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Sayonara Jupitâ

  • 1984
  • 2h 10min
VALUTAZIONE IMDb
4,3/10
304
LA TUA VALUTAZIONE
Sayonara Jupitâ (1984)
DrammaFantascienza

Aggiungi una trama nella tua linguaWhile extracting water from the Martian polar ice caps, ancient carvings are uncovered describing an alien spacecraft crashing into Jupiter, postponing plans to turn Jupiter into a second Su... Leggi tuttoWhile extracting water from the Martian polar ice caps, ancient carvings are uncovered describing an alien spacecraft crashing into Jupiter, postponing plans to turn Jupiter into a second Sun.While extracting water from the Martian polar ice caps, ancient carvings are uncovered describing an alien spacecraft crashing into Jupiter, postponing plans to turn Jupiter into a second Sun.

  • Regia
    • Kôji Hashimoto
    • Sakyô Komatsu
    • Ishirô Honda
  • Sceneggiatura
    • Sakyô Komatsu
  • Star
    • Tomokazu Miura
    • Diane d'Angély
    • Miyuki Ono
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    4,3/10
    304
    LA TUA VALUTAZIONE
    • Regia
      • Kôji Hashimoto
      • Sakyô Komatsu
      • Ishirô Honda
    • Sceneggiatura
      • Sakyô Komatsu
    • Star
      • Tomokazu Miura
      • Diane d'Angély
      • Miyuki Ono
    • 11Recensioni degli utenti
    • 17Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto10

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    Interpreti principali66

    Modifica
    Tomokazu Miura
    Tomokazu Miura
    • Dr. Eiji Honda
    Diane d'Angély
    • Maria Basehart
    • (as Diane Dangely)
    Miyuki Ono
    • Anita
    Rachel Huggett
    • Dr. Millicent 'Millie' Willem
    • (as Rachael Huggert)
    Paul Tagawa
    • Peter
    Kim Bass
    Kim Bass
    • Booker Lafayette
    Marc Panthona
    • Carlos Ángeles
    • (as Marc Pinsonnat)
    Ron Irwin
    • Captain Hoger Kinn
    William H. Tapier
    • Edward Webb
    • (as William Tapier)
    Akihiko Hirata
    Akihiko Hirata
    • Dr. Ryûtarô Inoue
    Masumi Okada
    • Dr. Mohammed Mansur
    Hisaya Morishige
    • Earth Federation President
    Tarô Akagi
    Craig Barnam
    Charles Blanch
    Tony Bracey
    Michael Brody
    Billy Casebolt
    • Regia
      • Kôji Hashimoto
      • Sakyô Komatsu
      • Ishirô Honda
    • Sceneggiatura
      • Sakyô Komatsu
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti11

    4,3304
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    Recensioni in evidenza

    2dbborroughs

    Thank God, that means we'll never have to watch this again

    This is one of the worst Japanese big budget films I've run across. The plot has something to do with a project concerning Jupiter going horribly wrong and... you really don't want to know. Trust me as bad as you think some of the Godzilla movies and films like The Green Slime are, this is worse, but not in a good way.

    This is just stupid, the hippies being the last straw on a short list of reasons to watch, none of which are good. I have no idea why anyone would like this on anything but a technical level since the plot, which I've finally been able to erase from my mind only thanks to years of very expensive therapy. All I remember is that the film seemed to want to be a flower power film but was made by people who didn't know what that was and were 15 years too late.(these people couldn't plot a film even if they were handed it)

    This film was suggested to me by a friend who loves it, "saying you'll either love it or you won't, but I think you will". He was wrong.

    Trust me, there are better ways to spend two and a half hours, many much more pleasant
    5winwinusjpn

    Beautiful Effects and Music in a Mess of a Plot

    Being a fan of Godzilla, I was interested in this movie because of its director (Koji Hashimoto, Godzilla 1984) and effects director (Koichi Kawakita, Heisei effects director from 1989 to 1997). I appreciate the ambitions of this film, wanting to be a sort of Japanese equivalent of a film like 2001 rather than another star wars knock off like many of the time, and indeed the effects of this film truly are great, I would say on par for the most par with American films of the time. But, sadly, great effects work cant save this shoddy plot. the core concepts seem sound, in the future humans have colonized off world areas, debate among groups on whether it is right to do so, and having to save the planet from a doomsday scenario. But the plot is filled with underdeveloped characters and motivations, ideas that seem to just drop off halfway through (like the Jupiter Ghost ), and a general vibe of melancholy that never feels earned (in that, characters die so that we feel sad, but they aren't nearly developed enough to where we SHOULD care). I do feel that somewhere in this mess there is a great work of science fiction, and perhaps some day there will be a good film of Komatsu's novel, but as it is, this is just a messy, albeit somewhat interesting, misfire.
    5Steve_Nyland

    Japanese Made Special Effects Epic In Search Of An Editor

    SAYANORA JUPITER is a very worthy Toho studios effort about a 2010-like mission to a transmogrifying Jupiter that is hard to keep track of and runs about 20 minutes too long. I could even tell you which 20 minutes needed to go, specifically the sub plot about the Space Hippies and their mascot dolphin, named Jupiter. Coincidence? Hardly, though in all honesty the plot is so convoluted and hard to keep track of that I'm not sure if the dolphin's name was ironic or descriptive. It takes the film almost an hour before it's primary focus of contact with extra-terrestrials who have ill intent in mind actually begins to gel. The film is actually quite violent for an otherwise PG rated space adventure and features some unexpected nudity which wasn't really necessary. As a matter of fact what the movie needs more than anything else is editing: This should have been trimmed down to about 90 minutes and focused on the space adventure aspect.

