El tesoro de la diosa blanca

Jess Franco makes exploitation films, and he has made tons of them. Franco is responsible for some of the most shocking films in cinema history, and god bless him for it. Unfortunately, The Diamonds of Kilominjaro is a truly awful movie that is not up to his usual standards.

Exploitation films should be judged on story, sex, and gore. What else is there? This film fails on most of those benchmarks. The plot is paper thin, placing a nubile young girl in the jungle among cannibals. We really don't get information on why she and her father were there in the first place. As expected, her father is the "Big White Chief" and she becomes a goddess, sitting in trees, naked. Add fortune hunters and precious stones, and you have your basic rescue the girl for greedy intentions plot line. The characters are stock, not adding an ounce of believability to the proceedings.

Gore? None, or at least very little. This film is often mentioned in the same vein as the classic Italian cannibal movies. Those seeking that type of gore need to run the other way. Save for one cheap be-heading, this movie features surprisingly little blood and guts.

As best I can tell the only reason this movie exists is so Katja Bienert, Aliene Mess, and Mari Carmen Neieto could run around naked. Actually "Lita" (Mari Carmen Neieto) does the full frontal heavy lifting, while the two jungle ladies are bare chested throughout. Yes, there are love scenes....probably the most sterile Franco has ever supervised. The women are beautiful, but nothing here to really make this movie an erotic classic either.

This movie just reeks of low budget buffoonery. The sets are laughable. The acting is horrid, and the editing is confusing. There is no real story to hold this together, and not enough of a budget (or effort) to shock or titillate. I think Franco fans have come to expect more out of the master of exploitation.

A group of adventurers travel to the 'dark continent' to try and locate a lost heiress named Diana, who disappeared years before in a plane crash, and who is now believed to be living with a savage tribe that consider her to be their goddess.

Once again, my search for sleazy, European cannibal movies has taken me deep into Jess Franco territory—a seemingly endless cinematic wilderness swarming with sub-par scriptwriting, crawling with crap camera-work, and abundant with awful acting (Franco regular Lina Romay taking the prize this time for her pitiful performance as an ailing, elderly woman). It is here, in this hellish place, that I finally stumbled upon Diamonds of Kilimanjaro, an abysmal jungle-based exploitationer so stupefyingly bad that it took me three successive evenings to finish watching it.

Tawdry and unrelentingly dull, even by Franco's standards, this wearisome piece of trash fails on almost every level: the story is a dreadfully dull derivative of Edgar Rice Burrough's Tarzan, albeit with a feminine twist; the film appears to have been filmed in the local botanical gardens, although grainy stock footage is poorly integrated into the film in a pointless effort to convince viewers that the action is really taking place in Africa; and the death scenes are virtually bloodless (Franco can usually be relied upon for some splatter, but despite initial appearances, this isn't a cannibal movie and it isn't that gory).

Where the director does succeed, however, is in his casting of sexy young Katja Bienert as jungle jail-bait Diana. Running and leaping through the undergrowth in nothing but a skimpy loin-cloth, her curvaceous bod belying the fact that she was only sixteen at the time, this nubile beauty makes quite an impression. Franco also throws in some further nudity courtesy of Mari Carmen Nieto as treacherous traveller Lita (who gives us a glimpse of her untamed regions), and Aline Mess as topless warrior woman Noba, thus narrowly avoiding getting yet another rating of 1/10 from me (although I'm sure he'll be receiving plenty more in the future—I have loads of his films yet to see).

Franco films can be divided into 4 categories- the "earlies" (often black and white and inventive), the "naughties" (late 1960s/early 1970s often involving Soledad Miranda), the "nudies" (of various periods, but using full frontal female nudity as plot drive)and "the rest".

This is part of the "rest". It is not really a cannibal movie at all. It is certainly no gorefest. The few women in the picture dont even lose their loin cloths and there is little full frontal stuff at all. The picture quality on the German DVD I watched is poor. The film peters out (insofar as it ever catches fire). As a Franco fan, I would tell others not to bother. Do something else with your time...read a book....get a copy of "Women in Cellblock 9"...anything really...

