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IMDbPro

Voglia di tenerezza

Titolo originale: Terms of Endearment
  • 1983
  • T
  • 2h 12min
VALUTAZIONE IMDb
7,4/10
68.745
LA TUA VALUTAZIONE
POPOLARITÀ
3617
706
Shirley MacLaine and Debra Winger in Voglia di tenerezza (1983)
Guarda Official Trailer
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Aurora, difficile da accontentare, alla ricerca dell'amore e afflitta dai problemi familiari.Aurora, difficile da accontentare, alla ricerca dell'amore e afflitta dai problemi familiari.Aurora, difficile da accontentare, alla ricerca dell'amore e afflitta dai problemi familiari.

  • Regia
    • James L. Brooks
  • Sceneggiatura
    • Larry McMurtry
    • James L. Brooks
  • Star
    • Shirley MacLaine
    • Debra Winger
    • Jack Nicholson
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,4/10
    68.745
    LA TUA VALUTAZIONE
    POPOLARITÀ
    3617
    706
    • Regia
      • James L. Brooks
    • Sceneggiatura
      • Larry McMurtry
      • James L. Brooks
    • Star
      • Shirley MacLaine
      • Debra Winger
      • Jack Nicholson
    • 258Recensioni degli utenti
    • 57Recensioni della critica
    • 79Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 5 Oscar
      • 33 vittorie e 22 candidature totali

    Video2

    Official Trailer
    Trailer 1:01
    Official Trailer
    Ultimate Weeper Watchlist: Flow, Gump, Lion, & More
    Clip 4:03
    Ultimate Weeper Watchlist: Flow, Gump, Lion, & More
    Ultimate Weeper Watchlist: Flow, Gump, Lion, & More
    Clip 4:03
    Ultimate Weeper Watchlist: Flow, Gump, Lion, & More

    Foto90

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    Interpreti principali45

    Modifica
    Shirley MacLaine
    Shirley MacLaine
    • Aurora Greenway
    Debra Winger
    Debra Winger
    • Emma Horton
    Jack Nicholson
    Jack Nicholson
    • Garrett Breedlove
    Danny DeVito
    Danny DeVito
    • Vernon Dahlart
    Jeff Daniels
    Jeff Daniels
    • Flap Horton
    John Lithgow
    John Lithgow
    • Sam Burns
    Lisa Hart Carroll
    Lisa Hart Carroll
    • Patsy Clark
    Betty King
    • Rosie Dunlop
    • (as Betty R. King)
    Huckleberry Fox
    Huckleberry Fox
    • Teddy Horton
    Troy Bishop
    Troy Bishop
    • Tommy Horton
    Shane Serwin
    • Younger Tommy Horton
    Megan Morris
    • Melanie Horton
    Tara Yeakey
    • Baby Melanie
    Norman Bennett
    Norman Bennett
    • Edward Johnson
    Jennifer Josey
    • Young Emma
    Kate Charleson
    • Janice
    Tom Wees
    • Dr. Budge
    Paul Menzel
    • Dr. Maise
    • Regia
      • James L. Brooks
    • Sceneggiatura
      • Larry McMurtry
      • James L. Brooks
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti258

    7,468.7K
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    Recensioni in evidenza

    7Tito-8

    Quite good, but overrated

    After looking forward to seeing this film for many years, I finally have watched it, and was left a little disappointed. Don't get me wrong, it's a good movie, but I expected so very much more. I found the plot to be rather thin for a movie this long, and after some thought, I'd have to say that the script was average at best. With a weaker cast, I suspect that I wouldn't have even liked it. Fortunately, this film is blessed with a spectacular cast, and this film deservedly received Oscar recognition in the acting categories. It just didn't deserve the best picture Oscar that it also won.
    MJJLWolf72

    Wow

    Wow was my first reaction to seeing the film back in February 2003. I had bought it on a whim and watched it one night when I was bored. The rest is history. Terms remains one of my favorite films and I really can't say why. Reputation has made this out to be "the ultimate chick flick" upon which every other tear-jerker is judged. But it's definitely more of a character study than a weepy mushy movie. In fact, it's anything but mushy. Where it could of been over-sentimental, it was poignant. Where it could of been boring, it was insightful. And where it could of been corny, it was tongue-in-cheek.

