The 8 Diagram Pole Fighter

As in the case of many Shaw Brothers masterpieces, the following lessons can be learned:

a) DON'T be a traitor b) DON'T leave the hero unless one is 100% sure that he's dead c) DON'T MAKE THE HERO (in this case, LUI CHIA HUI) ANGRY - YOU WON'T LIKE HIM WHEN HE'S ANGRY. d) If you love this type of movie, DON'T leave this life without seeing it.

¨The invincible pole fighters¨ , international title , seems to be one of the best Kung Fu movies , including overwhelming combats and spectacular scenarios . Exciting attacks and groundbreaking fighting perfectly staged , the result is a strong entry for action buffs . This is a Run Run Shaw Brothers vintage film and widely considered to be one of the greatest Kung Fu flicks of all time . Epic imperial and subsequent treason and upheaval during China's Ching dynasty , being marvelous and colorfully directed . The picture starts with Yang family battling a group of Mongols , showing a demonstration of splendid martial arts . Insidious Mongols want to overthrow the dynasty with the help of a traitor . As they ambush the influential Yang Family , defenders of the dynasty . The Mongols must hunt down all Yang survivors so their scheme will not be uncovered . During the cruel Mongol attack , the fifth son (Chia Hui Liu or Gordon Liu) arranges to getaway and he arrives in a temple where devotes himself to learning the martial arts at Bhuddist location in order to seek vengeance . In a short period of time he learns the art of fighting , thanks his expert Bhuddist master . When his learning is completed , he set out in pursuit his enemies .

This classic flick displays lots of violence , action filled , zooms ,thrills and fierce combats. This luxurious Kung Fu film was wonderfully filmed with good production design , glimmer cinematography , impressive combats and breathtaking scenes . This is a colourful , Hong-Kong set , mostly filmed in studio and quite budget movie ; leave no cliché untouched , though the fighting are magnificently staged . The picture is full of tumultuous sequences with frenetic action , surprises , climatic combats and groundbreaking struggles . Amid the glamour and grandeur of the scenarios is developed an intrigue about nasty Mongols or Tartars and a learning period at famous Bhuddist temple , including betrayal , crime and exploring the dark side of vengeance . Overwhelming and rousing fights with deadly use of fists , feet and palms , along with such weapons as swords, sticks , and lances . Highlights of the film are the notorious struggle between the master and his pupil and of course the breathtaking and overlong final fighting . Kung Fu training scenes are a direct reference in ¨Kill Bill¨ by Quentin Tarantino , enhanced by the fact that Gordon Liu stars in both movies . The picture is well starred by Chia Hui Liu or Gordon Liu , he is the adopted brother of the greatest Kung-Fu director , Liu Chia-Liang . He is almost always playing a bald-headed monk of some sort . He started his movie career as a stuntman and got promoted to martial arts instructor afterwards . His debut project was Shaolin Martial Arts in which he played a supporting role . In the Challenge of the master, director Liu Chia-Liang successfully moulded him to be a "Hero of Kung-Fu" and he was in the main cast for the movie , too . The 36th Chamber of Shaolin marked the success of Liu and he followed this role and made several Kung-Fu movies ; amongst those , he always portrayed himself as the "Kung-Fu Monk". He played two roles in the "Kill Bill" films . When Sheng Fu was killed in car crash during filming script was rewritten to make Yang No. 5 the hero.

"8 Diagram Pole Fighter" was compellingly directed by Chia Liang Liu and won the Best Martial Arts Award at Asian Film Festival and was the Top 10 Box Office Hits in Hong Kong . Chia Liang Liu or Lau Kar Leung made stunts and directed several Kung Fu movies as ¨Legend of drunk master¨ , "The 36th Chamber of Shaolin" , "8 Diagram Pole Fighter" , ¨Shaolin executioners¨, ¨, ¨Seven swords¨ , ¨Return to Shaolin¨ also with Gordon Liu and ¨Shaolin 3 : Martial arts of Shaolin¨ with Jet Li . Rating : Above average , well worth watching , an unforgettable martial art movie not to be missed. The tale will appeal to art martian fans , essential and indispensable seeing .

This is an action packed film filled with terrific swordplay and choreography in the battles. Its best to watch on a big screen for full effect. It is a period piece set during the Sung Dynasty, but just suffice to say there is usually something going on. One of the stars, Fu Sheng, was killed in a car crash midway through filming, so its a miracle the film was finished. There's lots of blood, lots of yelling, lots of running around. As always with these kind of films produced by the Shaw Brothers, the colors are vivid. Not usually my kind of film, it was a lot of fun to watch. If you like martial arts films, this is definitely for you.

Allow me to back-track a bit, if you will, please...

A few years ago, I saw "The 36th Chamber of Shaolin" (1978), which I consider to be the next greatest martial arts film after the Bruce Lee masterpiece that is "Enter the Dragon" (1973). I must say that "The 36th Chamber of Shaolin" was the film to introduce me to what I call "straight-up old-school Shaw Brothers kung-fu." A year or so before I saw that, I had seen "Five Fingers of Death" (1972) (widely considered to be the first internationally successful martial arts film) and another Shaw Brothers classic, "Five Deadly Venoms" (1978).

Today, I had the pleasure to see yet another Shaw Brothers classic, "The 8 Diagram Pole Fighter," directed in 1984 by Hong Kong kung-fu master Liu Chia-Liang/Lau Kar-Leung (who also directed "The 36th Chamber of Shaolin" just six years earlier). Like the "The 36th Chamber of Shaolin" and many other martial arts classics, "The 8 Diagram Pole Fighter" is a story of revenge and retribution and redemption, with a strong Buddhist philosophical subtext warning against the evils of killing and taking lives under any circumstances.

