La rivalità tra due bande, una ricca e l'altra povera, si intifica quando uno dei membri uccide un membro dell'altra banda.La rivalità tra due bande, una ricca e l'altra povera, si intifica quando uno dei membri uccide un membro dell'altra banda.La rivalità tra due bande, una ricca e l'altra povera, si intifica quando uno dei membri uccide un membro dell'altra banda.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 4 candidature totali
Tom Hillmann
- Greaser in Concession Stand
- (as Tom Hillman)
Sofia Coppola
- Little Girl
- (as Domino)
Recensioni in evidenza
I had to read the book in seventh grade and we also watched the movie. I though both of them were fabulous. Francis Ford Coppola has adapted almost every detail of the book into this movie. I thought the acting was great and the plot was good for teenagers, which is the movie's, as well as the book's, target audience. I was surprised on how many stars were in this movie (seven) and it was much better than I thought it would be. It didn't seem cheesy and small but you felt like you were watching a real film. Even though the Greasers seem to be born into undesirable lives, watching this movie makes you want to go back to 1967 in the Southwest and be a Greaser, too. Fabulous movie and perfect for teenagers.
With this adaptation of S. E. Hinton's debut novel "The Outsiders", Francis Ford Coppola introduced a whole new generation of actors, who would go on to become some of Hollywood's biggest stars over the course of the next few years and decades. The story is a coming-off-age tale set in an unspecified American town during the early 1960s, where the dividing line between the north and south side of town, between the working-class "greasers" and the upper-class "socs", defined the upbringing, youth years and prospects for the future for all the characters we get to meet. Focusing on the greasers - and more on the ties and comradery between them than on the greaser culture as such - The Outsiders is a tenderhearted, unobtrusive film full of semi-obvious observations and character-developments. As such, it feels like the school essay that the novel more or less started out as. Still, the film has a perception and understanding for these kids, their time and their surroundings that makes it resonant and believable. Artistically, this is by no means Coppola's best work, and all of these actors would go on to deliver better work later on in their careers, but their characters and their performances have stood the test of time quite well. Look for Coppola's pal Tom Waits in a cameo as a bouncer in a bar. C. Thomas Howell won the Young Artist Award for Best Young Motion Picture Actor for his performance as Ponyboy Curtis.
A gem from Francis Ford Coppola based on S.E. Hinton's novel. Teenage gang members in a mid 60's Oklahoma town become involved in murder, leading to tragic consequences for all concerned. Filmed mostly in Tulsa, Oklahoma, with a very impressive list of young actors on their way to stardom.
The cast includes Matt Dillon, Patrick Swayze, Rob Lowe and Tom Cruise. Also featured are Emilio Estevez, Diane Lane, C. Thomas Howell, Gailard Sartain and Ralph Macchio.
A coming of age movie that packs a punch. Very much worth your time.
The cast includes Matt Dillon, Patrick Swayze, Rob Lowe and Tom Cruise. Also featured are Emilio Estevez, Diane Lane, C. Thomas Howell, Gailard Sartain and Ralph Macchio.
A coming of age movie that packs a punch. Very much worth your time.
This movie feels very dated in terms of the way the drama is presented, but it is saved by standout performances from a laundry list of great actors cutting their teeth with the material. This is also worth watching in the present day for its portrayal of social class, and the universal theme of friends helping one another to learn, grow and survive. I also really loved that the small Midwest town isn't portrayed as a glamorous 1960s utopia, the housing is run down, businesses are shown struggling, and the feeling of growing up in a working class neighborhood is so real you can taste it. Ultimately, these things make The Outsiders worth a watch even if youre unfamiliar with source mayerial.
I loved this book as a kid, and I work with troubled kids who still love the book. I've seen this film a number of times over the years, and am still disappointed that, with such a FABULOUS cast, that it misses the grit and passion of the story.
Ya know what did it? The score. I understand that FFCoppola wants to make his films a family affair, but did he actually LISTEN to what his dad wrote? Sappy strings and a STEVIE WONDER BALLAD???? (ok, that part isn't her fault - what was FFC thinking???). What about some of the early rock songs of the time? I know that's been done a lot, and maybe they didn't want to "date" the film, but the fashion and language and cars and dress date it already; honestly, I've never heard a musical score that was so badly matched to a story. Heh, might as well get Danny Elfman (great score composer, btw) to write the scores for Star Wars.
