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Oasis of the Zombies

Titolo originale: La tumba de los muertos vivientes
  • 1982
  • VM18
  • 1h 26min
VALUTAZIONE IMDb
2,7/10
2706
LA TUA VALUTAZIONE
Oasis of the Zombies (1982)
B-HorrorHorror zombieOrrore

Aggiungi una trama nella tua linguaAn expedition searching for treasure supposedly buried by the German army in the African desert during WWII comes up against an army of Nazi zombies guarding the fortune.An expedition searching for treasure supposedly buried by the German army in the African desert during WWII comes up against an army of Nazi zombies guarding the fortune.An expedition searching for treasure supposedly buried by the German army in the African desert during WWII comes up against an army of Nazi zombies guarding the fortune.

  • Regia
    • Jesús Franco
  • Sceneggiatura
    • Jesús Franco
    • Ramón Llidó
  • Star
    • Manuel Gélin
    • Eduardo Fajardo
    • France Lomay
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    2,7/10
    2706
    LA TUA VALUTAZIONE
    • Regia
      • Jesús Franco
    • Sceneggiatura
      • Jesús Franco
      • Ramón Llidó
    • Star
      • Manuel Gélin
      • Eduardo Fajardo
      • France Lomay
    • 92Recensioni degli utenti
    • 66Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto50

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    Interpreti principali17

    Modifica
    Manuel Gélin
    • Robert Blabert
    Eduardo Fajardo
    Eduardo Fajardo
    • Colonel Kurt Meitzell
    France Lomay
    France Lomay
    • Erika
    • (as France Jordan)
    Jeff Montgomery
    • Ben
    Lina Romay
    Lina Romay
    • Kurt's Wife
    Myriam Landson
    • Kurt's Wife
    Antonio Mayans
    Antonio Mayans
    • Sheik Mohamed Al-Kafir
    Javier Maiza
    • Captain Blabert
    Eric Viellard
    Eric Viellard
    • Ronald
    • (as Eric Saint-Just)
    Caroline Audret
    • Sylvie
    Albino Graziani
    • Prof. Deniken
    Miguel Ángel Aristu
    • Ahmed
    • (as Miguel Aristu)
    Henri Lambert
    • Kurt
    • (as Henry Lambert)
    Doris Regina
    • Aisha
    Jesús Franco
    Jesús Franco
    • Zombie
    Daniel Katz
      Juan Soler
        • Regia
          • Jesús Franco
        • Sceneggiatura
          • Jesús Franco
          • Ramón Llidó
        • Tutti gli interpreti e le troupe
        • Produzione, botteghino e altro su IMDbPro

        Recensioni degli utenti92

        2,72.7K
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        Recensioni in evidenza

        3claudio_carvalho

        Lame and Cheesy Zombie Movie

        In the WWII, a platoon of German soldiers is attacked by the Allies in an oasis and only the British Commander survives. The Sheik and his daughter Aisha (Doris Regina) rescue him in the desert and bring him to their house, where he recovers. Years later, the survivor tells to the mercenary Kurt (Henry Lambert) that the German troop was transporting a shipment of 6 million-dollar in gold and he informs the location of the treasure. However Kurt kills him and organizes an expedition to find the treasure.

        Meanwhile the student Robert Blabber (Manuel Gélin) reads notes of his father and discovers that there is a treasure hidden in the desert. Robert joins his friends and they travel to the desert to seek the gold. However, when they reach the location, they are attacked by an army of German living dead.

        "La Tumba de los Muertos Vivientes" is a lame and cheesy zombie movie by Jess Franco. This film is incredibly awful: story, screenplay, acting, dialogs, cinematography and special effects. The senseless exploitation in the beginning, with two women dressing very short Bermuda shorts is ridiculous. My vote is three.

        Title (Brazil): "Oasis dos Zumbis" ("Oasis of the Zombies")
        lost-in-limbo

        Nazi zombies don't share.