Set during the Song Dynasty in China, the story concerns Fifth Yang (Gordon Liu, held over from "The 36th Chamber of Shaolin"), the only survivor along with Sixth Yang (the late Alexander Fu, who died in a car accident during filming and the film had to be extensively rewritten because of this) of the seven Yang sons, the loyal enforcers for the Song Dynasty. With the exceptions of Fifth Yang and Sixth Yang, all the Yang sons and their father were all either killed or captured by the Khitan-ruled Liao Dynasty army forces.

Sixth Yang makes it back home, but he's in a volatile deranged state that will make him unable to positively identify the primary culprit in the slaughter of his brothers and father, the traitorous Song Dynasty general, General Pun Mei (Ming Ku). Fifth Yang, however, now falsely labeled a fugitive and a traitor, makes it to a nearby Buddhist monastery in Mount Wutai, and insists that the monks take him in as their newest disciple. At first they are reluctant, due to his violent nature and revenge motives, but over time they grow impressed by his pole fighting skills and accept him as one of their own. But when he learns that his family is still in danger, he must join them - along with his sister Eighth Yang (Kara Hui, credited here by her birth name Ying Hung Wai) - despite the Buddhist vows of nonviolence that he has taken.

"The 8 Diagram Pole Fighter" is as exciting and action-packed as a Hong Kong-produced Shaw Brothers kung-fu classic can get. While the film does not approach the epic greatness of "The 36th Chamber of Shaolin" (which this film can probably be considered a companion piece to), "The 8 Diagram Pole Fighter" stands on its own two feet as yet another worthy kung-fu classic.

One of my biggest gripes is that I expected to see Gordon Liu's Fifth Yang to actually change his ways, and eventually have his revenge motives tempered by some greater desire to help others in need. That doesn't really happen here. While his character does indeed take his Buddhist vows very seriously (or at least gives the appearance that he does), he doesn't become a better person and still retains his violent nature and revenge motives. The other problem is that the monks sort of accept this and realize that they cannot truly change him. And while the monks do accept him as one of their own, it seems, to me, that the only thing they can really do is to harness his anger and try to channel it into non-lethal means (the whole business with wolves and their teeth, which you'll see if you watch the training sequences at the Buddhist monastery). Liu's character San Te in "The 36th Chamber of Shaolin" did not face these glaring ethical issues.

Maybe I'm reading things incorrectly here, so if anybody has any insight, feel free to correct me here.

On the plus side, "The 8 Diagram Pole Fighter" has some of the most extraordinary pole-fighting sequences ever filmed. I've never seen anything like it prior to this. And the film is also quite bloody, too, one of the most graphically violent martial arts films I've seen, in fact, since probably "Fists of Fury"/"The Big Boss" (1971) with Bruce Lee. And while the boys often get the most screen time here, Kara Hui's Eighth Yang proves to be a formidable kung-fu presence and can more than handle her own against the legions of disposable of bad guys sent in her general direction. In short, she's no damsel in distress - she's far from it.

Gordon Liu also delivers a powerhouse performance here. To know that Alexander Fu was originally supposed to be the lead here and with his tragic passing, the film had to be extensively reworked due to his death. Gordon Liu admirably stepped in his place to finish the film. Admittedly, it would be great to see what would have become of this film had Alexander Fu lived to complete it.

"The 8 Diagram Pole Fighter" is one of the best martial arts films I've ever seen. I'm glad that I had the opportunity to bask myself in its 97 minutes of epic kung-fu craziness.

8/10.

Since getting into the genre a few years ago I have seen many kung fu films of this era, and I have to say this is one of my favourites. I was lucky enough to find a wide screen, undubbed version.

This is a classic Shaw Bros. style film by famed director Lau Kar-Leung and starring Gordon Liu ("6th Brother"), whom Tarantino paid homage to by giving two roles in Kill Bill I & II.

The father of the Yang family and his seven sons go to battle to fight the Mongols who are threatening the Sung Dynasty. They are betrayed by a rival family and only two brothers, 6th (Liu) and 5th, survive. "6th" takes refuge at a General-turned-hunter's rural hideout (the General is a cameo by director Kar-Leung), before fleeing to a monastery where his brash personality conflicts with the monks there. At the monastery, he must improve his skills before seeking vengeance on those responsible for his family's betrayal.

The first fight scene (the battle) is a little cheesy with an obvious screened backdrop, a setting that doesn't really fit with the rest of the film. If the film was more ambitious this could have been a more impressive outdoor battle. But this is the film's only real drawback. The fights start out great and only get better. Highlights include 8th Sister's really breathtaking swordplay, and 6th Brother's duel with the Abbott which is both acrobatic and beautiful. This fight ends poetically, as during the fight both men had enscribed a yin-yang symbol on the floor of the monastery, symbolic of these two men's conflicting personalities: peaceful monk and warrior General.

The final scene is an all-out bloody melee which is really impressive, especially when 6th Brother takes on the horde with 8th Sister strapped to his back. Some of it is overacted (extreme reactions from bad guys as teeth are knocked out!) but used as a source of campy amusement, it only adds to the whole spectacle.

The plot is strong and very Shakespearean in scope (family loyal to the ruler is betrayed, family members must communicate in secret to avoid discovery while revenge is planned). The idea of the poles which use a twisty grappling-end to counter the Yang family's poles is unique. I love the fact that (like in many other films of the genre), the women's kung fu skills are as strong as the men's. This 20 years before the whole "girl power" thing in Western movies, music & TV.

If you're a fan of kung fu, see this film if you get a chance!