La rivalità tra due bande, una ricca e l'altra povera, si intifica quando uno dei membri uccide un membro dell'altra banda.La rivalità tra due bande, una ricca e l'altra povera, si intifica quando uno dei membri uccide un membro dell'altra banda.La rivalità tra due bande, una ricca e l'altra povera, si intifica quando uno dei membri uccide un membro dell'altra banda.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 4 candidature totali
Tom Hillmann
- Greaser in Concession Stand
- (as Tom Hillman)
Sofia Coppola
- Little Girl
- (as Domino)
Recensioni in evidenza
In the Tulsa area in 1965 the rivalry between the Greasers (poor kids) and the Socs (rich kids) heats up after a gang member is killed. The Greasers supposedly responsible flee the area (C. Thomas Howell and Ralph Macchio), but ironically end up being viewed as heroes. Matt Dillon costars while the notable peripheral cast includes the likes of Patrick Swayze, Rob Lowe, Emilio Estevez, Tom Cruise, Diane Lane and Leif Garrett.
"The Outsiders" (1983) was one of two films Francis Ford Coppola shot back-to-back based on SE Hinton's young-adult novels. This one was successful at the box office while the even more artsy "Rumble Fish" (1983) failed to draw an audience.
Hinton began writing "The Outsiders," her most popular novel, in 1965 when she was 16, inspired by two rival gangs at her school, Will Rogers High School, which is about 2.5 miles west of downtown. I bring this up because the movie definitely comes across as an overdramatic tale from the perspective of a teenager. The most mundane, trivial events are presented as life-or-death happenings, like going to a drive-in theater or facing your nemeses at a park where one person idiotically brings a switchblade to a fistfight.
This explains why some people write the flick off as "the cheesiest and corniest movie ever." In its defense, you have to acclimate to it in order to appreciate it. Go back to what was happening in your life when you were in your mid- teens and how a fistfight or breakup was an earthshattering event. The movie captures this very well.
The original theatrical film runs 1 hour, 31 minutes, while the 2005 Director's Cut runs 23 minutes longer and includes new music. It was shot in the Tulsa area.
GRADE: B-/B.
"The Outsiders" (1983) was one of two films Francis Ford Coppola shot back-to-back based on SE Hinton's young-adult novels. This one was successful at the box office while the even more artsy "Rumble Fish" (1983) failed to draw an audience.
Hinton began writing "The Outsiders," her most popular novel, in 1965 when she was 16, inspired by two rival gangs at her school, Will Rogers High School, which is about 2.5 miles west of downtown. I bring this up because the movie definitely comes across as an overdramatic tale from the perspective of a teenager. The most mundane, trivial events are presented as life-or-death happenings, like going to a drive-in theater or facing your nemeses at a park where one person idiotically brings a switchblade to a fistfight.
This explains why some people write the flick off as "the cheesiest and corniest movie ever." In its defense, you have to acclimate to it in order to appreciate it. Go back to what was happening in your life when you were in your mid- teens and how a fistfight or breakup was an earthshattering event. The movie captures this very well.
The original theatrical film runs 1 hour, 31 minutes, while the 2005 Director's Cut runs 23 minutes longer and includes new music. It was shot in the Tulsa area.
GRADE: B-/B.
I loved this book as a kid, and I work with troubled kids who still love the book. I've seen this film a number of times over the years, and am still disappointed that, with such a FABULOUS cast, that it misses the grit and passion of the story.
Ya know what did it? The score. I understand that FFCoppola wants to make his films a family affair, but did he actually LISTEN to what his dad wrote? Sappy strings and a STEVIE WONDER BALLAD???? (ok, that part isn't her fault - what was FFC thinking???). What about some of the early rock songs of the time? I know that's been done a lot, and maybe they didn't want to "date" the film, but the fashion and language and cars and dress date it already; honestly, I've never heard a musical score that was so badly matched to a story. Heh, might as well get Danny Elfman (great score composer, btw) to write the scores for Star Wars.
Now, if you want to hear a terrific score that actually becomes a character of a story, see "The Shawshank Redemption"... the music in that amazing film, to me, is Andy's voice... listen for it, it expresses what's going on inside of Andy, and occasionally the other characters. THAT is what a film score is supposed to do.
