Una poltrona per due

John Landis has directed a brilliant original screenplay by Timothy Harris and Herschel Weingrod.

Eddie Murphy is absolutely hilarious as a street hustler that was placed in the world of options trading by a couple of old farts who just like to bet with each other.

Of course on the opposite side, the real options trader, Dan Aykroyd, is dumped on the street.

Coming to save the day is Jamie Lee Curtis, who is funny and hot as a prostitute who feels sorry for Winthorpe (Ackroyd).

Denholm Elliott is positively lovable as the butler. Don Ameche and Ralph Bellemy play the betting Duke brothers.

SKIN-TASTIC Moment: In front of a mirror (and Dan Aykroyd) hooker- with-a-chest-of-gold Jamie Lee doffs her top and lets loose her magnificent money-markers in one of history's all-time hottest topless scenes.

One of the best comedies of the 1980's, this stars Eddie Murphy in one of his best roles alongside Dan Aykroyd. The plot is great, a poor, homeless man who has resorted to a life of crime (Murphy) and an upper class yuppie involved in the stock market (Aykroyd) trade places when two devious brothers (Aykroyd's employees) have a bet. This is a very well written, well acted, and well executed comedy, that makes you laugh, but also grips you with a strong plot. Also has a satisfying ending.

Dan Aykroyd (The Blues Brothers) stars as Louis Winthorpe, a smart and rich businessman who gets his life turned around when he is kicked out of his house and is forced to live on the street, all because of 2 other businessmen who have placed a wager to see if a street thief would succeed in his place.

In this ambitious and dramatic tale, viewers are invited into the hard and cruel life of the business world and what goes on behind closed doors, and though unrealistic, is a tale of cunning and loyalty in a great comedy drama.

In his best ever role, Eddie Murphy (Beverly Hills Cop) stars as street urchin Billy Ray Valentine, a cheeky and egotistical man who can't believe his luck when he is invited to work for the Dukes, the two businessmen who are scamming against him. Murphy excels in his own way, with that big smile and that own sophistication that he does so well, and the reason that this is his best ever role, is because as well as the comedy, there is a strong and determined belief about his character that is admirable and watchable and through his portrayal, we can see differences in the type of culture his character takes to.

Murphy is matched on every level by an excellent performance by Aykroyd whose life falls through our very eyes. The way his life can't seem to get any worse is one of the many reasons this film works so well.

These performances are matched with a gripping plot that sees viewers taken into the dark side of the business life, and through two evil and manipulative money driven owners, the Dukes. And the concept of money drives the film forward and the cruelty behind their bet is unbelievable and horrible to even think about, and is shown in such a dramatic fashion.

There is plenty of illegal activity, not to mention racial abuse and discrimination through the hierarchy that it is unthinkable that business was once like this.

Though I was completely lost during the final couple of scenes, this is a serious ideology encoded into a fairly humorous and dramatic film about the dealings and the life in business.

Murphy and Aykroyd work well off each other. They both know how to deliver the punchlines. Supporting cast helps bring the comedy to fruition. Delightful performances by veterans Don Ameche and Ralph Bellamy knowing how to work with todays young talent.

This is probably one of the funniest films of the 1980's. It not only is a play on the classic nature vs. nurture theme, but it is also a somewhat comedic commentary on the "greed is good" decade of the 80's. However, it is also a nice bridging of the generations as it features two of the biggest stars to come from "Saturday Night Live" Eddie Murphy does a fine job as con man Billy Ray and Dan Ackroyd is great as Louis. Jamie Lee Curtis is also wonderful as Ophelia. In fact, it was good to see her do something other than the "scream queen" roles which she became famous for during the early part of her career. She definitely shows the comedic timing that she would display later in her career and would make her one of the finest comedic actresses in film today. However, the one that really steals it for me is Denholm Elliot as Coleman. He delivers a very low key performance that is befitting for that role. This is a real gem.