Scarface

Every great gangster movie has under-currents of human drama. Don't expect an emotional story of guilt, retribution and despair from "Scarface". This is a tale of ferocious greed, corruption, and power. The darker side of the fabled "American Dream".

Anybody complaining about the "cheesiness" of this film is missing the point. The superficial characters, cheesy music, and dated fashions further fuel the criticism of this life of diabolical excess. Nothing in the lives of these characters really matter, not on any human level at least. In fact the film practically borderlines satire, ironic considering all the gangsta rappers that were positively inspired by the lifestyle of Tony Montana.

This isn't Brian DePalma's strongest directorial effort, it is occasionally excellent and well-handled (particularly the memorable finale), but frequently sinks to sloppy and misled. Thankfully, it is supported by a very strong script by Oliver Stone (probably good therapy for him, considering the coke habit he was tackling at the time). The themes are consistent, with the focus primarily on the life of Tony Montana, and the evolution of his character as he is consumed by greed and power. The dialogue is also excellent, see-sawing comfortably between humour and drama. There are many stand-out lines, which have since wormed their way into popular culture in one form or another.

The cast help make it what it is as well, but this is really Pacino's film. One of his earlier less subtle performances (something much more common from him nowadays), this is a world entirely separate from Michael Corleone and Frank Serpico. Yet he is as watchable here as ever, in very entertaining (and intentionally over-the-top) form. It is hard to imagine another Tony Montana after seeing this film, in possibly one of the most mimicked performances ever. Pfeiffer stood out as dull and uncomfortable on first viewing, but I've come to realize how she plays out the part of the bored little wife. Not an exceptional effort, but unfairly misjudged. The supporting players are very good too, particularly Paul Shenar as the suave Alejandro Sosa.

Powerful, occasionally humorous, sometimes shocking, and continually controversial. "Scarface" is one of the films of the eighties (whatever that might mean to you). An essential and accessible gangster flick, and a pop-culture landmark. 9/10

Scarface is surely one of the best crime movie ever made.Al Pacino's performance as a sharp minded,angry,dangerous and powerful criminal is phenomenal.Al Pacino is playing a character which is brutal,angry,fearless and at the same time has love for his sister. Although movie is 2 hours and 50 mins long,but you will not find any dull moment in the movie.Alhough Al Pacino is playing a drug dealer but you will still like him as a person.

Dialogues were excellent and there were couple of good songs in movie too.I also liked the way in which Al Pacino's character used to flirt with Michelle Pfeiffer's character.It was funny sometimes and was gentle too.

I have seen many criminal movies but there is something special in Scarface.It is realistic and touching.This is Al Pacino's one of the finest performance.There was violence in some scenes but this is a crime movie and we expect some fighting scenes with violence.

I heard a lot of positive things about this movie and when I finally watched it, I became its fan too. I am surprised that this movie even did not received any Oscar nominations.This movie surely deserves to be in top 250 list.Movie is a treat for Al Pacino's fans.

This movie is recommended for all adults. Overall I give Scarface 9/10.

Pacino gives an amazing performance that is both comic and tragic in this remake of the 1932 classic about corruption in America.

Brian De Palma updated the original Prohibition story to the era of the Mariel boat-lift and the heavy traffic in drugs that still infest the United States. The film is an uncompromising revelation of humanity's dark side as Pacino's character learns never to underestimate the other guy's greed. He neglects to learn the other important lesson -- never get caught in the vice you are pushing on others.

Pacino's character wants the world and everything in it. That's what he gets. We are reminded to beware of what we wish for.

The film is violent but never makes drug dealing seem glamorous.

I find myself enjoying this film when I watch it. Well, perhaps enjoying is a bit of an odd verb when you think of the storyline, its characters, the amount of violence and of course, the f-bomb being dropped about 15,000 times.

I like Pacino in this film. He shows us the violent anger we didn't see in Michael Corleone. We're Michael would say, "Never hate your enemies, it clouds your judgement," Tony Montana's out killing everybody. Now granted, there are moments in his performance...or in the script where you have to laugh. The questioning scene in the beginning of the film is a fine example of this. When asked where he got that scar on his cheek...well, I can't write what he says in the regular version, but I will tell you that on edited version on TNT, it from was "eating pine apple."

There is a great performance from Robert Loggia. He's the only character I truly believed in the film. Frank was a businessman, not a killer. All he wanted was the money. Greed killed him, as it has killed so many people. I enjoyed the direction Loggia went with Frank. It has carried over his recent work and has made Loggia one of Hollywood's must durable supporting actors.

Brian DePalma adds his usual blend of violence, but it seemed that for once, he was trying to make his own film. Not borrowed. No guessing games on who he stole from this time. Although he's blasted for the film's content, it is a new beginning to his career which took off, but it was really "The Untouchables" that made me consider him a serious director.

This is one of my all time favorites.

If the movie has a flaw, it's that it comes at you like a raging bull. It doesn't so much engage the viewer as assault him. ''Scarface'' is as voracious and unyielding a production as Tony Montana himself. Nothing is left to the viewer's imagination.

Moroder's languorous synthpop fits the action to a tee. Like the chorus in a Greek tragedy, it wails and gnashes, broods and tugs, a constant reminder of Tony's inexorable fate.

Not so much a tale of caution as a disaster in progress, ''Scarface'' rips across the screen with the unstoppable force of a runaway train.