Ai confini della realtà

After the opening prologue with DAN AKYROYD and ALBERT BROOKS, as bored drivers on a lonely country highway who like to play pranks, TWILIGHT ZONE: THE MOVIE offers four stories, supposedly in the vein of stories that Rod Serling wrote for the famous TV series. Not until the final segment, NIGHTMARE AT 20,000 FEET does it offer the kind of fright stuff worthy of being in this anthology.

And it's a minor gem of its kind with JOHN LITHGOW giving an amazingly deft performance as a man totally afraid of flying who should have taken tranquilizers before he peered out the window. What he saw on the wing of the plane would have frightened anyone out of their wits--and, of course, no one believes him.

It's this final episode that makes the film itself worth watching. None of the other segments have enough punch to keep the viewer awake, let alone entertained. VIC MORROW's unfortunate accident came about during filming of a Vietnam sequence which does not appear in this version of the film--but he does give a convincing portrait of a bigot who gets his comeuppance. Very ironic.

Summing up: All of these stories were told with more style and suspense on the old TV shows. Strictly second-rate.

Five episodes realized as tribute to Rod Serling's Twilight zone, made by four known directors . It's is divided into 4 parts , three of them real remakes from classic television series, though starts in a prologue stars Albert Brooks and Dan Aykroyd . The best directed by John Landis is the first, where a bigot (played by Vic Morrow who died during filming by a helicopter crash accident) who becomes pursued of evil Nazis, Ku Klux Klan and American soldiers in Vietnam. The second segment directed by Steven Spielberg is a silly story about old people living in a retirement house who turn into little boys, thanks a strange visitor (Scatman Crothers). The third directed by Joe Dante concerns about a young woman (Kathleen Quinlan) encounters a kid with rare powers and some people (Kevin McCarthy, William Schallert,among them) closed at a strange house. And fourth episode titled 'Nightmare at 20.000 Feet' deals with a terrified passenger(John Lightow) who watch a creepy monster making rare issues on the wing of the plane.

The picture contains good special effects in traditional style without excessive computer generator as usual nowadays. The master Jerry Goldsmith composes a magic musical score particularly reflected on the second episode titled 'Kick the can' . Colorful and imaginative cinematography especially in the third segment titled 'It's a good life'. Rating : Acceptable and passable, the picture will appeal to fantastic genre buffs.

The classic long-running television series is formed by 156 episodes and its narrator , of course, Rod Serling. Later on, in 2002 are realized 44 new episodes with Forest Whitaker as host.

When I first watched this film at the age of seven, I must have been freaked out for weeks. Never had a movie had that kind of effect on my psyche, especially "Nightmare at 20,000 Feet." While some will label this as a bad film due to the fact it didn't faithfully reproduce the original stories very well. I say 'Who Cares!' Sometimes, fear and entertainment is all that one needs in regard to a cool movie such as this one. While it is certainly not a film that will rank highly in the greatest films of all time category, at least it proved this concept in story telling is pertinent today, even in today's cynical culture.

As is the case with movie anthologies, "Twilight Zone - The Movie" is hit and miss. If there was a movie destined to have four short stories that were all home runs it was this one. But the film falls short partially due to the expectations of the fans of the TV show and partially due to the fans expectations of the results of the four directors. What was most interesting back in 1983 was which ones hit and which ones missed.

The prologue gets things going in the right direction with Albert Brooks and Dan Aykroyd as two guys traveling down a dark and seemingly lonely road. What transpires in pure Twilight Zone. Then we move into the first story which is directed by (as was the opening prologue) John Landis. Landis, who got the whole project off the ground, foolishly decided to go with an original story instead of updating a classic episode. His story is that of a bigot who constantly and bitterly complains about the minorities who are getting job promotions and moving into his neighborhood. Of course the bigot then gets a real taste of what it feels like to be frowned upon as a minority. Basically that is the whole story in a nutshell. Landis provides no real twists to his story to give us that Twilight Zone flavor after the first few minutes. Once we see where the story is headed it never changes directions. For film buffs Landis adds a nice touch with a subtle reference to his classic "Animal House" in the Vietnam section of the story. Of course it should be noted that this was the story being shot when Vic Morrow and two children were tragically killed which would explain its abrupt ending. The two children are never seen which would suggest perhaps Landis had more to tell but we'll never know. Of the four this is the weakest story.

