VALUTAZIONE IMDb
6,9/10
12.522
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAt the onset of WW2, a Polish actor's family and the Polish Resistance help the troupe of a theatre escape Poland and the invading Nazis.At the onset of WW2, a Polish actor's family and the Polish Resistance help the troupe of a theatre escape Poland and the invading Nazis.At the onset of WW2, a Polish actor's family and the Polish Resistance help the troupe of a theatre escape Poland and the invading Nazis.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 6 candidature totali
James 'Gypsy' Haake
- Sasha
- (as James Haake)
José Ferrer
- Prof. Siletski
- (as Jose Ferrer)
Recensioni in evidenza
I've been a big fan of the Jack Benny movie since I was 10 years old. Then, just earlier this year, I sought out the Mel Brooks version. I had become a huge Mel Brooks fan and he is now my favorite entertainer. So I thought I'd see this version just because I sorta kinda had to as a Mel Brooks fanatic. My grandfather (also a big Mel Brooks fan) had seen the film on its release back in 1984 and thought it was a kind of pale copy of the Jack Benny version, which he loves too. But I personally thought that the film was a brilliant motion picture and contained more laffs and better music than the original. This quickly became one of my favorite Mel Brooks movies (even though he didn't direct or write it!) The supporting cast is great, in a different way than the original. Instead of trying to merely copy the original performances, they create their own, equally-funny ones, especially Charles Durning and Christopher Lloyd. Jose Ferrer was great. That underrated Jewish character comic George Wyner was also as funny as ever. Even Ronny Graham had a role as Sondheim("Sondheim, send in the Klowns!") James Haake as Sasha gave a brilliant performance. I wish he'd won an Oscar. Tim Matheson was good in his kind of bland role as the Polish Flier. But of course, the stars are Mel Brooks and Anne Bancroft. Their highlights together include a Polish version of "Sweet Georgia Brown." Brooks sings "A Little Peace," "Ladies," and (on the soundtrack album only) "The Hitler Rap."
TO BE OR NOT TO BE
Aspect ratio: 1.85:1
Sound format: Dolby Stereo
1939: As the Nazi's invade their homeland, a humble Warsaw theatre troupe stages a daring escape after stumbling on a Gestapo plot to kill members of the Polish resistance.
Whilst the fondly-remembered Ernst Lubitsch original was actually filmed during wartime (1942), at a point when the outcome of the conflict was still uncertain, this updated vehicle for Mel Brooks has no such edge, but Alan Johnson's fast-paced remake at least preserves the elements of comedy and drama which made the earlier film so potent. There aren't many belly laughs to be had from the low-key screenplay (co-written by Thomas Meehan and Ronnie Graham), and the Nazi caricatures are fun without being especially funny (Charles Durning was Oscar-nominated for his role as bumbling Gestapo officer 'Concentration Camp' Erhardt), but the film offers an upbeat mixture of thrills and frivolity, and a superb cast of experienced players take turns stealing the limelight from leading player Brooks (Anne Bancroft has a ball as Brooks' duplicitous wife, easing her marriage blues by encouraging a half-innocent liaison with handsome airman Tim Matheson, who's been assigned by British Intelligence to foil a dastardly plot initiated by double agent Jose Ferrer). As in the original, the movie portrays the Nazi threat in a comic manner whilst constantly reminding viewers of the deadly reality which underpins the narrative, and while the scenario is fast-paced, funny and exciting in equal measure, it's also surprisingly respectful of history. Johnson's unfussy direction keeps things moving along nicely, and production values are efficient throughout.
Aspect ratio: 1.85:1
Sound format: Dolby Stereo
1939: As the Nazi's invade their homeland, a humble Warsaw theatre troupe stages a daring escape after stumbling on a Gestapo plot to kill members of the Polish resistance.
Whilst the fondly-remembered Ernst Lubitsch original was actually filmed during wartime (1942), at a point when the outcome of the conflict was still uncertain, this updated vehicle for Mel Brooks has no such edge, but Alan Johnson's fast-paced remake at least preserves the elements of comedy and drama which made the earlier film so potent. There aren't many belly laughs to be had from the low-key screenplay (co-written by Thomas Meehan and Ronnie Graham), and the Nazi caricatures are fun without being especially funny (Charles Durning was Oscar-nominated for his role as bumbling Gestapo officer 'Concentration Camp' Erhardt), but the film offers an upbeat mixture of thrills and frivolity, and a superb cast of experienced players take turns stealing the limelight from leading player Brooks (Anne Bancroft has a ball as Brooks' duplicitous wife, easing her marriage blues by encouraging a half-innocent liaison with handsome airman Tim Matheson, who's been assigned by British Intelligence to foil a dastardly plot initiated by double agent Jose Ferrer). As in the original, the movie portrays the Nazi threat in a comic manner whilst constantly reminding viewers of the deadly reality which underpins the narrative, and while the scenario is fast-paced, funny and exciting in equal measure, it's also surprisingly respectful of history. Johnson's unfussy direction keeps things moving along nicely, and production values are efficient throughout.
If I heard about a remake of To Be or Not to Be and didn't know the cast, I'd probably shrug it off and stick with the original. One of the reasons I loved the 1942 version is because it was made during wartime and had an extra sense of fear in every scene, since no one knew how the war would turn out. A remake in the 1980s wouldn't have that same effect, no matter how good it was. But, since I knew the cast, I decided to rent it. Who doesn't want to see Mel Brooks and Anne Bancroft together?
