Passionless Moments

Each of the segments is so simple, yet Campion displays a great deal of ingenuity for being able to not overlook such mundane aspects of human nature. As idiosyncratic as the events may be, they are still very much normal. I think this is what makes the ideas seem so amazing, is that they are the product of mere observation, of using the everyday events of the real world to make a film.

I loved the part about cleaning the jeans. That was just hilarious.

This is essentially a student film by director Jane Campion. It's black and white. It's a series of vignettes narrated by the same man. Non of the moments are long enough to have lasting impact. The kid has a quirky idea. Eating pork is probably the most compelling mostly because it's about something real. The others are less memorable although I probably won't forget the half-naked guy exercising. As a student film, the black and white looks good and it has some interesting ideas.

The short PASSIONLESS MOMENTS is one of Jane Campion's student films, made in 1983 during her time at Sydney's Australian Film and Television School. She directs a script written by Gerard Lee consist of ten short vignettes on embarrassing or awkward little moments that happen to everyone at some time or another, but which we seldom think about: a man stretching his arm out accidentally makes his neighbour think that he's waving to him, and thus instigates an awkward interaction between two men who have never even spoken before; a boy who has just bought green beans from the shop imagines that they will explode if he doesn't get them home in 20 seconds; a depressed man lying on the floor and looking at the ceiling notes the myriad motes of dust visible in the light.

All of the vignettes are narrated by the same man in a rather dry and analytical voice, which together with the quirky themes endows PASSIONLESS MOMENTS with humour. I wouldn't rank this among my top shorts, but I nonetheless am happy it's in my collection, and this is, along with "Peel", one of Campion's early successes.

A remarkable first short film by a student (or fresh out of film school) - as much for the script as anything else. I happened to see it on TV as a teenager and then made various other people watch it too when I spotted it coming round again.

The film simply shows a series of short quirky moments in people's everyday lives. For example, a man stretches his arm as he wanders out of his house, and this gesture is mistaken by a neighbour who thinks he's waving at him.

Quirky moments such as these have since become the stuff of observational comedy, except that the ones depicted here are so small that they would pass quite unnoticed if not isolated and commented on by this film.

While I really admire this film, a very lovely collection of moments which describe human idiosyncracy, I must say that it is best viewed in a theater. Some films have humor that is so sophisticated, so esoteric, that it demands projection at 24 frames per second, and anything less than the silver screen does not do it justice. Take "Stranger Than Paradise". The editing technique is what makes the film so funny and wry. The full of effect of the technique just doesn't fly on a television screen; t.v. screens just aren't cinematic. Passionless Moments is wonderful, but buyer beware: only purchase the film if you have access to a theater.