    Shirley MacLaine and Debra Winger give career performances as mother and daughter. Both characters are polar opposites and in real life the actresses despised each other, but on screen their chemistry sizzles. Jack Nicholson is his usual suave self and John Lithgow is perfect as the wimpy banker. Danny Devito also has a quirky cameo.

    James L. Brooks is definitely an "actor's director". To him, the performances are clearly more important than set pieces or flashy camera work. Each of the three main performances are brilliant (especially MacLaine's). It has been decades since a movie about illness has been made like this that is so achingly real. Two scenes to look for: Aurora walking across a seedy hotel (heat-breaking) and Emma telling her mother that she's pregnant (hilarious).

    Terms of Endearment is a triumph!
    8johngiovannicorda

    Terms Of Endearment 2018

    It's often a strange experience to revisit a film that made a big splash decades earlier. I remember enjoying it enormously and enjoyed it enormously again last night but the reasons for the enjoyment have changed. The film as a film has remained solidly planted in 1983, specially the score but what will lead this film into the forever ever are the writing of course and the performances. Shirley MacLaine's truthfulness warts an all is a work of art. She is present one hundred per cent of the time and let's remember, Shirley MacLaine didn't start as an actress, she was a dancer who became a star thanks to a twist of fate and she has remained there as an example of honesty and courage ever since. Her Aurora in Terms Of Endearment is a monumental treat. Debra Winger's performance is a revolution of sorts. Every detail confirms and/or challenges our feelings for her but she's never less that one hundred per cent truthful. It's impossible not to love her even if she doesn't make it easy for you. Jack Nicholson is a terrific interference and every one of his moments have a pleasure of their own. So, a 35 year old movie with a teenager's heart.
    8bkoganbing

    Mother & Daughter

    Terms Of Endearment is a story of what happens when life does not go as planned and how you deal with it. In one way or another we are flawed humans, but most of us can rise to the occasion if the situation calls for it. It gained an Oscar at last for Shirley MacLaine and a second for Jack Nicholson though in the Supporting character category.

    The story stretches out over a 30 year period and it starts with the death of MacLaine's husband early on and she's left to raise her daughter on her own. As the daughter who grows up to be Debby Winger the two fight constantly. She really doesn't approve of her choice of husband Jeff Daniels who is a struggling academic who in the course of the movie has several teaching positions and rises slowly in his profession. Not fast enough for MacLaine. She reminds me of Madge Wallace the mother-in-law of Harry S. Truman who never thought her son-in-law would amount to anything. She died in the White House just before the Trumans left for Independence permanently.

    Winger has three children, but she's beset by doubts about Daniels's infidelity as he does have nubile coeds all about. Both of them misread signals about each other and MacLaine's hectoring doesn't help.

    As for Shirley, her neighbor is a retired astronaut Jack Nicholson who is still looking for space groupies. He's an unlikely candidate to thaw MacLaine out, but they find out they have more in common than they think. And Nicholson has more character than we first suspect.

    Terms Of Endearment is a film that places people who are very much like the people who pay to see this film in real universal situations we can all understand. Not hard to understand how this became such a critical and popular hit.

    Terms Of Endearment won for Best Picture in 1983 and Best Director and Best Adapted Screenplay for James Brooks. It got a flock more nominations as well. It's an enduring classic and will remain so.

    The finale with MacLaine is sublimely beautiful.
    Chrysanthepop

    Stop Trying To Pretend Like You Hate Me

    I've heard many good things about James L. Brooks's 'Terms of Endearment' and finally I decided to give it ago. Honestly speaking I was expecting a typical melodramatic tearjerker that's sole aim is to emotionally manipulate the viewer. I was wrong. 'Terms of Endearment' is a slice of life that centres around a mother, her daughter and their respective lives. The film looks very authentic. The sets, makeup, costumes and art direction look genuine.