The remake is extremely similar to the original, so if you did love the 1942 film, you'll still love this one. Just in case you don't know the plot, I won't spoil it for you here. It follows a theater troupe in Poland during WWII, and how they get involved in the fight "backstage". Just as in the original, the comic timing in the remake is impeccable, and you'll see some familiar faces joining the cast. Charles Durning plays Erhardt, Christopher Lloyd plays Schultz, and José Ferrer plays Siletski. If you don't know who those characters are, then you obviously haven't seen either version of this story. It's time you started! Pick whichever cast appeals to you and get ready to split your sides laughing.
The remake is extremely similar to the original, so if you did love the 1942 film, you'll still love this one. Just in case you don't know the plot, I won't spoil it for you here. It follows a theater troupe in Poland during WWII, and how they get involved in the fight "backstage". Just as in the original, the comic timing in the remake is impeccable, and you'll see some familiar faces joining the cast. Charles Durning plays Erhardt, Christopher Lloyd plays Schultz, and José Ferrer plays Siletski. If you don't know who those characters are, then you obviously haven't seen either version of this story. It's time you started! Pick whichever cast appeals to you and get ready to split your sides laughing.
This remake of Ernst Lubitsch's wartime comedy has often been dismissed as a ham-fisted and unnecessary vanity exercise. This is grossly unfair, as the Brooks' version is in fact a deft and funny comedy that stands up well in comparison to its forebear. Mel Brooks and Anne Bancroft make their own the roles of the Bronskis, a Warsaw theatrical duo ("world famous in Poland")who star in revues at the Bronski theatre. When war breaks out the Bronskis become brood-hens to an ever-growing community of Jewish refugees while staying one step ahead of the Nazis. Brooks and Bancroft are fine in the roles of the battling Bronskis, particularly Mel Brooks who finds a touching level of vulnerability beneath the bombast and bluster of Frederick Bronski. Despite the farcical and improbable plot twists, the narrative is sound and genuine pathos registers throughout the film. Those with fond memories of Jack Benny and Carole Lombard in the lead roles may have boycotted this on first release, but they have denied themselves a rare treat - a sure-footed and genuinely entertaining film.
This is the great Mel Brooks at his best!.
He revisits this classic film and makes it even crazier than the original, adding a lot of new stuff... (there are 3 numbers where Mel dances and sings, there are clowns, jews and a homosexual hairdresser pursued by the evil and stupid nazis.)
All the actors in this movie, and I mean ALL, are just terrific.
I´d like to state that this is not a remake of the Ernst Lubistch classic, (at least that´s my opinion), to me this is a tribute to the great director and his masterpiece.
I´ve watched the Lubistch "To be or not to be" a lot of times for it´s one of my favorite films, and the Mel Brooks version is completely different from the original. It was made the Brooks way, which I really adore.
So watch this film, you´ll have a lot of fun and won´t stop laughing.
Oh, just one more thing...
This is an asking to 20th Century Fox: When you decide to release this movie in DVD, include the absolutely amazing video-clip: "To be or not to be - Hitler Rap" performed by Mel Brooks please!!. I can assure you that a lot of people will buy it just for that.
(9 out of 10)
He revisits this classic film and makes it even crazier than the original, adding a lot of new stuff... (there are 3 numbers where Mel dances and sings, there are clowns, jews and a homosexual hairdresser pursued by the evil and stupid nazis.)
All the actors in this movie, and I mean ALL, are just terrific.
I´d like to state that this is not a remake of the Ernst Lubistch classic, (at least that´s my opinion), to me this is a tribute to the great director and his masterpiece.
I´ve watched the Lubistch "To be or not to be" a lot of times for it´s one of my favorite films, and the Mel Brooks version is completely different from the original. It was made the Brooks way, which I really adore.
So watch this film, you´ll have a lot of fun and won´t stop laughing.
Oh, just one more thing...
This is an asking to 20th Century Fox: When you decide to release this movie in DVD, include the absolutely amazing video-clip: "To be or not to be - Hitler Rap" performed by Mel Brooks please!!. I can assure you that a lot of people will buy it just for that.
(9 out of 10)
Lo sapevi?
- QuizMel Brooks has said this is his favorite of his Brooksfilms movies.
- BlooperIn the Naughty Nazis song, "A Little Piece...", they mention Pakistan as one of the countries. Pakistan was not created until 1947.
- Citazioni
Frederick Bronski: Let's face it, sweetheart: without jews, fags and gypsies there is no theatre.
- Curiosità sui creditiThe opening and closing credits show a picture of Bancroft and Brooks drawn side by side in overlapping profile, this is clearly an homage to the similar drawing of Benny and Lombard in the opening and closing credits of the 1942 version.
- ConnessioniFeatured in An Audience with Mel Brooks (1983)
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Soy o no soy
- Luoghi delle riprese
- Mayfield Senior School - 500 Bellefontaine Street, Pasadena, California, Stati Uniti(Hotel Europa; Polish Officers Club)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 9.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 13.030.214 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.020.958 USD
- 18 dic 1983
- Lordo in tutto il mondo
- 13.030.214 USD
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By what name was Essere o non essere (1983) officially released in India in English?
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