        With the legendary stinker reputation that this Jess Franco fable bestows (together with Jean Rollin's 'Zombie Lake'), I just could help myself to see what all the fuss was about. To tell the truth I was expecting something much, much worse when I got to the end of it, while viewable (think along the lines of a crash car taking place and you simply having trouble taking your eyes off it) I still couldn't deny just how uninvolved, flat and dull it was despite being compelled.

        This leery zero-budget schlock never captures the premise's promising idea (where it has Nazi zombies protecting the gold from anyone who enters the oasis in the African desert) and doesn't go anywhere we haven't already been before. The lack of money for the production wouldn't have helped, but the execution is clunky and tame on all fronts for something that needed to be more risqué (no gore or nudity). A repetitively slow-going mess with incoherent story-telling and woodenly wordy script is what comes about. It's hard to get excited seeing the same lingering zooms, ponderous actions and having to listen to Daniel White's lousy score of cringe-induced skews being dragged out.

        The ultra-cheap FX work for the threatening zombies (who seem to like to croak and shuffle) look like there done up in scrappy papier-mâché, but it has a decaying quality to it that's effective. Murky, washed out photography and lack of lighting doesn't make good use of the exotically bone-dry locations or helping to figure out just when it's night or day. Atmosphere is non-existent, but there's one decent creepy image Franco pulls off involving zombie silhouettes' moving down the dunes with the sun setting (or was it rising) in the backdrop and an well-organised explosive war set-piece during the sequence we're learning about the history of the Oasis and it's dead protectors. Acting is poor (but there are some stunning women about), and the character's they play (mainly the college kids) are plain stupid.

        A doggedly uneventful zombie film that just manages to hold a spell over you. I don't know how though?
        sebpopcorn

        Barely even a film

        I love zombie movies, they are my absolute favourite kind of horror film and Nazi zombies..what could be better? The problem is that there is no plot at all, the scenes are just randomly slapped together and feature about 5 minutes of zombies in total. Those five minutes include at least two minutes of repeated footage.

        There's no context to it either, people see dead bodies then decide to camp outside as if it didn't happen. Nobody reacts to anything.

        The actual camera work is awful, the film is grainy and the whole thing is one awful mess. They look like they had fun making it but you probably won't have any fun watching it unless you like watching something that looks like it was put together in half an hour on a mobile phone camera with people randomly gathered from a bus stop. This is one awful movie.
        sangue

        better than it gets credit for

        those expecting a gory blood bath will be disappointed, which is probably why everyone hates it, but i think it's pretty good. the zombies are really cool looking, and the attacks are directed with some style. Daniel White's music adds a certain flavor too. unfortunately, the slow pace will put some viewers to sleep, but i think it adds to the atmosphere. not a great film, but a good one.
        jrdundie32541

        Granted: It's not Romero, and it's not Fulci... but I think it's worth a look.

        I first saw this film when I was about eight or nine. It was at a "99 Cent Video" store in Hesperia, California, and I went there with one of my parents. I always liked to comb through the horror section of video stores (and I still do). I guess I have always had some kind of (morbid?) fascination with that section of the store. Seeing all the horrific video box covers, old films and new, sitting their on the shelves -- I had more fun and more chills reading the back of those video boxes -- films such as "The Seven Doors of Death" (and, yes, I know that is actually a heavily cut version of "The Beyond" by Fulci) or "Zombie Lake", "Slaughter High", or another ghastly title (a lot of them hard to find, and ones that you'll probably never find again) -- and imagining what the particular film would be like to watch then actually watching the film itself. It was in this store that I came across Jess Franco's "Oasis of the Zombies". It was the Filmland distribution copy, and the brief, paragraphic summary on the back of the box was just as said. I don't know how, but one way or another I (conned?) my parent into renting it for me. I got home, popped it in, and began watching it. Let me diverge from the track for a minute by saying that lots of commentors on this film have said that is was "boring".

