Ever Decreasing Circles

Martin Bryce is a man going in ever decreasing circles. His long suffering wife Ann loves Martin, but he drives her mad most of the time, particularly when he takes his obsessive behaviour to extremes (such as oiling the bed in the middle of the night because it squeaks!) Martin runs all the clubs and activities in the local area (of which there are many). Then Paul Ryeman moves in next door to Ann and Martin and is instantly popular. He is likable and easy going, everything Martin is not, except that he, like Martin, is a leader rather than a follower. Many of the residents (most of which are rather pathetic) now see Paul as their guiding light. This drives Martin mad and he soon develops a strong dislike to Paul which, though mellows, never entirely goes away.

Paul does become quite fond of Martin and gets on very well with Ann. They have a similar outlook and sense of humour and Paul helps Ann cope with life amongst the narrow minded bores of the Close. If Martin had the courage to step outside his comfort zone he would see these people for what they are, but he loves being the leader and feeling that he's important. He also loves organising. His day job (he works in valves) doesn't motivate him, but he devotes most of his spare time to organising the activities of his societies. He has a box room with lots of cubby holes packed with paperwork. He is never happier then when in this room busily at work. Although he loves Ann he often puts organising committees above spending time with her in his list of priorities.

Although there is an attraction between Ann and Paul, they never get together because Ann loves Martin. In the final episode Martin discovers Ann is pregnant, and with his valve company moving to Shropshire, he makes the painful decision to move away from his beloved Close. As they are saying goodbye Ann suggests to Paul (who was married before) that he should get married again. Paul says he would if he could find someone like her. His true feelings are revealed.

The standard of acting in the show is very high. Richard Briers is in top form and produces a great comic and tragic performance as Martin. Penelope Wilton is brilliant as Ann. On paper it would appear that there would be nothing keeping Martin and Ann together, but the way Richard and Penelope play the parts the love between their two characters is clear to see. Peter Egan is perfectly cast as Paul and Stanley Lebor and Geraldine Newman are very amusing as Martin's reliable but rather pathetic neighbours Howard and Hilda. This sitcom ran for four series, plus a feature length finale, and the standard remained high throughout.

Very popular on first airing (1984 ish) but now fairly unheard of and rarely repeated on UK terestrial television. Great Sit-com, not a huge classic but very watchable, especially for the ridiculously smooth Peter Egan and wound too tight Richard Briers.

What makes Ever Decreasing Circles so charming and fascinating ? Basically, it's the old world values of love and fidelity.

Martin, fastidiously played by Richard Briars, is a man struggling against his own mediocrity. We can all recognise his situation and the men whose lives mirror his, he tries so hard at everything but his best is never quite good enough, while the charmer Paul, oily played by Peter Egan, achieves everything with effortless ease.

It's a play and a counter-play of a man who struggles through life compared to a man who is gifted by nature.

What redeems Martin from a lifetime of ennui is that he is married to Anne, played by the simply gorgeous Penelope Wilton. Would be Hollywood actresses should note that Penelope Wilton manages to convey as much sex appeal through a smile as do many talentless actresses through heaving bosoms.

Anne is the rose in Martin's life and we are left with the feeling that Martin wakes up everyday thanking God for giving him such a wife.

What gives the show its appeal is that although Anne is undoubtedly attracted by Paul and his charm , she remains loyal to Martin.

Ever Decreasing Circles tells us that there is still a place for Fidelity in married life and the World.

Richard Briers has appeared in some terrific TV comedy series but this must surely be his best performance to date. His character, Martin Bryce, runs 'The Close', his local neighbourhood by organizing all the committees and cajoling his neighbours to take part in various activities. His job, at Mole Valley Valves is seen to be fairly humdrum. His wife (Penelope Wilton) just about puts up with his irritating, though well-meaning ways, but his dream world has a rude awakening with the arrival of new next door neighbour, Paul Ryman (Peter Egan). Paul is everything Martin is not that in that he is successful in business without seeming to bother, has played cricket at Lords, is handsome with a succession of beautiful girlfriends, has many 'mates' to help him pull strings and is charming to all and sundry.

The series shows Martin's vain attempts to prove he is the better man, often to his wife, Anne, but also to other neighbours from the close, notably Howard & Hilda Hughes. These two are another classic creation from writers Esmonde and Larbey. They do everything together, have a daily set routine which can never be interrupted and a genius for unintentional and innocent double-entendres usually only picked up by Paul and Anne. Howard (brilliantly portrayed by Stanley Lebor) is Martin's best friend but the latter cannot understand why he falls for Paul and his 'nice guy' image.

One of the funniest episodes of the series comes when Anne is in hospital for a few days and Martin boastfully promises to spring clean the house single-handedly in her absence. He uses charts, colour-coding and a stop-watch but everything goes wrong that could go wrong and it's Paul who inevitably has to come to the rescue. The series ended with a one-off extended edition which saw Anne expecting a baby (rather late in life) and the couple's move from The Close to Oswestry, brought about by the merger of Martin's firm.

An essential purchase on DVD for anybody who appreciates subtle comedy writing and great performances by the entire cast.

The brilliance of this series is demonstrated by the fact that when it was shown on the same Sunday evenings as Only Fools and Horses the eminently forgettable programme sandwiched in between "Howard's Way" recorded amazing viewing figures also. The premise of the series which centred on the angst of a pedantic control freak, was hard to pull off but Richard Briers was amazing in the role which was the entire hub of the series. The support cast was also brilliant with an amazing rapport between all the players. I have to say I laughed out loud at the one damning review here which couldn't see the joke in Howard saying to Hilda:

"Come on dear, we best go home now or we'll miss the shipping forecast."

"Why do we always listen to the shipping forecast Howard?"

"Because it leads us nicely into the news dear."

If he couldn't see the humour in that he must have had a good deal in common with Briers' character Martin Brice who could never see the humour in anything. That was what made it so funny.