    This is very much a character driven film. The dialogues are full of humour and wit but what's also striking is how deeply layered the words are. While the visuals are quite simplistic it's the characters that shine especially through the actors' natural performances. Their excellent non-verbal gestures, spot on line delivery and restrained performances are superb.

    A sassy Shirley Maclaine and bubbly Debra Winger are spellbinding. Both actresses beautifully carry the film and they are brilliantly supported by fine actors like Danny DeVito, Jack Nicholson, John Lithgow and Jeff Daniels.

    What particularly appealed to me about 'Terms of Endearment' is the depiction of the mother-daughter relationship and the dynamic of it. It definitely has its ups and downs and it does not involve the use of clichéd lines like 'I love you' etc but at the same time the unconditional love between them is wonderfully conveyed.

    Oscars Best Picture Winners, Ranked

    Oscars Best Picture Winners, Ranked

    See the complete list of Oscars Best Picture winners, ranked by IMDb ratings.
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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Shirley MacLaine said Jack Nicholson would do crazy things on the set like show up practically naked and improvise many of their scenes together.
    • Blooper
      During the opening credits, set in the 1950s, a 1980s station wagon is parked in a driveway in the background.
    • Citazioni

      Emma Horton: You both of you have beautiful eyes and your hair is too long. I mean, I don't care how long it gets in the back, but keep your bangs cut, OK, it's too long.

      Tommy Horton: That's a matter of opinion.

      Emma Horton: Just keep it short, alright?

      Tommy Horton: Are you getting well?

      Emma Horton: Look, I'm sorry about this but I can't help it, and I can't talk to you for too long or I'll get real upset. I want you to make a lot of friends. And I want you to be real nice to the girls 'cause they're gonna be real important to you, I swear.

      Tommy Horton: I'm not afraid of girls. What makes you think that?

      Emma Horton: Well, you may be later on.

      Tommy Horton: I doubt it.

      Teddy Horton: Why don't you shut up? Shut up!

      Tommy Horton: You shut up!

      Emma Horton: Ted, give me a kiss, come on. Tommy, you be sweet. Be sweet. And stop tryin' to pretend like you hate me. I mean, it's silly.

      Tommy Horton: I like you.

      Emma Horton: OK then, will you listen especially close?

      Tommy Horton: What?

      Emma Horton: Listen real hard?

      Tommy Horton: I said 'what'?

      Emma Horton: I know you like me. I know it. For the last year or two, you've been pretending like you hate me. I love you very much. I love you as much as I love anybody, as much as I love myself. And in a few years when I haven't been around to be on your tail about something or irritating you, you could... remember that time that I bought you the baseball glove when you thought we were too broke. You know? Or when I read you those stories? Or when I let you goof off instead of mowing the lawn? Lots of things like that. And you're gonna realize that you love me. And maybe you're gonna feel badly, because you never told me. But don't - I know that you love me. So don't ever do that to yourself, all right?

    • Connessioni
      Featured in At the Movies: Nate and Hayes/A Night in Heaven/The Big Score/Terms of Endearment/Danton (1983)
    • Colonne sonore
      Anything Goes
      By Cole Porter

      Performed by Ethel Merman

      Produced by Jule Styne (uncredited)

      Orchestrated by Buddy Bregman (uncredited) and Nelson Riddle (uncredited)

      Courtesy of National Broadcasting Company

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    Dettagli

    Modifica
    • Data di uscita
      • 16 marzo 1984 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • La fuerza del cariño
    • Luoghi delle riprese
      • 3060 Locke Lane, Houston, Texas, Stati Uniti(home where Aurora lived)
    • Azienda produttrice
      • Paramount Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 8.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 108.423.489 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 3.498.813 USD
      • 27 nov 1983
    • Lordo in tutto il mondo
      • 108.423.749 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 2h 12min(132 min)
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.85 : 1

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