Golgo 13: Il professionista

The Professional was an incredibly awesome action film, packed with guys getting gunned down, and lots of chicks in black bikinis. The story in The Professional was much much better than in a lot of those James Bond films. Those animators are good with those pencils; their technique! Wow! Apparently, this movie was one of the first to use computer animation, but it was pretty much squat compared to what they can do now. Still, this movie will persuade you to want to be a spy, because this job has all the extras! Don't worry, all you animal lovers, because no real animals were hurt during the making of this film. It's just a film. For a good time, watch The Professional. It is, like, so cool. Rating: 10/10 ( Anyone else think this movie's disturbing? Just say Golgo if you do.)

I don't think hitman stories are overused. "Golgo 13" is the reason why I think this now. This movie was cool. It's interesting how people can make an animated movie, and treat it like a movie with real actors. Cartoons were never supposed to be like this. I was impressed. The action scenes were thrilling, it had great characters, and it was well acted too. The drama was actually strong in this movie. We focus on the father of this one person Golgo 13 killed, (It's not the whole movie. We focus on Golgo 13 too.) and it's strong. We see how bent on revenge he is, and it shows that your not just watching this for violence. If you like Japanese anime, then you'll like this one.

This anime adaptation of Takao Saito's long-running manga classic is one of my all-time favorite action movies, animated or otherwise, and I'm at a loss to explain why so many dyed-in-the-wool anime junkies despise it (cruise the internet and you'll see what I mean).

Duke Togo is the world's greatest assassin-for-hire, better known as "Golgo 13," and if you're on his list you might as well dig the hole because there is no way, repeat, NO WAY you will elude him. Once he's hired, it's your ass. Togo's adventures take him across the globe, and his skills with weaponry, hand-to-hand combat, and damned near anything else a human being could master are constantly put to hair-raising tests. Though lacking in actual meta-human superpowers, Togo could nonetheless be considered a superman, so with that in mind it's seldom in doubt that he'll come out on top in any given situation, so the suspense lies in seeing just how the hell he's going to pull off the often impossible assignments he chooses to accept. All of this information is old news to readers of the venerable manga series, but it's given the most cursory noting in the feature, seen briefly in a C.I.A. transcript at the film's beginning, but it's vital to suspending one's disbelief and once past that we're immediately thrust into Togo's violent world.

Gazillionaire industrialist Leonard Dawson throws a birthday party for his son, Leonard Jr., aboard his private cruise ship, a lavish ceremony in which he names his son heir and successor to his empire, but Dawson's elation is shattered when his son is surgically shot through the forehead with but a single bullet, killing him instantly. The assassin: Duke Togo. The senior Dawson, now nearly insane with grief, launches an all-out war against Golgo 13, employing the most vicious and lethal professionals that his bottomless coffers can procure, including horrific ex-military sociopaths, crooked intelligence officials, and an unspeakably terrifying monster of a man who rightly goes by the moniker "Snake," all while Togo hops the globe carrying out other "jobs." Togo must stay one step ahead of his assailants, each as hard as he is, and figure out how to survive one Christ Almighty perfect storm of graphic violence. And there also lurks the mystery that spurs the plot: exactly who wanted the junior Dawson murdered, and why?

Loaded with more action than most films have any right to possess, Golgo 13 is a breathless kick in the ass that fans of old school James Bond and other such espionage will simply eat up. I first saw it on an untranslated VHS tape in 1986 and I've been a staunch supporter ever since, sharing it with as many people as I can convince to give it a chance despite its reputation as a bomb. I think it may come off a tame when compared to the later excesses in Japanese animation, such as post-apocalyptic slug-fest filled with showering viscera, city- leveling psychic children and titanic robots, female ninjas with poisonous naughty bits, and the ever-popular spectacle of sailor-suited schoolgirls having their every orifice explored by the tentacles and other bits of demonic rapists just before they explode in a torrent of offal and demonic DNA, but Golgo 13 has all of them beat for sheer quality entertainment that even your parents might dig.

TAG-LINE (EUR): "Leonard Dawson is the richest man in the world...powerfull people makes enemies...if an enemy becomes a problem...then someone calls the proffesional, codenamed: GOLGO 13. The proffesional is about to be tested...to his ultimate level...how long can the Proffesional last? Hard hitting action as the Proffesional faces his ultimate challenge."

This film got too little publicity at the time, and deserved more recognition. I dont understand why the media failed to recognise this anime, before the Western release of AKIRA. And personally, I think it was unfair. Even today, the detail in the artwork, and the fluencey of animation is astounding. Never before have I seen a more detailed drawn anime. The animators sorted everything from the rendition on the gun lenses to the air-brushed shading to give the guns a more metalic look. Another notable thing about this film is the use of CGI graphics to add extra realism to the atmosphere, something which was unheard of, and thought impossible in 1983. Golgo 13 demonstrated this way before Akira came into the public domain. Many of the anime today are drawn sharp, and unimaginatively, e.g. Pokemon, but it's always the "old sckool" anime that retain high standards in the art-work. The plot is just something that noone would have expected from animated production: A man supposidly hunting down another man for the murder of his son, but in the end it is revealed to the viewer his actions were purely for the sake of passion. I especially liked the idea of a spoiled-pretty woman hiding behind the guise of a ruthless crime-mobster, too which noone expected to be "Doctor.Z" The film is a worthy adaption to Saito's comic series, and thankfully it didn't have a crummy television series, with drab animation. The story alone portrays the more explicit, cold violent world surrounding the guise of a lone-Japanese pre.James Bond 007 who is UNLIENCED to kill. Golgo 13 kills purely for a living, and the mystery behind his cold, seemingly-cyborg character, and the fact that his soul is void of human sentiments and ultimately, emotion adds further interest & suspision to his past and true motives behind the killing game. Definately worth a watch if your a fan of Japanese cinema or anime, but may seem a bit dull for those of you who are used to John Travolta/Nic.Cage shoot'em ups where the guy gets the girl and the bad guy dies, etc. A far from lame story. *8/10*

Duke Togo. Man on a mission. And the mission appears to be ‘kill as many people as you can'.

This film is what James Bond would be if Eon had any balls. The Professional is a gun for hire. If he accepts a contract then he always hits his target. He takes all the best parts of Bond (being as hard as a coffin nail and bedding various beauties) and detaches all the cheesy dialogue.

Duke Togo is a cold blooded killer. We never feel for him, but we do root against the baddies. He never smiles, isn't ever nice, but lives by a marginal code of honour, which we sort of respect. Like I said, its hard to empathise with Duke Togo, but we do sort of understand him.

The story itself is pretty good and amazingly coherent for a title of this genre. It deals with deception, double crossing, revenge, hate and violence. We soon come to realise that Duke is a pawn in the middle of things. Albeit a pawn with the ability to shoot the head off a match.

Being an early 80's production, the animation isnt that impressive, although the realistic approach is very good and gives the film some authenticity. We also get to see some rudimentary CGI (which shows the ambition of the project), in the form a helicopter gunship.

All in all The Professional is a very entertaining watch. Girls, guns and a whole lot of maiming. It looks a shade dated now (20 years on), but still packs quite a punch.