Ziggy Stardust and the Spiders from Mars

but I like it. This is a terrific concert recorded 30 years ago by Bowie. Considering that Bowie is in his 50's now and still recording and touring this is an excellent opportunity to see him in his prime. His voice is in great shape & the songs are first rate. Ziggy is one of the peaks in Rock and Roll history. Also Mick Ronson is one of the greatest rock guitarists ever. Much has been made of the costumes & Bowie's use of mime etc. but it is the music which carries the day.

Decent capture of David Bowie at his creative, flamboyant best. Good concert, and it's not all about Bowie. Mick Ronson's guitaring almost steals the show.

Interesting behind-the-scenes footage adds a new, more personal, aspect to the live concert genre. Could have done with more of that though, as the behind-the-scenes stuff is fleeting, and sometimes seems token. Maybe some footage of practices and sound checks, or interviews with Bowie, would have been in order.

Not perfect though. Production quality is quite raw and rough. Sound quality is variable.

A must-see for all David Bowie fans.

Don't come expecting plot: Ziggy Stardust and the Spiders from Mars is just a concert film, recorded at the last show of David Bowie's "Ziggy Stardust" tour at the Hammersmith Odeon in London, July 3rd, 1973. However, to say it's _just_ a concert film doesn't quite cover the bases... Let's be blunt: if you like the idea of the 26-year-old Bowie in a skimpy satin tunic and boots, growling into a microphone and spreading his thighs for the fans, then you're going to love this film. If that idea does nothing for you -- and, frankly, if it doesn't then I think you're missing one of life's great kicks -- then you're not the target audience.

I should add that there are also five or six costume changes, some amusing backstage conversation, plenty of shots of the audience (apparently mostly fourteen-year-old girls in varying states of sexual ecstasy), and some rather scorching extended solos from lead guitarist Mick Ronson. Oh, yes: and I shouldn't forget to mention that Bowie's showmanship is amazing and the musical performances range from interesting to excellent -- there's a truly fabulous version of "Cracked Actor," for instance, with Bowie maintaining a surprising level of fierceness while playing harmonica and draped in a satin kimono.

Beyond the music -- "Ziggy" staples like "Changes," "Space Oddity," "My Death," "All The Young Dudes," etc., as well as covers of the Rolling Stones' "Let's Spend The Night Together" and Lou Reed's "White Light, White Heat" -- the visual imagery is what really makes this interesting. The come-hither hip-shaking of "Moonage Daydream," or the guitar-sex-flavored performance of "Time" (with Bowie in unitard, garter and feather boa), all make this a fantastic education in what Bowie's original aesthetic -- and sex appeal -- were all about.

Personally, I think this is a _Gesamtkunstwerk_ -- that is, a total work of art -- and should probably be beamed into outer space for the aliens to have fun with. But you can probably figure out which segment of the audience I fall into.

P.S.: By the by, Todd Haynes' Velvet Goldmine made a hell of a lot more sense after I'd seen this film.

I have absolutely no idea what movie the vast majority of commenters were watching... For a start, Pennebaker's style of documentary is grainy and gritty through *choice* not "amateurism". It's called REALISM. I first saw "Ziggy" in a movie theatre in Germany and was completely blown away by its energy and freshness. I think it's a sad state of affairs that modern audiences are so dulled by CGI and DVD extras, that they can't appreciate a mind-blowing piece of cinema verite like this. This movie captures all of the sweat, hysteria and sheer balls of Bowie's final performance as Ziggy Stardust, and it's incredible.

This concert film is probably most famous for capturing a pivotal moment in music history. It is the last show that David Bowie performed under the Ziggy Stardust persona and the last time he was on stage with his backing band The Spiders From Mars. Seemingly his announcement near the end of the show stating that this was the final appearance was not only news to the audience but to the band as well!

The film takes the form mostly as straightforward concert footage. There is also some backstage material interspersed throughout which I think it would have been good to have had more of, seeing as it revealed a little bit more of what Bowie was like behind the mask. But as it was, the vast majority of material is taken from the concert. The approach taken is very stripped down and basic. There isn't really a lot of imagination in the approach but I guess the idea was to let the show speak for itself. Perhaps though it might have been better for a live performance by such a flamboyant performer as Bowie to be presented with a little more imagination. Sometimes, it's the audience reactions to the show that are truthfully the most interesting, seeing as some of his fans seem to be almost hyper-ventilating with emotion. Some of the costume changes now provoke a chuckle or two; although, in truth, I have always found the fashions of the 70's glam rock era to be absolutely catastrophic. But at the end of the day it is a time capsule film and in this sense it is interesting. Even if Bowie does feel the need to do a mime artistry routine.

The concert itself? One for Bowie devotees especially I would say, of which I am not one I have to admit. But I thought Mick Ronson was very good on guitar and they all do knock out the tunes with some energy. It was also interesting to hear a good version of The Velvet Underground's White Light/White Heat close the show.