El tesoro de la diosa blanca

Another no budget-shot which is full of the nudity of some quite plain women as well as a not-existing plot and a set decoration that seems to be taken from the botanic garden of a zoo. In other words: Ruggero Deodato´s film looks like the "Citizen Kane" of the cannibal movies, because any acting, storyline, suspense, dramatic, or even cannibalism... are totally missing in Franco´s flick! There´s some animal documentary footage brought on, but the style doesn´t fit to the rest of the film what causes some real laughable impressions! And former German sex starlet Katja Bienert is only ridiculous in the role of Tarzan-like girl Liana, her scream sounds like a drunk gorilla! Don´t be fooled, folks! Even Franco can do it better! Only for those a must-see who think they should have seen all of this director - a lot of work in view of the 176 films Franco shot!!

African adventure in Jesús Franco style with very short budget, ordinary stars , being a colorful but inferior production. This exciting film contains thrills , an idiot romance, disconcerting characters , adventure and action scenes of infighting between violent tribes that generate little entertainment . A lighthearted romp about jungle adventures , concerning an expedition looking for a person who has presumably missing somewhere in African jungles . As a little girl is adopted by a tribe of Africans along with her godfather after their plane crashes in the deep jungle. But some of her relatives are scheming to murder her to get the valuable inheritance . Long time after , a bunch of adventurers head to a primitive tribe in Africa to find a treasure of diamonds and a white girl who was lost years ago and was made the tribe's goddess .

This Spanish/France co-production results to be a simple , plain and embarrising fun . Silly movie , containing inadequate action , thrills , worn-out cinematography , lush landscapes , brief nudism , anticlimatic score ; all meld together under Jess Frank 's failed direction . It is an unttractive and predictable adventure spectacle , ordinarily directed by the Spanish botcher filmmaker Jesus Franco . The plot is nothing more than a female version of the often-shot Tarzan story, but it lacks the curious mixture of glossiness and raw excitement that most Tarzan films have to offer. Instead, we're left with unconvincing sets and plenty of stock footage to pad out the predictable tale . As the production values are really cheap , you don't get to see Tarzana herself riding real elephants or fighting real jungle animals, just inappropriate insert stock footage. Here stands out the attractiveness of a very young Katja Bienert who spends the time of her screen appearance wearing nothing but a little junglekini thong bottom. She's badly accompanied by varios familar faces from Franco films , such as : Antonio Myans , Olivier Mathot , Mari Carmen Nieto , Daniel White : Franco's composer and of course Lina Romay. This El tesoro de la diosa blanca(1983) or Diamonds of Kilimandjaro (United States title) or The Treasure of the White Goddess results to be a late example of numerous topless jungle girl movies emanating from Europe in the late 1960s , 1970s, and 1980s this is par for the genre. It follows in the wake of the Sixties and Seventies sub-genre about semi-naked Tarzanas , when abounded this sort of films , such as : into Golden Goddess of Rio Beni (1964) by Eugenio Martin with Gillian Gills , Tarzana, the Wild Woman (1969) by Guido Malatesta with Femi Benussi or Daughter of the Jungle (1982) by Umberto Lenzi with Sabrina Siani.

Produced by Daniel Lesoeur , Marius Lesoeur from Eurociné and Manacoa Productions , Jesús Franco's owner , the latter directs this off-the-wall jungle/adventure in his usual bungling style . The motion picture was lousily written, edited, produced and directed by Jesús, Jess, Franco. Jess was a Stajanovist, restless writer, producer, director who realized over 200 pictures. His career spans over 50 years with a few successes and lots of flops, making all kind of genres : thrillers, adventures, action and with penchant for Terror and erotic genre . Jesus used to sigb under pseudonym, among the aliases he used apart from Jess Frank or Franco Manera, were the following ones : Frank Hollman, Clifford Brown, David Khune, James P. Johnson, David Though, among others. Franco used to use ordinary trademarks, such as : zooms , nudism, foreground on objects , filmmaking in DIY style and managing to work extraordinarily quick in very low budget, as well as frequently releasing various titles at the same time. He was a prolific filmmaker, directing a lot of lousy movies. However, making some acceptable films , such as : We are 18 years old, The awful Dr Orloff, The Bloody Judge , Count Dracula, 99 women, The Blood of Fumanchu, Faceless and a few others. And many of them were heavily cut and with double versions. Rating Viaje a Bangkok : 3/10 . Inferior and below adventures action movie. Only for Jess Frank completists.

This film is a cheap rip off of King Solomon's Mines and "She." Those books have been done so much better in other films. But this one manages to grab all the tropes from those classics and trot them out in a cheaper version.

Do you want a native tribe protecting jewels Check Do you want a white woman as the tribe's goddess? Check Dp you want a native shaman dancing for the tribe Check Do you want stock footage of a jungle? Check Do you want women running around in skimpy loin cloths? Check.

And when it comes to continuity.... Well, I am sure the director would echo the classic line: "Continuity? Continuity? We don't need no stinking continuity".

So, for example, quick cut to a rhino chasing a jeep. Wait, we didn't get into the jeep yet. Film that. Now add the same cut of the rhino. Don't worry about the first one - no one will notice.

There is just so little to like about this movie.

Franco films can be divided into 4 categories- the "earlies" (often black and white and inventive), the "naughties" (late 1960s/early 1970s often involving Soledad Miranda), the "nudies" (of various periods, but using full frontal female nudity as plot drive)and "the rest".

This is part of the "rest". It is not really a cannibal movie at all. It is certainly no gorefest. The few women in the picture dont even lose their loin cloths and there is little full frontal stuff at all. The picture quality on the German DVD I watched is poor. The film peters out (insofar as it ever catches fire). As a Franco fan, I would tell others not to bother. Do something else with your time...read a book....get a copy of "Women in Cellblock 9"...anything really...

Jess Franco makes exploitation films, and he has made tons of them. Franco is responsible for some of the most shocking films in cinema history, and god bless him for it. Unfortunately, The Diamonds of Kilominjaro is a truly awful movie that is not up to his usual standards.

Exploitation films should be judged on story, sex, and gore. What else is there? This film fails on most of those benchmarks. The plot is paper thin, placing a nubile young girl in the jungle among cannibals. We really don't get information on why she and her father were there in the first place. As expected, her father is the "Big White Chief" and she becomes a goddess, sitting in trees, naked. Add fortune hunters and precious stones, and you have your basic rescue the girl for greedy intentions plot line. The characters are stock, not adding an ounce of believability to the proceedings.

Gore? None, or at least very little. This film is often mentioned in the same vein as the classic Italian cannibal movies. Those seeking that type of gore need to run the other way. Save for one cheap be-heading, this movie features surprisingly little blood and guts.

As best I can tell the only reason this movie exists is so Katja Bienert, Aliene Mess, and Mari Carmen Neieto could run around naked. Actually "Lita" (Mari Carmen Neieto) does the full frontal heavy lifting, while the two jungle ladies are bare chested throughout. Yes, there are love scenes....probably the most sterile Franco has ever supervised. The women are beautiful, but nothing here to really make this movie an erotic classic either.

This movie just reeks of low budget buffoonery. The sets are laughable. The acting is horrid, and the editing is confusing. There is no real story to hold this together, and not enough of a budget (or effort) to shock or titillate. I think Franco fans have come to expect more out of the master of exploitation.