Aggiungi una trama nella tua linguaA half man/demon is being guarded by a drunken Shaolin magician named Chan at the Shaolin temple. One day, Chan sneaks out to go on a drinking splurge, and the man/demon escapes. Chan, and h... Leggi tuttoA half man/demon is being guarded by a drunken Shaolin magician named Chan at the Shaolin temple. One day, Chan sneaks out to go on a drinking splurge, and the man/demon escapes. Chan, and his friend Ah Yuen, and his bride-to-be, plus Grandma Yau, help Chan to capture the evil ma... Leggi tuttoA half man/demon is being guarded by a drunken Shaolin magician named Chan at the Shaolin temple. One day, Chan sneaks out to go on a drinking splurge, and the man/demon escapes. Chan, and his friend Ah Yuen, and his bride-to-be, plus Grandma Yau, help Chan to capture the evil magician and return him back to Shaolin.
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Though they were geniuses in martial arts also they used practical effects to reinvent the genre. (A practical effect is a special effect produced physically and this was the only way to do it back then.) In this movie they used illusions that real stage magicians used, such as the ring trick at the end, and greatly elaborated. Rings were often used as weapons in martial arts movies and I hate them because they are not real weapons and mostly ineffective. The Venoms used rings but they were mostly acrobatic props. Here, the Yuens start with the genuine stage magician linking rings trick and raised it exponentially plus made an effective martial arts weapon.
They were also geniuses in the ancient Chinese art of puppetry. The wire work of lifting fighters into the air had been done for decades but the real creativity came with applying puppetry to the props too.
Chinese also knew all about fireworks and the Yuens used plenty of chemical reactions in their effects.
Some might say there was not enough fighting in this movie. Yes, there was less than usual for a typical martial arts movie. In my opinion, it didn't need any more fighting, quality beats quantity. I rate this 8 out of 10 and it has my highest recommendation.
This film wastes no time getting started and never really lets up. Lots of magic kung fu. Lots of crude silly 80's HK humor. Over the top acting, insane set design, lots of puppets and a giant poisonous frog! The filming is fast and cheap so some of the editing and continuity is haphazard. The martial arts are silly most of the time but the last big fight scene is very good in it's own weird way. If you like films with some sort of serious subtext then run fast from this one. Nothing is serious here. At one point early on, the Drunkard sinks into the stone floor until his feet are by his face! No explanation on what's going on or why he's doing it! If you can't stand a film this weird, you've been warned.
The same team did Taoism Drunkard and Young Taoism Fighter. All recommended.
One of the 4 Yuen Clan films from the early 80s, and they are all equally as excellent as each other for me, the others being "Drunken Tai Chi, Taoism Drunkard and Miracle Fighters".
All 4 have to be seen to be believed, they are all so inventive and amazing and funny with it.
They all star Yuen Cheung Yan, Yuen Shun Yee and Yuen Yat Chor.
Sit back and enjoy
10 out of 10.
Strangely, for a Yuen Woo-Ping film, the action doesn't really jump out as the best thing in the movie. I think Shaolin Drunkard kind of gets by owing to its oddest elements, but other than some pretty crazy quirks, there's not a whole lot to it, nor its action (which I guess is appropriately weird, I'd have to concede).
I feel like something like this deserves its status as a martial arts deep-cut. Die-hard fans will probably find themselves stumbling upon it eventually, and those who would find it to be way too much will probably live their lives blissfully unaware of its strange existence.
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- ConnessioniReferenced in DVD/Lazerdisc/VHS collection 2016 (2016)