Sadma

It is one of the most heart-rending movies that I have seen till date. And the final scene would make most cry - and you wouldn't be sure whether you are crying for the character or for yourself or for something that can't be explained in words but only felt in the deep recess of our hearts. For most it might be just another good movie that makes you feel very sad and depressed. But for anyone who has ever loved and doted on anyone as if she was your child, lover and mother all rolled into one; loved so deeply that her presence is what helps you breathe and her absence shatters your world - he would be able to feel what Kamal's character really goes through.

This is one of the best, or rather the best movie I have ever seen. The storyline and the characters are simple yet so complex. Seeing this movie is like being there for the time. The photography and the locations are absolutely fabulous, would remind of some time in your life. The facial expressions on Kamal's face are quite realistic. In one sequence the heroine is lost and Kamal has searched all around the village for her and not been able to find her. He sits in front of god, lights a candle looking at God's statue, just from his face expressions it is visible how much he wants her back in his life. The end scene would fill anyone into big time thoughts. Only downside is that silk smita has helped this movie to get Adult certificate and some boring song sequences.

An extremely well-done movie (although not terribly intellectual), both lead actors do an excellent acting job with good material. Very simply, the plot focusses around the relationship between a single man and a girl he takes in, who has lost her memory. I was recommended this as an Indian film that is very non-Bollywood, and that is certainly true. (The unbelievably improbably coincidences are kept to a minimum, and there is no long-lost twin brother or dying mother or any of the inevitable Bollywood cliches.)

Be warned though, after watching this you might feel vaguely depressed for the rest of the evening.

Well I guess worrying too much on what people might think about a movie made from India is going too wayward. Whether anyone likes,appreciates,admires this movie or not it will still stay true to be one of the best movie genuinely made for actors portrayed. Well most of the South Indian movies are story based and increasingly character(actors) based. This one was just made to match the wits and acting skills of Kamal and Sridevi. Personally one of the saddest ending scene seen in films (Yes it includes international movies too). Plot revolves around the relationship between a single man and an amnesiac girl in a hill station and how things turn out in the end against the lead actor. Class Direction,Class acting,Class scenery... Just a Classic Master Piece 10/10 from my side....

All Kamal needs is one good role in a International movie to show the world what are the standards set for Indian actors in Indian movies(not just Bollywood)

Sdama is the story of an idealistic young man Somu (Kamal Haasan) who rescues an amnesiac young girl, Reshmi (Sridevi), from a brothel and takes charge of her life. She has the mental age of a five year old and her parents are looking all over for her. Reshmi gets in and out of trouble. Somu has to deal with her pranks and misdemeanors. He is pursued by the very sexy young wife (Silk Smitha) of his boss. Eventually the amnesia will go away - we have been told that it is just a matter of time. But when memory returns will the memories of Somu fade from Reshmi's mind?

What can one say about Kamal? The man wrote the book on acting. Here he is young, very good looking and absolutely perfect as the idealistic school teacher who decides to rescue a girl in trouble. Stalked by Silk Smitha, he also get ample opportunity to flex his dancing skills in a fantasy item number! Sridevi is very good as the five year old trapped in a young woman's body. She has the expressions and gestures down pat. Maybe there is exaggeration in the acting, but I can see her as a hyperactive 5 year old. Then she provides a perfect contrast as the young woman who wakes up from this nightmare. Silk Smitha has ooomph in ample measure and there is also an ampleness to her. One wonders how good some of today's anorexic leading ladies would look with those curves! The ultimate tragedy of the film leaves one in shock and mourning for what could have been while at the same time Reshmi's return to normalcy is celebrated.

The film is well directed and the camera work is extremely beautiful. Kamal still has traces of his South Indian Hindi accent, but is miles ahead of his Ek Duje ke Liye days. All in all this is a very satisfying cinema experience. Yes you will be saddened by the story but the beauty of the film is a joy that must be experienced.