        Now, I can't recall it being boring -- of course, I was only eight or night, and this film was one of those ghastly oddities from the horror section, and I had the luxury of actually being able to view it... so I was hooked. I didn't remember a lot about the film -- that is to say, about the story -- but what I did remember of it was what would come to be a graphic standard of the genre: a scene where the star zombies were making blue plate specials out of some campers in the desert. It was stomach churning, it was gruesome, yet at the same time I was covering my face with my hands, was I was looking between my fingers, I continued to watch it with that same, weird fascination.

        That was also when one of my parents walked in, took one look at the movie and scene I was witnessing, said "Unh-ugh,", and turned it off, and that was the end of that.

        Ten years passed before I would be able to find and watch that movie again. I didn't remember the title, and I didn't remember the story -- but I had always remembered what the box looked like, and that gory zombie luncheon scene had definitely stuck with me in the back of my mind. So, armed with that much knowledge, I had always searched different video stores during those ten years just on the chance that I might find it, and, low and behold, in August of 2001, at a video discount store in Simi Valley, California (you know, one of those places that has racks and racks of all different kinds of films for low prices), I found it without even looking for it. Same box, same everything.

        I bought it for a couple of bucks, popped it in, and watched it. And I didn't see what was so bad about it. Sure, it had a very low budget, and perhaps the acting was at times mediocre, but, all in all, I still felt it was a nice effort by an apparently notorious director -- I was just as intrigued watching the film as I was ten years earlier at any rate. As I said, many have said it was boring -- particularly the "flashback time-filler". I've come to attach these type of comments from this and other films of the genre to those persons that I like to refer to as "gorehounds". They like zombie movies, they LOVE zombies movies, but the only thing they love about them, apparently, is the gore, and that's all. Now, perhaps I'm wrong here, but I felt that there was a decent attempt at concentration on the STORY here. Sure, there was a long flashback sequence -- but I don't see how it could be boring. Most of it depicted a heavy gun battle. What's boring about something like that? And so what if it did have a flashback sequence? "The Green Mile" and "The Bounty", as other films, were both told in flashback for the entirety of them. I'm not comparing this film to those wonderful cinematic events, but why don't people give old Jess a break? He gave it his best with what he had. Which is what most filmmakers do -- otherwise they wouldn't be taking the time to do it. Yes, by today's standards, this film probably is boring. But this is a foreign film, remember, and it's also twenty years old, and people had longer attention spans then.

        Give this underrated film a showing if you have about an hour and a half to spare -- and don't be a gorehound and watch this film for the blood and guts; watch it for the atmosphere, which I feel it's loaded with. Pay attention to the story, because there just so happens to be a little one whether you like it or not, and you might just find yourself getting drawn into it. I quote the man on the camel at the end of this film. He asks one of the survivors of the zombie attack: "Did you find what you were looking for?" The survivor replies: "Yes... but I think I mostly found myself." Maybe you'll find a neat little gem of a movie here. Give it a chance. Granted: It's not Romero, and for all you gorehounds out there it may not be a Fulci... but I think it's worth a look.

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        Trama

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        Lo sapevi?

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        • Quiz
          There is a French language version and a Spanish language version. The only difference is that the nazi doctor and his wife are played by different actors.
        • Citazioni

          Girl victim 1: Look at the size of them. Do you suppose they're Redwoods?

          Girl victim 2: They're date trees. Come on.