Story two is not much better then the first which is particularly surprising since Steven Spielberg is at the helm for this one. It's a remake of "Kick the Can" which was not one of my favorite episodes from the series and Spielberg adds nothing to his version. It's the tale of residents of an old folks home who encounter a new resident who promises them something no one of this Earth could possibly give them. While the story and individual moments are very sweet it goes absolutely nowhere. Having just come off "E.T." perhaps Spielberg was in that same gushy mood at that time.

Story three picks things up drastically and heads us in the right direction. Directed by Joe Dante who, at that time, was best known for "The Howling" with films such as "Gremlins" still in his future, this is the story of a little boy who hears people's thoughts and has a way of "wishing people away" if he gets angry enough at them. Kathleen Quinlan plays an unsuspecting traveler who goes to the boy's home and realizes almost immediately things are not normal. The star of this story is the art direction and sets as we are transformed into almost cartoon like worlds that are both funny and frightening.

The last and best story is the tale of a frightened airline passenger (well played by John Lithgow) who threatens the safety of everyone when he seems to be the only person that sees a creature on the wing of the airplane. George Miller, best known for the "Mad Max" movies, was smart enough to pick a popular episode from the series and he delivers with a bang. When you leave the theater this is the story you remember most.

On the whole the film is worth watching especially after the first 45 minutes. Landis and Spielberg perhaps were a little too high on their horses and thought whatever they did would work. Apparently they under estimated the legions of Zone fans. I'd love to see someone try another Twilight Zone movie someday and try re-working some of the other most famous episodes. I should also mention the terrific musical score by Jerry Goldsmith. Its one of his least mentioned but I think it's one of his best.

An affectionate homage to the old TV series. Three old episodes were updated and a new one was written. It's also narrated by Burgess Meredith who starred in quite a few of the original TV series episodes.

It starts off with a quick little prologue with Albert Brooks and Dan Aykroyd. It's quick, funny and provides a nice little jolt.

The first segment was newly written for the movie. It involves a bitter and racist man (Vic Morrow) getting a taste of his own medicine. This episode is clouded by the three deaths it caused--Morrow was decapitated by a helicopter blade and two Vitenamese children were crushed. John Landis (who directed this) was found not guilty in the deaths. As it stands this isn't very good. It's simplistic and heavy-handed--like a bad Zone episode.

The second one is directed by Steven Spielberg. It involves an old man (Scatman Crothers) gently bringing to life the old people at a retirement home. I'll be the first to admit that this is way too syrupy--but I have a fondness for it. The acting is good, it has a great music score and, I admit, it leaves me a little misty-eyed.

The third is directed by Joe Dante. It's a remake about a little boy who can make all of his wishes come true. It's well-directed with some truly incredible special effects and a good performance by Kathleen Quinlan. But it's seriously damaged by a silly happy ending (the original didn't have that). Billy Mumy (the star of the original) has a bit part and Dante regular Dick Miller shows up as Walter Paisley.

The fourth is the best. It's directed by George Miller and is a remake of the William Shatner episode where he spots a gremlin tearing apart the plane he's flying on. The gremlin in the original looked pretty ridiculous--like a teddy bear. Here John Lithgow plays the passenger and the gremlin is more than a little scary-looking. This segment moves and has a few great jolts. Also Carol Serling (Rod Serling's wife I believe) has a bit part.

All in all an enjoyable film. I liked it when I saw it in a theatre in 1983 and it still holds up today. I give it an 8.