Ya know what did it? The score. I understand that FFCoppola wants to make his films a family affair, but did he actually LISTEN to what his dad wrote? Sappy strings and a STEVIE WONDER BALLAD???? (ok, that part isn't her fault - what was FFC thinking???). What about some of the early rock songs of the time? I know that's been done a lot, and maybe they didn't want to "date" the film, but the fashion and language and cars and dress date it already; honestly, I've never heard a musical score that was so badly matched to a story. Heh, might as well get Danny Elfman (great score composer, btw) to write the scores for Star Wars.
Now, if you want to hear a terrific score that actually becomes a character of a story, see "The Shawshank Redemption"... the music in that amazing film, to me, is Andy's voice... listen for it, it expresses what's going on inside of Andy, and occasionally the other characters. THAT is what a film score is supposed to do.
I might not get the highest possible rating for my comments on this movie but I'm going to be totally honest. First, I read the book and then shortly afterward saw the movie. In my opinion the movie did a good job of getting the whole story from book to screen. A lot of the scenes caught the mood I felt when I read the book, or even shed some light on them for me. C. Thomas Howell played his part very well and showed acting skill, but he just seemed too nice, too sensitive to enjoy fighting for its own sake the way his brothers did. I could believe Darry and Soda looking forward to a fight with the Socs but I just did not get the feeling from PonyBoy that he was a fighter. Even Johnny Cade seemed more on edge, more 'ready to fight' than PonyBoy, who played all his scenes really well - he just didn't convince me he was someone who enjoyed a fight.
Of all the actors cast for the film, and really all were done well, I think Ralph Macchio as Johnny Cade was the most perfectly cast based on how I perceived him to be from reading the book.
To be honest, when reading the book I could tell it was written by a woman. I enjoyed it very much, and would say if you have a few hours, the book is not too long to read and I'd recommend it even more highly than the film.
The Outsiders is a very good film in any case and worth watching.
Of all the actors cast for the film, and really all were done well, I think Ralph Macchio as Johnny Cade was the most perfectly cast based on how I perceived him to be from reading the book.
To be honest, when reading the book I could tell it was written by a woman. I enjoyed it very much, and would say if you have a few hours, the book is not too long to read and I'd recommend it even more highly than the film.
The Outsiders is a very good film in any case and worth watching.
First let me say that this will not be a comment where the author will be gushing about how "hot" the cast is! Like a lot of people who have commented on this film I, too, read the book first in school and then proceeded to seek out the film to see how the story translated to the screen. I thought esteemed director Francis Ford Coppola (The Godfather, Apocalypse Now) did a fairly competent job of adapting the book (there will always be somerevisions and omissions in such an enterprise). He preserved the essence of the class struggle: the eternal conflict between those who were better favored by birth and station (Socs) with those less favored (Greasers). Coppola elicited more than competent performances from the young up-and-coming cast he assembled. All in all, a very good coming of age film.
This lovely film was universally trashed and smashed by all the critics. FF Coppola directed it, but they still smashed it. I don't get that.
The then unknown cast was: Patrick Swayze, Matt Dillon, C. Thomas Howell, Rob Lowe, Ralph Macchio, Tom Cruise, Emilio Estevez, Diane Lane, and Leif Garrett. All these actors went on to fame, but the whole movie, the performances, the writing, were trashed.
I thought the cinematography was exceptionally lovely. The "Nothing Gold Can Stay" sunrise scene was gorgeous. The camera angles during the hair cutting scenes were creative and intimate. The music was "epic" sounding, yeah, but this film had a huge tie in with Gone With The Wind, remember. I thought the soft lighting and the creamy edging made the film look very much like IT was filmed in 1939!!!
I don't know. I thought the chracters were very engaging and the performances excellent. Lots of people loved this film, regular people like myself, that is.
The then unknown cast was: Patrick Swayze, Matt Dillon, C. Thomas Howell, Rob Lowe, Ralph Macchio, Tom Cruise, Emilio Estevez, Diane Lane, and Leif Garrett. All these actors went on to fame, but the whole movie, the performances, the writing, were trashed.
