Antarctica

Whether striking a tone more uplifting or tragic, what all survival films have in common - to one degree or another - is being difficult to watch. The barren, beautiful frozen landscapes in this movie both pair and contrast with the fierce, extreme conditions everyone struggles through. Even before the plot meaningfully picks up as efforts go sideways, there's a level of cringe on hand with the experience depicted, and further difficulty in empathizing with the conditions forced on the animals - emphatically more strenuous than those endured by the humans. I can appreciate how 'Antarctica' enjoyed so much popularity and success, not least of all in Japan; the drama is compelling.

The first hour mostly focuses on the people on the continent, and only thereafter does the film become more about the dogs left behind. As it does, the viewing experience becomes notably more arduous, especially for animal lovers. It's heartbreaking enough even if incidents were merely simulated to portray the circumstances the sled team went through. Yet despite the director's assurances, the lack of particular endorsement from an animal safety group makes the production somewhat dubious. Still - much credit to those responsible for training the canines, because they had their work cut out for them. Scenes of the dogs living off the land are generally orchestrated well, and duly captivating.

All this having been said, 'Antarctica' isn't easy to engage with, even putting aside the gut-wrenching trials of the animals. After the first hour, while footage of the huskies on the ice is considered most highly, it's nonetheless interspersed with long moments in much-warmer Japan as members of the human expedition contend with memories and guilt of leaving their companions behind. As a result, the feature often seems less a cohesive whole and more a series of snapshots - further emphasized with narration that works alone to connect the disparate scenes in the absence of a concrete, flowing narrative. The general concept is quite good - it's a story worth telling - but the execution leaves much to be desired.

As the picture is unbalanced and unrefined broadly, its constituent elements likewise suffer. Composer Vangelis is rightly celebrated for his music, but fine as his score for 'Antarctica' may be, it still comes across as both lacking, and not entirely given its due. The drama and emotional investment we should feel is greatly diminished by sequencing that bounces back and forth inconsistently between Japan and the frozen south. I don't have specific cause to doubt director Koreyoshi Kurahara, and in general I think his camerawork and arrangement of scenes is quite suitable; he even captures some especially great shots. Yet the overall rough and inelegant craft of the picture gives me pause, and so it is too with other technical aspects of the production.

At length, I do think this is enjoyable, satisfying, and worth watching. It's also worth mentioning that compared to other features that tell the tale of animals surviving on their own, at no point does it become overwrought with sentiment. On the other hand, that lack of saccharine sensation is partly just because of how the movie is built as a whole. It's just unfortunate that what could have been a complete, riveting, entrancing spectacle of hardship and endurance is dampened by an uneven construction. Even so - bearing in mind the nature of the content, and this absolutely won't be for everyone - 'Antarctica' is worth checking out if you come across it.

I am not a Disneyesque movie fan about animals and rather preferred seeing the standard top box office movies instead until my girl friend wanted to see Nankyoku Monogatari movie in 1983. We went and I didn't expect much until I saw it. It was more than I could take emotionally as the memories and love I had for my own dogs in the past came pouring out. Truly a great piece of work. I tried to find the movie at BlockBuster but to no avail.

A post script: I visited Sapporo, Hokkaido back in 1994 on a business trip. Over the weekend with nothing to do I took a taxi to the Hokkaido Agricultural Museum. Lo and behold, there was Taro in the place of honor who had been stuffed. How regal he looked. I didn't recall seeing Jiro there but learned later that he is along side of another famous Japanese dog, Hachiko, at the National Science Museum in Tokyo. Anyway, seeing Taro made my day.

I know many people only watch movies with lots of special effects or big-name stars, but -Antarctica- must not be overlooked. It's based on a true story; the setting is terrific; and the dogs play their "roles" just as well as the human actors. Kids can watch it without their parents worrying about the content (tho' I'll warn you, some of the dogs *do* die, which may upset youngsters); students interested in Japanese or simply "artsy" films can see it too...in short, anyone can watch it! (Except for the unfortunate few who prefer sex-violence-profanity...too bad for *them*.)

I've watched this movie when I was 9 with my classmates. I remember everyone cried when going out the theater... I've watched it again some years later, and I must confess that this is unique movie, with no real equivalent. It's not really a movie, not really a documentary on how several dogs try to escape from Antartica where they've been accidentaly abandonned by a scientific expedition. This movie is highly tragic because very few of them will survive. You don't see them really die on the screen, you just see them *disappear* when their fate is sealed with death, only their name and age is displayed. And that's what makes this movie so moving, and so clever in the narration.

Last but not least : the outstanding continous score is written by Vangelis and is perfect in it's cold/warm synthetizers mood.

I really recommend everyone to see this movie, it's a unique experience, and then buy the score to remember the magnificient pictures and landscapes. Perhaps it's too dark for a child, otherwise you will have to buy him a husky dog puppet to avoid continuous cries and nightmares...

I accidently stumbled upon this movie and was immediately ensconced in its story line, scenery and cast of characters (primarily the dogs). The subtitles did not distract from the films Japanese dialogue. This semi-documentary style added authenticity to the fact based plot. The human actors may have been the catalyst for this poignant retelling, but the dogs were indeed the glue that held this film together. Given the fact that most of the sets were filmed on location, the dogs performed exceptionally well and held this viewer fast.

The misadventures that the dogs endured during their separation from their owners were deeply touching and powerful. One would have to have ice water flowing through one's veins to be unmoved from this film. Although hard to find, I heartily recommend the movie for age groups of 12 or older. The violence is implied rather than portrayed but none-the-less quite intense.