion" opposite Audrey Hepburn's Maid Marion). But both Michael and Jason's characters become known as Robin Hood and/or the Hooded Man. I was surprised to read in the archives of reviews that many people prefer Jason over Michael, since people often get more attached to the first guy (maybe it's name recognition). I think they're both capable actors and they both brought something different to the show, but while Michael and Jason's Robin Hoods were both likable characters, I think I like Michael better as he had that dark, brooding intensity about him. This is not to say that Jason, while more of a pretty boy, did not have his moments (the best part of Jason's reign was watching him struggle to prove he was a worthy successor). What I find ironic is that Jason's character, Robert/Robin 2, has the noble man who rejects his heritage origin that is often attributed to Michael's character, Robin of Loxley.

The rest of the cast was great too. Judi Trott was a beautiful and believable Marion who had to stand up to have a place for herself in Sherwood. Ray Winstone was an intense and dangerous Will Scarlet. Clive Mantle was a lovable Little John, as was Phil Rose as Friar Tuck, Peter L. Williams as Much, and Mark Ryan as the strong silent type, Nasir. Nikolas Grace was a great Sheriff, Robert Addie an over the top Gisbon.

A great show with great stories and a great cast. To this day I wish they could have gotten Michael Praed or Jason Connery to reprise the Robin Hood role for "Robin Hood: Prince of Thieves". I'll take them over Kevin Costner any day.