I thought the cinematography was exceptionally lovely. The "Nothing Gold Can Stay" sunrise scene was gorgeous. The camera angles during the hair cutting scenes were creative and intimate. The music was "epic" sounding, yeah, but this film had a huge tie in with Gone With The Wind, remember. I thought the soft lighting and the creamy edging made the film look very much like IT was filmed in 1939!!!
I don't know. I thought the chracters were very engaging and the performances excellent. Lots of people loved this film, regular people like myself, that is.
Lo sapevi?
- QuizIn the poster for the film, the Greasers are laughing as Johnny is smirking. This candid shot was taken during the photo session where the actors were supposed to look tough at the camera. What happened was that when Leif Garrett went to the table, Ralph Macchio said, "Hey, Leif, that's for the talent." This comment cracked up the cast, and the photo was used.
- BlooperDallas falling out of the chair at the Drive-in (at 07:18 in 91 m.) was an accident and was not rehearsed. Ponyboy looks at the camera expecting Francis Ford Coppola to say cut, but they kept the shot instead.
- Citazioni
Ponyboy: Nature's first green is gold / Her hardest hue to hold / Her early leaf's a flower / But only so an hour / Then leaf subsides to leaf / So Eden sank to grief / So dawn goes down to day / Nothing gold can stay.
Johnny: Where did you learn that? That's what I meant.
Ponyboy: Robert Frost wrote it. I always remembered it because I never quite knew what he meant by it.
- Curiosità sui creditiClosing dedication: This film is dedicated to the people who first suggested that it be made... Librarian Jo Ellen Misakian and the students of the Lone Star School in Fresno, California.
- Versioni alternativeThe 2005 special edition contains a re-edited cut of the film, a new soundtrack and 22 minutes of additional footage, including:
- an extended opening scene where Ponyboy is attacked by the Socs when walking home from a Paul Newman movie. The principle Greasers are also introduced. Later, Ponyboy and Sodapop talk to each other in their bedroom.
- a scene where Ponyboy asks some farmers how to reach Jay Mountain. He claims that he's playing "army" and "needs to report to base."
- an alternate scene in the church where Ponyboy imagines that both Sodapop and Darry are present.
- a short scene where Ponyboy splashes some water on his face outside the church while Johnny is out buying supplies.
- a scene in the church where Ponyboy and Johnny become emotional over the events of the past 24 hours.
- extended reading of "Gone With the Wind" in the church.
- a short scene where Ponyboy finds Tim sitting on his couch in the morning.
- a small extension to Ponyboy and Two-Bit at the hospital where a doctor allows them access to Johnny's room after being denied entrance by a nurse.
- a short scene where Two-Bit and Ponyboy encounter Johnny's mother at the hospital.
- Following the death of Dally, Darry lashes out at the cops while Ponyboy faints. Later, we see Sodapop and Darry caring for him in bed while Ponyboy asks if someone is sick, not realizing that he is.
- A courtroom scene where Cherry, Randy, and Ponyboy all make statements. In the end, Ponyboy is acquitted and left in the custody of Darry.
- A scene where Ponyboy runs into Cherry at school, but she walks away from him. Ponyboy's teacher also informs him that he is flunking, but allows him to write a paper on a personal experience in order to raise his grade.
- A dinner scene where Sodapop becomes angry that he's always stuck in the middle between Ponyboy and Darry's tug of war and runs away. When they eventually catch him, they agree to stop fighting all the time.
- ConnessioniFeatured in Siskel & Ebert & the Movies: Tom Cruise: The Star Next Door (1990)
- Colonne sonoreStay Gold
Sung by Stevie Wonder
Music by Carmine Coppola
Lyrics by Stevie Wonder
Courtesy of Motown Record Corporation
Recording Engineer: Gary Olazabal
Assistant Recording Engineer: Bob Harlan
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
Botteghino
- Budget
- 10.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 25.837.195 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5.068.165 USD
- 27 mar 1983
- Lordo in tutto il mondo
- 25.855.036 USD
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
What is the Hindi language plot outline for I ragazzi della 56ª strada (1983)?
Rispondi