Good old Jess Franco! The always-reliable choice of director in case you're looking for undemanding sleaze, shameless exploitation and 200% gratuitousness. Jess once again really surpassed himself with this utterly trashy piece of jungle "adventure". Let's face it, this film is basically just an excuse to have the ravishingly hot (and underage…) actress Katja Bienert parade around topless. It's actually a rather disturbing thought that an innocent 16-year-old girl had to walk around a film set naked in front of a whole crew and particularly before the gazing eyes of pervert Franco! And it wasn't even the first time, since the duo previously already made "Linda" together. Anyways, just in case you wondered: YES, "Diamonds of the Kilimanjaro" does have a plot, albeit a very imbecilic one. During the opening sequences a plane, carrying aboard a wealthy Scottish guy and a girl child, crash amidst an African tribe of vegetarian cannibals. I say vegetarian because they never at one point in the film so much even attempt to consume human flesh. The obnoxious Scot declares himself the Great White Leader and the girl grows up to become the beautiful and scarcely dressed White Goddess. Several years later an expedition reaches the middle of the jungle to get the girl back to civilization and – even more importantly - to steal some of the tribe's legendary diamonds. This could have been a compelling and action-packed adventure movie, but Jess Franco obviously couldn't be bothered. Why shoot jungle chase sequences or bloody cannibalistic rites when you can just as easily aim your camera at a hot young chick sitting naked in a tree? Most of the jungle settings simply appear to be filmed in someone's garden and there's a massive amount of clumsily edited National Geographic wildlife footage in order to fill up the gaps in continuity. The back of the DVD describes "Diamonds of the Kilimanjaro" as an ingenious, feminist and adult orientated version of Tarzan. Yeah right, they just put that sentence there because Katja Bienert's character swings from one tree to another using a a couple of times.

Jesus Franco made many bad films, and some of the worst were the ones he did with the ultra-cheapskate French outfit Eurocine. This is probably the best of the a bad lot, but it IS a chance to see Franco regular Katja Beinert in a role that might actually be legal by US standards (some of his earlier films with her probably pushed even the much more liberal Continental European age-of-consent laws to the limit). I doubt this movie will appeal too much to the "barely legal" crowd though as Bienert seems to have sprung from the womb with a body that would put any 25-year-old woman to shame, and all she really does is wander around in nothing but a ridiculously low-riding loincloth for most of the film.

Biernert plays a female version of Tarzan who is adopted by a tribe of Africans along with her godfather after their plane crashes in the deep jungle. This tribe is so pathetic that they not only worship a teenage white girl as a goddess, but also make her drunken Scottish stereotype of a godfather their "Big White Chief". The one rebellious tribes-member meanwhile is about the same age as Beinert and looks like Lisa Bonet circa 1987. The "plot" begins when some mercenaries looking for the titular diamonds stumble across the barely-legal white jungle girl. They return with some of her relatives who are planning to kill her to get their hands on the inheritance of her sickly, dying mother (Lina Romay, in a highly unusual role given that it was the height of her hardcore porn career). It would have made a lot more sense to pay the mercenaries to just keep quiet, rather than to follow them into the jungle to kill the girl, but, oh well.

There is much less violence than the earlier Franco/Eurocine cannibal films. The only real sex scenes come courtesy of the luscious mistress (Maria Nieto) of one of Bienert's greedy relatives, who gets so turned on after being nearly eaten by stock footage of a crocodile while skinny-dipping that she drags one of the mercenaries (Anthony Mayans) into the weeds for some afternoon delight while Biernert's character curiously watches them. Mayans, playing the most out-of-shape mercenary in cinema history, later also takes a roll in the hay with the jungle girl but off-screen (probably a good thing as there are already WAY too many shots of his flabby ass in this movie).

This is not good by any stretch of the imagination, but it is a pretty harmless movie (aside from a couple sex scenes and National Geographic-style nudity, it could have gotten a PG rating in America). It has serviceable plot, occasional drama, and a setting that you can sometimes believe is NOT just a European zoo. And it's "Citizen Kane" compared to the other Franco film ("Golden Temple Amazons")it's paired up with in Shriek Show's new "Jungle Girls" box set.