Zeder

Pupi Avati's ZEDER, is a different take on the undead genre, but is not a zombie film outright. Rather than being all out 'dead rising from the graves and feeding on the flesh of the living' the film takes its time to build up tension and atmosphere, that adds a genuine sense of creepiness to the films tone. A young journalist, given a typewriter as a present from his girlfriend discovers some text written on the ink ribbon, and threw this mysterious text he uncovers a past story of a scientist called Paolo Zeder, who discovered areas of terrain that can revive the dead. The journalists investigations lead him to a group of outlaw scientists who are attempting to reconstruct these experiments in the present day. Avati clearly goes for atmosphere over gore, though there are a few scenes where we see the aftermath of some murders, the film doesn't show any bodily mutilation, and instead the films builds up tension and dread through suggestion and use of sound, and characters reactions. It's a clever and excellent choice of direction that makes ZEDER stand out as an intelligent and if slightly obscure and offbeat entry into the living dead cycle.

Reading some of the reviews for this movie really gets me going. Kids,STAY AWAY FROM INTELLIGENT HORROR MOVIES!! Go watch another "Smiling Pervert Zombies" or something of that nature. This movie is way above your intelligence level and you will NEVER get it. Don't hate this movie because there is not enough zombies in it! It never promised to be a zombie gore fest. Instead,it is a great horror movie with a wonderful premise and some really spooky scenes("awakening in the coffin "scene!) Great,original movie and I LOVED it!! Well recommended!!

Avati's 'Zeder' is true maturity when reflecting on the Italian horror genre. This film does't deliver close-up shots of pig entrails, nor does it steal cannibal stock footage to liven up the pace. Instead, it relays a story that was conceived by a genius, and allows the viewer to piece together the puzzle in his or her mind. The old marketing campaign, which displayed a decaying zombie exploding over a sewer drain, was definitely used to lure in sales and deceive buyers. This was no fault of the producers or director, but of typical American greedy distributors. If your the type to not judge a book by its cover, you may find a gem. Besides, anyone that sees this film as being 'pointless', 'dull' and so on should probably stay watching Speilburg Hollywood Schlock! Oh yeah, have you noticed this film's plot is similar to that of King's 'Pet Semetary'? Many speculate one may have plagiarized the other. In truth, Avati filmed and released his product over a year before King wrote his book. This film is a thinking man's horror film. Check out Avati's House with laughing Windows if you like Zeder.

If you were referred to this movie via a search for a classic 'zombie' action/gore-er and are expecting something fast paced with a lot of cool deaths that border on action over drama and mystery - you've been misled by the title. I'm not sure the director intended us to receive this as a 'Dead/Zombi' type title, but it seems that it was marketed over here that way (and who can blame them?)

It's a pretty moderate to slow paced mystery that borrows a lot and innovates a tad (can't expect any more.) There are some cool sequences of discovering various types of secret doors inside dated structures etc. Don't expect it to be anywhere as engrossing or epic as Inferno, but in that same spirit.

What lucio fulci or argento would have done differently is probably added depth to this not by trying to overcomplicate the plot but to add in some truly scary horror elements that involve either on screen or implied brutality from the antagonist(s) that we are unquestionably convinced that they are evil and malicious. A little over the top kill or two only makes the seemingly serious parts 'seem' more serious but makes the movie more of an exciting coaster rather than the not so exciting unfold events that take place here.

No cool 'creatures' 'killers' or anything of that nature. I suppose the idea is to creep us out but too many other movies (even 10-20 years older than this) had already gone above and beyond what this movie is trying to do years later. So even though it's 3 years older than me, I must say as an 80's child that this doesn't hold up anywhere near the other true giallo titles. And always keep in mind, ratings are numbers and never let them discourage you from seeing something you're interested in; if not just to appreciate other titles more !

A young journalist buys a second hand typewriter and finds that he can read the imprints on the ribbon,revealing what was last typed on the machine.He pieces together the story of the scientist Paolo Zeder,who discovered K-Zones,areas in which the dead are restored to life.Stefano later encounters a group of scientists who are trying to prove Zeder's theories."Zeder" was directed and co-written by Italian maestro Pupi Avati,whose "House with the Windows That Laugh" is often regarded as one of the masterpieces of Italian horror.In "Zeder" Avati masterfully mixes a genuinely creepy atmosphere with intriguing metaphysical concepts.Unlike Lucio Fulci's gorefests it features little if any gore.There is plenty of an ominous atmosphere of unsettling dread throughout,even when not much is happening.You seldom see zombies,except in occasional glimpses.Overall,"Zeder" is weird and unusual enough to hold interest.A must-see for fans of Italian horror.8 out of 10.