Condannato a morte per mancanza di indizi

10 years after some rookie cops took it upon themselves to meet out justice in Magnum Force, a group of judges decide to do the same thing. They are deciding to punish those who use the law to get released on technicalities. Sound familiar? Maybe it's a good idea, as they look like they are going to remake this picture in a couple of years.

Michael Douglas (Oscar-winning producer of One Flew Over the Cuckoo's Nest, Oscar-winning actor in Wall Street) is a judge who is fed up with having to release child murderers. Hal Holbrook (4-time Emmy winner) convinces him that they have a better way. Unfortunately something goes wrong. In ride Yaphet Kotto (Emmy-nominated) to the rescue. I like Kotto and he doesn't disappoint here.

I even got to see Sharon Gless, who I haven't seen since Cagney & Lacey, and James Sikking, who I recall from Hill Street Blues.

Great concept, but they did it better on Magnum Force.

When "The Star Chamber" was released to theaters in 1983, the movie bombed at the box office. I was lucky to see the movie in its second week of release. I have seen the movie several times on cable TV and video and even though the movie had some good ideas, it was ruined by turning it into a mindless, sometimes laughable action thriller.

The story (by Roderick Taylor with the script co-written by Taylor and director Peter Hyams) rose slightly above the usual vigilante movie clichés. The movie asks what if some judges, frustrated by the law that they are supposed to uphold, took matters into their own hands? Despite strong evidence that would incriminate the accused, the judges have to reject the evidence on technicalities, freeing the accused individuals.

Though the film has a strong cast, I though Michael Douglas was a little too young to play a judge (he was 39 at the time the movie was released). Hal Holbrook is essentially playing the same role he played in Hyams other "what if?" conspiracy thriller a few years earlier (Capricorn One): the veteran judge who is involved in this conspiracy and gets the Douglas character involved.

Yaphet Kotto does what he can in the underwritten role of the L.A. police detective investigating the case. Sharon Gless is wasted as Douglas' understanding wife. Veteran character actors Don Calfa and Joe Regalbuto (Frank Fontana from "Murphy Brown") played the unsympathetic, cartoon criminals who are on the Chamber's hit list.

Only James B. Sikking's performance as a victim's father who finds himself in prison when he tries to take the law into his own hands, came through. It was a very sympathetic and heartbreaking. In retrospect, it's interesting that Sikking played the SWAT commander on "Hill Street Blues" when the movie was released.

Hyams' films (including "2010", "The Presidio", "Outland", the previously mentioned "Capricorn One", even the Jean Claude Van Damme flicks "Timecop" and "Sudden Death") are interesting to look at. "The Star Chamber" is no exception. But many of his films tend to disappoint and, sadly, "The Star Chamber" is also on that list.

Update (July 2006): The current DVD cover of the movie is misleading. It has Michael Douglas holding a gun. In the film, his character never used a gun. What's up with the 20th Century Fox marketing department trying to mislead potential viewers of this movie?

The 1983 film THE STAR CHAMBER posits a situation that must seem outlandish, but does go right to the root of our justice system. What if a secret cabal of judges were set up to pass their own verdicts on criminals who had gotten off on minor technicalities?

This is the problem facing Michael Douglas, who portrays an idealistic judge of the L.A. Superior Court who finds himself being forced to free criminals up on charges that include kidnapping and murder because the police bent the law a bit to get the evidence that would send "the bad guys" to jail for life or possibly to Death Row. Douglas later learns from his mentor (the always watchable Hal Holbrook) about a secret cabal of judges--a Star Chamber--that metes out its own brand of justice against those it feels have wrongly been set free. As a result, numerous criminals wind up getting executed. The further Douglas gets into the Star Chamber, however, the more he realizes that the cure these judges propose to rid society of criminal disease is far worse than the disease itself.

Though it is not always plausible, THE STAR CHAMBER is nevertheless compelling, with Douglas and Holbrook giving standout performances under the direction of Peter Hyams (OUTLAND; CAPRICORN ONE; 2010), who co-wrote the film's script with Roderick Taylor. Some might compare it to the 1973 Dirty Harry film MAGNUM FORCE (in which the cops take the law into their own hands), and many would say its theme of vigilante judges is drenched in right-wing gilt, but I don't think that's the case. This is one of those films that definitely makes you think; and while THE STAR CHAMBER may have been released twenty years ago, its themes still hold up in a world where, rightly or wrongly, people see the justice system as too slanted in favor of the criminals.

Amusingly described by one review I read here as "a vigilante movie as it might be envisioned by John Grisham", "The Star Chamber" is a good, solid, entertaining thriller. It misses its chances for greatness due to predictability and a lack of credibility, but while it's playing out, some people, such as this viewer, may not mind too much.

Michael Douglas, in one of his earliest star vehicles, plays Steven Hardin, a young judge who's frustrated by the legal system with which he has to work. Far too often criminal scum are able to escape just punishment due to legal technicalities and savvy defense attorneys. Stevens' cagey, witty mentor Benjamin Caulfield (a marvelous Hal Holbrook) eventually reveals to Steven the method he and some fellow judges have employed to deal with the situation: review old, particularly infuriating cases, make judgments, and pass sentence, utilizing the services of a hired gun.

This is certainly slick stuff, well made technically with efficient direction by Peter Hyams and it's at least smart enough to provoke some debate. For example, what would *you* do: let the 10 guilty men go free or let the one innocent man get executed? It includes some fairly exciting foot chases as well as one brief and decent car chase in a parking garage. The climactic sequence in the abandoned building is appropriately atmospheric. And Michael Smalls' music score is haunting and effective.

Douglas is good in the lead but it's the men in the major supporting parts that truly shine: besides Holbrook, Yaphet Kotto scores as a dedicated detective and James B. Sikking is touching as the father of a murdered child. Sharon Gless has little to do as Stevens' concerned wife. The cast contains an impressive Who's Who roster of character actors, including Joe Regalbuto ('Murphy Brown') and Don Calfa ("The Return of the Living Dead") as a pair of goofy creeps, as well as Jack Kehoe, Larry Hankin, Dick Anthony Williams, David Proval, Robin Gammell, Matthew Faison, Michael Ensign, Jason Bernard, and Robert Costanzo. David Faustino ('Married with Children') plays one of Douglas's kids and Douglas's own real-life mother Diana plays Caulfields' wife; Charles Hallahan ("The Thing", 'Hunter') appears uncredited as police officer Picker.

The movie does move along quite well, getting off to a good start but not concluding as strongly. Still, it's good entertainment for most of the time, and may have people talking about its themes after it's over.

Seven out of 10.

I am amazingly surprised that no user has pointed it out. Nearly every one realized that STAR CHAMBER was very similar to MAGNUM FORCE. Correct. Every one speaks of Hal Holbrook. OK. But no one tells that Holbrook played in MAGNUM FORCE too, and in a very similar character as this one. One of the lead of a vigilante police force who wanted to wipe all criminals out. Are they blind or what?

Besides, I must admit that I prefer Ted Post's most famous feature, starring Clint Eastwood. Peter Hyams gives here a correct film, but he has done much better. See CAPRICORNE ONE, for instance.

I will finish this comment in pointing out that this kind of topic was very common in the late seventies and early eighties.