Neve sottile

"Each sister is engaged in their own affairs, but Ichikawa's film (its Japanese title can be literally translated as "light snow") allots the lion's share to Sachiko and Yukiko, and the matchmaking arrangement preceded by precise calculation of all the conceivable conditions ("background" should be investigated through and through, no mentally disturbed mother-in-law lurking in the dark), the sheer canniness and the business-like action is astounding (death certificates of diseased wife and children are tossed over the dinner table), and Yukiko, played by beloved Japanese actress Yoshinaga with a comely reticence, extraordinarily wears down the mounting pressure and grinding process, to claim her hard-won victory, a good match is worth the wait, especially when eligible ones are few and far between during the wartime; whereas Sakuma, so adroitly embodies Sachiko's diligence and tenuous discomposure under a painstakingly maintained graciousness that comes naturally with age and savoir faire."

read my full review on my blog: cinema omnivore, thanks

The Japanese movie entitled Sasameyuki (Light Snow) (1983) was shown in the U.S. with the title The Makioka Sisters. The film was based on a novel entitled The Makioka Sisters, so that change makes sense. The movie was co-written and directed by Kon Ichikawa.

The film takes place in the late 1930's, the years when Japan was a war with China. In retrospect, this was the start of WWII, but people didn't realize that at the time. There are some references to wartime scarcities, but this isn't a "homefront" movie.

The plot pivots on the marital status of the four sisters. Their parents are dead, and the oldest sister is responsible for the family name and the family honor. She's married, as is the second sister.

The third sister--Yukiko, portrayed by Sayuri Yoshinaga, is the shyest and most conservative of the four. The youngest sister--Taeko (Yûko Kotegawa) isn't as concerned about the strict rules of etiquette over which the others obsess. However, protocol dictates that she can't be married until Yukiko is married. So, much of the plot has to do with finding the right husband for Yukiko.

The film has colorful scenes of cherry blossoms and fall foliage. The glorious Japanese kimonos are worn by most women, and they are truly beautiful. (Because of the color and scenery, this movie would work better in a theater, but we had to make do with a DVD.)

Almost everything is serene on the surface of the film, but just under the surface there are intricate attachments and resentments. It's a long and quiet film, but it keeps your attention throughout.

For the record, Sayuri Yoshinaga (Yukiko) is one of Japan's greatest female actors. She starred in over 100 films. In my mind, she's the true star of this movie.

Some critics say that Ichikawa should be considered at the same level as the more famous Ozu, Kurosawa, and Mizoguchi. I don't have the depth of knowledge to know whether or not Ichikawa is the equal of the other three. However, after watching this movie, I know that he's a great director.

This film has an IMDb rating of 7.2, which is pretty good. I thought it was better than that, and rated it 9.

Kon Ichikawa probably is the director who most rightfully can be considered to be the successor of Yasujiro Ozu. At the beginning of his career he made a couple of war films, but later his subject was more and more the daily life of middle class families.

"The Makioka sisters" is a film from the second half of his career and is about the relationships between four sisters of a family in the Kimono business. All the sisters are different. The two oldest are married, number 3 and 4 are still single. The oldest one runs the external (business) relations, the second one runs the internal (family) relations. Number 3 is looking for a husband the traditional way and is choosy in this regard. Number 4, who can (according to tradition) only marry when number 3 is finally married, is more easy going. She finds the character of her potential boy friends more important than his social standing.

"The Makioka sisters" was a film in honor of the 50th anniversary of the production company, so the film had to be a little festive. Situating the film in a family in the kimono business enabled Ichikawa to use bright colors, and in this respect the film reminded me of "Ju Dou" (1990, Zhang Yimou).

Due to the possibility of using bright colors in a film and not in a book, one is inclined to say that in this case the film must be better than the book. Some years ago I read (another) book from the writer Jun'ichiro Tanizaki and now I am not so sure anymore. Tanizaki turned out to be a very subtle writer. Maybe I need to read "The Makioka sisters" some day to come to a final judgement.

We saw this beautiful movie several years ago at a Pacific Film Archive showing. We had read the book and found the film followed it faithfully and was gorgeously photographed. We just wish we knew if and when it will ever be made available on DVD or videotape. It was a pleasure to see a film that depicts life in nearly modern Japan with realistic people and locations. We have seen so many "studied" and arty films or medieval Japan that this one has remained a favorite ever since. We were pleased when a beautiful copy of "The Leopard" was released last year and hope that something this classic and beautiful can be made available to viewers.

The Makioka Sisters isn't really my kind of film, owing to it mostly being about matchmaking and set some decades ago (at least on the surface; there's a little more to chew on beyond the premise). That being said, I found enough to like here.

As the title might imply, the sisters really take charge here, and it was refreshing to watch a film like this set as far back as the late 1930s (to my knowledge, a very culturally conservative time in Japan's history) have female characters with agency who took charge. Mainly, it's the two older sisters of the four looking over the two younger sisters, given they've all been orphaned, with the two older siblings sometimes butting heads while doing what's right for the younger ones. They all feel like they have something of a say over where they're going in life (I guess the older siblings more so than the younger ones, but still), and that was good to see, and I imagine inspiring.

The acting is all solid. Male characters are put in the background, but aren't just there to be mocked or ridiculed. It feels like a feminist movie in a slightly more relaxed way than this premise might be done today, and I think I respect it for that. It's all nice and real and genuine, and doesn't call attention or show off regarding how much agency it's giving its female characters; it's not just doing it to get applause or grandstand.

The film also looks nice, which I think can be said about anything Kon Ichikawa directed. Unfortunately, it is a little long, at 140 minutes. Maybe about 110 minutes would've felt like the sweet spot for me, but trying runtime aside (it's a little boring in parts), I did mostly like The Makioka Sisters.