    It's a real shame too because the special effects are really marvelous, with some ingenious model/miniature work, a high caliber of production design and an interesting international cast that is capable of carrying the material. None of it looks unreal, the ship designs and sundries like space suit creations all look believable, but the story lacks discipline and tends to ramble. The filmmakers also foolishly decided that we'd share in their sentiment for their epic touches like a less than happy ending, which is welcome but I don't know ... a whole mission control filled with teary eyed technicians who stand up and salute at the same moment while the surviving "seen it all" scientist type delivers a solemn monologue on the surface of an asteroid in front of a space memorial? C'mon ... The film is also remarkably noisy, loud, flashy and unsubtle. It's likable and I'm sure that on repeat viewings I'll find more about it to enjoy, which leads to perhaps the kindest thing one can say about it: It will probably command repeat viewings from those who appreciate it's somewhat unkempt length. Thank goodness for DVD players remembering where to start up again after a nice long nap.

    5/10: Great special effects though, I didn't know Toho was capable of work like this.
    1005

    A Waste of Time and Money

    I first thought the film was okay, but I enjoyed it only because of my curiosity stemming from the film's rarity. Not too many people in the Godzilla fan community have seen it, and it should stay that way. When I rewatched it, I started getting bored within the first minute. Many scenes drag on needlessly (e.g. the sex scene against a space backdrop), stretching the film's running time to an unbearable 2 hours, and no "good bad" movie can be 2 hours long. Many scenes are inane (e.g. the sex scene..., the hippies). The characters trying to sabotage the Jupiter Solarization Project are horribly annoying because their merely brats who want to be responsible for the deaths of 200 billion people. They have no motivation for this. They're just stupid, annoying, selfish, sanctimonious punks (and of course their leader is French-looking). Despite the running time, you barely know most of the characters, and then they try to milk some tears from you by some pointless death scenes. It breaks the "don't show a good movie in the middle of your crappy movie" rule by intercutting a fistfight with scenes from GHIDRAH THE THREE HEADED MONSTER in what I assume is a vapid, nongermane, and utterly pointless social commentary. The music is something out of a high school graduation, repetitive and grating. There's gratuitous cruelty to animals mixed with a laughably bad rubber shark and dolphin. The only good part of this movie are the excellent special effects (excluding the shark and dophin), but they are too few and far between.

    This entire movie just ticks me off, especially since it took money and good special effects people away from GOJIRA (1984). It just tries to grasp at your heartstrings, but it's filled with stupid, dull, annoying characters you'd just love to beat the crap out of and filler on the level of the refueling scenes from THE STARFIGHTERS. Absolutely one of the worst movies I've ever seen.

    1/10 (It'd be 0 if IMDB's ratings went that low)
    1wolszczak

    What a disaster !!!

    I watched it once about 8 years ago or more, i am a sci-fi fan thats why i rented it. To this day i havent seen a worst movie. Ridiculous plot, lousy acting, crappy Ed Wood-style special (d)effects. Steer clear away from this.

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    Trama

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    Lo sapevi?

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    • Quiz
      Though the film was released in 1984, the idea for Sayonara Jupiter was conceived by Toho producer Tomoyuki Tanaka during the Japanese run of the original Guerre stellari (1977) in the late 70's. He went to famous Japanese science fiction writer Sakyô Komatsu and asked him to create an story similar to Star Wars, but Komatsu chose to make a less action oriented story, more inspired by Arthur C. Clarke's novel 2010: Odyssey 2 and an article concerning Jupiter turning into a star.
    • Connessioni
      Features Miyamoto Musashi kanketsu-hen: Kettô Ganryû-jima (1956)
    • Colonne sonore
      Voyeger
      Performed by Yumi Matsutôya

    I più visti

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    Dettagli

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    • Data di uscita
      • 17 marzo 1984 (Giappone)
    • Paese di origine
      • Giappone
    • Lingue
      • Inglese
      • Giapponese
    • Celebre anche come
      • Bye Bye Jupiter
    • Luoghi delle riprese
      • Tokyo, Giappone
    • Aziende produttrici
      • Io.
      • Kabushika Kaisha
      • Tôhô Co.
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 2h 10min(130 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby
    • Proporzioni
      • 1.85 : 1

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