        • Versioni alternative
          The film exist in two versions. The more common French version, which is the one released in the USA by Wizard Video on VHS, Image Entertainment on DVD, and Redemption on Blu-ray. And a more rare Spanish version. In total, there's about 20 minutes of exclusive footage in the Spanish version of the film, which features a partially different cast from the French version. For example, Lina Romay appears in the Spanish cut of the film; she doesn't appear in the French/English version. The gore scenes are also much more effective in the Spanish version of the film. A list of differences follows: General notes about "French version" vs. original "Spanish version" (this movie was made in two completely different versions simultaneously, featuring a French and Spanish cast, respectively): -"Spanish version" is approx. 2:32 min longer. The soundtrack on the Spanish version (credited to Pablo Villa) is completely different and much more effective. It is louder, and uses eerie organ music and "moans" instead of the bland electronic score on the "French version". -There are 4 sequences which have been "re-filmed" for the "Spanish version", basically using the same story outline, but different actors (Lina Romay, Eduardo Fajardo, etc.). They are all longer (and better) than their English/French counterparts - totaling 21m 50s compared to 16m 08s (an additional 5m 42s overall). 1) The first is immediately after the opening credits and shows Lina Romay waiting outside the house in a jeep whilst Eduardo Fajardo tries to extract information about the location of the oasis from Robert's father before killing him. (Spanish = 6m 38s, English = 4m 04s). 2) The second is after about 30m and shows the arrival of the search party at the oasis. They set up camp and attacked at night by the zombies. Lina Romay is graphically killed and her intestines removed. Eduardo Fajardo escapes although he is bitten. The English/French version is nowhere near as graphic (a few brief shots of the zombies are the same in bother versions). (Spanish = 12m 07s, English = 9m 28s). 3) The third is after about 45m and is just a brief sequence in which Eduardo Fajardo wakes up in the jeep and walks off. In the English/French version the man wakes up in bed before getting up. (Spanish = 23s, English = 16s). 4) The fourth is shortly after the above sequence and shows Eduardo Fajardo laughing maniacally as he starts to turn into a zombie from the bite on his neck. He eventually falls conveniently onto a bed of straw before being burnt. There are several cut-away shots of the students watching this from the English/French version. (Spanish = 2m 42s, English = 2m 20s). -After just over 60m there is a 3m 17s sequence of a couple of the students making love in their tent in the oasis (Inga and friend). This has been edited out of the Spanish print entirely. There are 2 further brief sequences not in the Spanish version: 10s after 75m - the girl student (Inga) carrying a petrol can being grabbed by the ankles by a zombie emerging from the sand, and 7s after 76m in which the zombies surround her and bite her leg. -One sequence lasting 46s of a series of shots of the zombies approaching, close-ups of worms on their faces, and shots of the oasis, is in a different place in the Spanish version (after 79m instead of 74m). -Finally after 81m there is one extra shot lasting 12s in the Spanish version showing the zombies disappearing into thin air in front of the oasis. -Of course the opening credits are completely different on both versions, although they last the same time - 1m 10s. The Spanish ones are in red lettering and play over a close-up of a zombie's face, whilst the English/French ones are in white lettering over a shot of the town. The Spanish print ends with 15s of additional credits after "Fin" which credit Jesus Franco as "montage" and Lina Romay as "ayte. de montage". -There is also more narrative voice-over during the war flashback sequence in the Spanish version. -To summarize then, the Spanish version has 22m 02s of footage not in the English/French version, but is missing 3m 34s of original footage and 16m 08s of alternate footage, giving a total difference of 2m 20s + 15s at end - 3s minor jumps = 2m 32s.
        • Connessioni
          Edited from I giardini del diavolo (1971)

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        Dettagli

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        • Data di uscita
          • 21 aprile 1982 (Francia)
        • Paesi di origine
          • Francia
          • Spagna
        • Lingue
          • Francese
          • Spagnolo
        • Celebre anche come
          • L'oasi degli zombi
        • Luoghi delle riprese
          • Canary Islands, Spagna
        • Aziende produttrici
          • Eurociné
          • Marte Films Internacional
          • Diasa P.C.
        • Vedi altri crediti dell’azienda su IMDbPro

        Specifiche tecniche

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        • Tempo di esecuzione
          • 1h 26min(86 min)
        • Colore
          • Color
        • Mix di suoni
          • Mono
        • Proporzioni
          • 1.66 : 1

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