I ragazzi della 56ª strada

A terrific tweener for kids of any era. Serious but sweet, and refreshingly free of cynicism.

Godfather Coppola has a real way with family, go figure. But here he keeps the themes and emotions simple. One of the reasons for this story's lasting power is that it was written by a teenager, and so accurately reflects kids' perspective. It would have been very tempting to try and infuse an adaptation with "layers," to comment on the action and show yourself superior, but Coppola exercises great restraint and appropriate respect for the material. He knows it isn't profound stuff, but he understands that it *feels* profound to kids who identify with it. In walking this tightrope, he creates a rare thing: a movie that's for kids but neither talks down to or indulges them.

Lowe, Dillon, Estevez, Howell, Macchio, Garrett, Swayze. Only Cruise and Lane (and Sofia!) seem bigger now than they are here. That, and the 20-some years since, makes The Outsiders all the more poignant.

I might have enjoyed this a bit more if I didn't know Coppola directed it. I mean the guy who already made the Godfather films and Apocalypse Now didn't know how to properly adapt a novel seems ridiculous. One of the main problems with the film is that every frame of it tells you that it's based on a book. There really doesn't seem to have been any effort in the script other than shooting the important part of the novel and without all the details in the novel that is a disastrous choice.

Still, even with all those problems, it does manage to be pretty decent. Even though a lot of stuff does seem stupid, it tries to explore a handful of themes in a way that is also appealing to teenagers without completely losing its footing. The ensemble teenage cast is such a wonder to look back now, who would've thought a lot of them would go on to become some of the biggest names in the industry, let alone the delinquent friend side character would go on to become one of the biggest stars in the whole world. The issues dealt with seems a bit heavy-handed and artificial which wouldn't have felt as problematic if the direction was a bit more cleaner and more importantly if the writing was better.

With this adaptation of S. E. Hinton's debut novel "The Outsiders", Francis Ford Coppola introduced a whole new generation of actors, who would go on to become some of Hollywood's biggest stars over the course of the next few years and decades. The story is a coming-off-age tale set in an unspecified American town during the early 1960s, where the dividing line between the north and south side of town, between the working-class "greasers" and the upper-class "socs", defined the upbringing, youth years and prospects for the future for all the characters we get to meet. Focusing on the greasers - and more on the ties and comradery between them than on the greaser culture as such - The Outsiders is a tenderhearted, unobtrusive film full of semi-obvious observations and character-developments. As such, it feels like the school essay that the novel more or less started out as. Still, the film has a perception and understanding for these kids, their time and their surroundings that makes it resonant and believable. Artistically, this is by no means Coppola's best work, and all of these actors would go on to deliver better work later on in their careers, but their characters and their performances have stood the test of time quite well. Look for Coppola's pal Tom Waits in a cameo as a bouncer in a bar. C. Thomas Howell won the Young Artist Award for Best Young Motion Picture Actor for his performance as Ponyboy Curtis.

This movie feels very dated in terms of the way the drama is presented, but it is saved by standout performances from a laundry list of great actors cutting their teeth with the material. This is also worth watching in the present day for its portrayal of social class, and the universal theme of friends helping one another to learn, grow and survive. I also really loved that the small Midwest town isn't portrayed as a glamorous 1960s utopia, the housing is run down, businesses are shown struggling, and the feeling of growing up in a working class neighborhood is so real you can taste it. Ultimately, these things make The Outsiders worth a watch even if youre unfamiliar with source mayerial.

I might not get the highest possible rating for my comments on this movie but I'm going to be totally honest. First, I read the book and then shortly afterward saw the movie. In my opinion the movie did a good job of getting the whole story from book to screen. A lot of the scenes caught the mood I felt when I read the book, or even shed some light on them for me. C. Thomas Howell played his part very well and showed acting skill, but he just seemed too nice, too sensitive to enjoy fighting for its own sake the way his brothers did. I could believe Darry and Soda looking forward to a fight with the Socs but I just did not get the feeling from PonyBoy that he was a fighter. Even Johnny Cade seemed more on edge, more 'ready to fight' than PonyBoy, who played all his scenes really well - he just didn't convince me he was someone who enjoyed a fight.

Of all the actors cast for the film, and really all were done well, I think Ralph Macchio as Johnny Cade was the most perfectly cast based on how I perceived him to be from reading the book.

To be honest, when reading the book I could tell it was written by a woman. I enjoyed it very much, and would say if you have a few hours, the book is not too long to read and I'd recommend it even more highly than the film.

The Outsiders is a very good film in any case and worth watching.