Now, if you want to hear a terrific score that actually becomes a character of a story, see "The Shawshank Redemption"... the music in that amazing film, to me, is Andy's voice... listen for it, it expresses what's going on inside of Andy, and occasionally the other characters. THAT is what a film score is supposed to do.
Ya know what did it? The score. I understand that FFCoppola wants to make his films a family affair, but did he actually LISTEN to what his dad wrote? Sappy strings and a STEVIE WONDER BALLAD???? (ok, that part isn't her fault - what was FFC thinking???). What about some of the early rock songs of the time? I know that's been done a lot, and maybe they didn't want to "date" the film, but the fashion and language and cars and dress date it already; honestly, I've never heard a musical score that was so badly matched to a story. Heh, might as well get Danny Elfman (great score composer, btw) to write the scores for Star Wars.
Now, if you want to hear a terrific score that actually becomes a character of a story, see "The Shawshank Redemption"... the music in that amazing film, to me, is Andy's voice... listen for it, it expresses what's going on inside of Andy, and occasionally the other characters. THAT is what a film score is supposed to do.
Lo sapevi?
- QuizIn the poster for the film, the Greasers are laughing as Johnny is smirking. This candid shot was taken during the photo session where the actors were supposed to look tough at the camera. What happened was that when Leif Garrett went to the table, Ralph Macchio said, "Hey, Leif, that's for the talent." This comment cracked up the cast, and the photo was used.
- BlooperDallas falling out of the chair at the Drive-in (at 07:18 in 91 m.) was an accident and was not rehearsed. Ponyboy looks at the camera expecting Francis Ford Coppola to say cut, but they kept the shot instead.
- Citazioni
Ponyboy: Nature's first green is gold / Her hardest hue to hold / Her early leaf's a flower / But only so an hour / Then leaf subsides to leaf / So Eden sank to grief / So dawn goes down to day / Nothing gold can stay.
Johnny: Where did you learn that? That's what I meant.
Ponyboy: Robert Frost wrote it. I always remembered it because I never quite knew what he meant by it.
- Curiosità sui creditiClosing dedication: This film is dedicated to the people who first suggested that it be made... Librarian Jo Ellen Misakian and the students of the Lone Star School in Fresno, California.
- Versioni alternativeThe 2005 special edition contains a re-edited cut of the film, a new soundtrack and 22 minutes of additional footage, including:
- an extended opening scene where Ponyboy is attacked by the Socs when walking home from a Paul Newman movie. The principle Greasers are also introduced. Later, Ponyboy and Sodapop talk to each other in their bedroom.
- a scene where Ponyboy asks some farmers how to reach Jay Mountain. He claims that he's playing "army" and "needs to report to base."
- an alternate scene in the church where Ponyboy imagines that both Sodapop and Darry are present.
- a short scene where Ponyboy splashes some water on his face outside the church while Johnny is out buying supplies.
- a scene in the church where Ponyboy and Johnny become emotional over the events of the past 24 hours.
- extended reading of "Gone With the Wind" in the church.
- a short scene where Ponyboy finds Tim sitting on his couch in the morning.
- a small extension to Ponyboy and Two-Bit at the hospital where a doctor allows them access to Johnny's room after being denied entrance by a nurse.
- a short scene where Two-Bit and Ponyboy encounter Johnny's mother at the hospital.
- Following the death of Dally, Darry lashes out at the cops while Ponyboy faints. Later, we see Sodapop and Darry caring for him in bed while Ponyboy asks if someone is sick, not realizing that he is.
- A courtroom scene where Cherry, Randy, and Ponyboy all make statements. In the end, Ponyboy is acquitted and left in the custody of Darry.
- A scene where Ponyboy runs into Cherry at school, but she walks away from him. Ponyboy's teacher also informs him that he is flunking, but allows him to write a paper on a personal experience in order to raise his grade.
- A dinner scene where Sodapop becomes angry that he's always stuck in the middle between Ponyboy and Darry's tug of war and runs away. When they eventually catch him, they agree to stop fighting all the time.
- ConnessioniFeatured in Siskel & Ebert & the Movies: Tom Cruise: The Star Next Door (1990)
- Colonne sonoreStay Gold
Sung by Stevie Wonder
Music by Carmine Coppola
Lyrics by Stevie Wonder
Courtesy of Motown Record Corporation
Recording Engineer: Gary Olazabal
Assistant Recording Engineer: Bob Harlan
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Dettagli
Botteghino
- Budget
- 10.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 25.837.195 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5.068.165 USD
- 27 mar 1983
- Lordo in tutto il mondo
- 25.855.036 USD
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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