VALUTAZIONE IMDb
6,6/10
3242
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA Chinese soldier in an ancient civil war flees the battlefield and gets caught up in a fantastical quest to save the world from evil.A Chinese soldier in an ancient civil war flees the battlefield and gets caught up in a fantastical quest to save the world from evil.A Chinese soldier in an ancient civil war flees the battlefield and gets caught up in a fantastical quest to save the world from evil.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 candidature totali
Fung Hak-On
- Evil Disciple
- (as Hark-On Fung)
Kuang-Li Hsia
- Chi Wu-Shuang
- (as Kwan-Li Shen)
Recensioni in evidenza
This film illustrates the major difference between Western and Eastern fantasy films. A western version of this same film would attempt for some level of realism, some element of grittiness and angst. This film ignores realism entirely. Hey, its a fantasy already! Swordsman and monks float and dive in aerial battle, an old man's eyebrows are deadly weapons, whole armies of guys in brightly colored uniforms run about attacking each other for very poorly explained reasons, and blue eyed jawa clones swoop about the inside of evil temples. Although the ending is almost unintelligible, the first hour of the film is just one cool scene after another. The editing of this film would certainly make an epileptic have a seizure, but after five minutes you stop caring about the plot and dialogue and just start enjoying the wacky surreal action. I wish I could see this one on the big screen.
This is a visual masterpiece that outdoes the special effects of later movies with sheer artistry, because it is a magical piece.
It is a larger than life movie about a fight against evil. It begins with a "scout" giving two leaders a report. They each give him conflicting orders, and then ask which he'll obey. He says "Both", so they both call him insubordinate and condemn him to die.
He finds himself on the run. This sets the pace for the film, which is nonstop action and breathtaking visuals. It helps that the visuals are perfectly placed, and logical in their Magic.
The scout finds comrades, at first another warrior from an opposing side, and then later some monks who work in a very magical world.
The film manages to be the best of all worlds. In spite of the magic, the comedy of human errors is always there. The characters fly in the air, fight demons, and do outrageous acrobatics, yet bump their noses, can't swim, and get smacked by pretty girls. They engage in battle, but play dead at the first opportunity, only to find dozens of others also playing dead.
It is one of the funniest films of all time, and also one of the most passionate.
This is how to make a masterpiece.
It is a larger than life movie about a fight against evil. It begins with a "scout" giving two leaders a report. They each give him conflicting orders, and then ask which he'll obey. He says "Both", so they both call him insubordinate and condemn him to die.
He finds himself on the run. This sets the pace for the film, which is nonstop action and breathtaking visuals. It helps that the visuals are perfectly placed, and logical in their Magic.
The scout finds comrades, at first another warrior from an opposing side, and then later some monks who work in a very magical world.
The film manages to be the best of all worlds. In spite of the magic, the comedy of human errors is always there. The characters fly in the air, fight demons, and do outrageous acrobatics, yet bump their noses, can't swim, and get smacked by pretty girls. They engage in battle, but play dead at the first opportunity, only to find dozens of others also playing dead.
It is one of the funniest films of all time, and also one of the most passionate.
This is how to make a masterpiece.
Because this movie was made in the 1980s, I did not expect the special FX to be the equivalent of anything made in the states, or even up to the level of The Stormriders. However, I found this film a lot more enjoyable than the latter. This film is almost a non-stop ride full of swordfights, optical FX battles, flying people, and it still leaves room for some interesting themes also.
The plot deals with a soldier being disillusioned by the endless civil wars that have been fought. He goes to a mountain where he joins a swordsman, a monk and his apprentice, Sammo Hung, and some lovely ladies in a quest to defeat the Blood Demon, a being of pure evil. On the way, the soldier (Yuen Biao) and the monk's apprentice (Mang Hoi) must find some swords to use in the battle.
The action is nearly non-stop. It first starts out with some basic swordplay. Once Yuen reaches the mountain, than everything shifts into overdrive. Optical FX fly across the screen at dizzying speeds. Humans and demons fly across the screen at dizzying speeds. People get frozen alive. Women fly around with swirling cloth in their wake. Men fly around chained to boulders. Eyebrows are used to contain evil. All I can say is...wow. Only Ching Siu Tung could come up w/ some as imaginative as this.
As I mentioned earlier, there are some interesting themes involved. Tsui Hark seemed to make a statement against world leaders who start senseless wars and kill innocent people. Also, he talks about how battles become futile when people won't set aside their differences for a common cause. If we want to save the world or even ourselves, we all have to work together.
Of interesting note is the International dubbed version. That version makes the film into a dream sequence and turns the war parable into a love story spanning many generations. A lot of scenes are cut and shortened, giving the Zu mountain segment a very rushed feel. Overall, the subtitled version is a lot more preferable.
The plot deals with a soldier being disillusioned by the endless civil wars that have been fought. He goes to a mountain where he joins a swordsman, a monk and his apprentice, Sammo Hung, and some lovely ladies in a quest to defeat the Blood Demon, a being of pure evil. On the way, the soldier (Yuen Biao) and the monk's apprentice (Mang Hoi) must find some swords to use in the battle.
The action is nearly non-stop. It first starts out with some basic swordplay. Once Yuen reaches the mountain, than everything shifts into overdrive. Optical FX fly across the screen at dizzying speeds. Humans and demons fly across the screen at dizzying speeds. People get frozen alive. Women fly around with swirling cloth in their wake. Men fly around chained to boulders. Eyebrows are used to contain evil. All I can say is...wow. Only Ching Siu Tung could come up w/ some as imaginative as this.
As I mentioned earlier, there are some interesting themes involved. Tsui Hark seemed to make a statement against world leaders who start senseless wars and kill innocent people. Also, he talks about how battles become futile when people won't set aside their differences for a common cause. If we want to save the world or even ourselves, we all have to work together.
Of interesting note is the International dubbed version. That version makes the film into a dream sequence and turns the war parable into a love story spanning many generations. A lot of scenes are cut and shortened, giving the Zu mountain segment a very rushed feel. Overall, the subtitled version is a lot more preferable.
Set during a feudal period with many warring clans, Yuen Biao stars as a young warrior who deserts his army and , after falling off of a cliff, finds himself in a magical land in the middle of its own war. The forces of Good, lead by the ancient sorcerer White Brows (Sammo Hung), are at odds with the forces of Evil, lead by the Blood Demon (Corey Yuen). Biao teams up with a group of heroic warriors, including Adam Cheng and Brigitte Lin, to help defeat the evil menace.
Filled with bizarre characters (White Brows fights with his extendable eyebrows!) and dazzling, if primitive, special effects, this film is a non-stop feast for the eyes. It maintains a light tone for the most part, and the choreography, which utilizes a lot of "wire-fu", is spectacular. It has a low budget (for American audiences, anyway) can-do feel, and a lot of the effects are done with in-camera trickery that is quite clever.
The script is convoluted, the way a lot of kung-fu epics are, and there are times when you aren't quite sure who is who and what is what. Some of this I blame on the DVD I watched, a poor quality edition from a Chinese distributor, with a shoddy English-dubbed audio track. If someone were to put this out on a re-mastered Blu Ray, I would buy it in a second. Highly recommended for martial arts fans, and fans of weird world cinema.
Filled with bizarre characters (White Brows fights with his extendable eyebrows!) and dazzling, if primitive, special effects, this film is a non-stop feast for the eyes. It maintains a light tone for the most part, and the choreography, which utilizes a lot of "wire-fu", is spectacular. It has a low budget (for American audiences, anyway) can-do feel, and a lot of the effects are done with in-camera trickery that is quite clever.
The script is convoluted, the way a lot of kung-fu epics are, and there are times when you aren't quite sure who is who and what is what. Some of this I blame on the DVD I watched, a poor quality edition from a Chinese distributor, with a shoddy English-dubbed audio track. If someone were to put this out on a re-mastered Blu Ray, I would buy it in a second. Highly recommended for martial arts fans, and fans of weird world cinema.
If you are a fan of Hong Kong action films and you haven't seen this i would suggest you track a copy down right now.
As an opening paragraph it sums up the importance of this landmark title. Conceived by its' makers as a production to rival Western films for technical (behind the camera) as well as beating them technically in front as well.
Although it fails to rival the level of sophistication with its' effects (due to bane of all Hong Kong films, its' limited budget)to match those of Hollywood films of its' time is irrelevant, it looks and feels so Far Eastern as well as using cutting edge (for 1982)it is simply unique.
The story is set in mythical times in China, where constant wars threaten to consume everyone, soldier or otherwise. One such soldier (ably played by Yuen Biao) manages to alienate himself from his commanders and ends up getting lost in the mystical region of Zu, fabled for its' magic mountain.
He becomes embroiled in a quest to find a pair of magical swords to kill a blood demon which threatens the whole of humanity. The blood demon draws its' power from pain and suffering and there is enough in the world to allow it to destroy all mankind.
The film contains so much energy, unparallelled visual flair and a cast which has the skill and experience to make it all work. The directors' vision and imagination are easy to see and appreciate, if you take the time to look. It is too easy to watch the action and miss the subtleties. It is a film which is difficult to describe, but unforgettable once watched.
As an opening paragraph it sums up the importance of this landmark title. Conceived by its' makers as a production to rival Western films for technical (behind the camera) as well as beating them technically in front as well.
Although it fails to rival the level of sophistication with its' effects (due to bane of all Hong Kong films, its' limited budget)to match those of Hollywood films of its' time is irrelevant, it looks and feels so Far Eastern as well as using cutting edge (for 1982)it is simply unique.
The story is set in mythical times in China, where constant wars threaten to consume everyone, soldier or otherwise. One such soldier (ably played by Yuen Biao) manages to alienate himself from his commanders and ends up getting lost in the mystical region of Zu, fabled for its' magic mountain.
He becomes embroiled in a quest to find a pair of magical swords to kill a blood demon which threatens the whole of humanity. The blood demon draws its' power from pain and suffering and there is enough in the world to allow it to destroy all mankind.
The film contains so much energy, unparallelled visual flair and a cast which has the skill and experience to make it all work. The directors' vision and imagination are easy to see and appreciate, if you take the time to look. It is too easy to watch the action and miss the subtleties. It is a film which is difficult to describe, but unforgettable once watched.
Lo sapevi?
- QuizAmerican filmmaker John Carpenter has stated that Suk saan: San suk saan gim hap (1983) was an influence on his 1986 film Grosso guaio a Chinatown (1986).
- BlooperDuring many of the actors stunt scenes or where there are arrows flying around, you can spot the cables used by the sfx team.
- Versioni alternativeThe international English language version, Zu Time Warriors, includes a 25-min. wraparound filmed in Canada with Yuen Biao as a modern day fencing champ transported via his dreams while in a coma to the Oriental fantasy setting of the film and awakening from the coma at the end. The Chinese version was released prior to this filming despite director's wishes.
- ConnessioniFeatured in The Best of the Martial Arts Films (1990)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Zu: Warriors from the Magic Mountain
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
By what name was Suk saan: San suk saan gim hap (1983) officially released in India in English?
Rispondi