The Boxer's Omen

Ko plays Xiong,out to avenge his brother,crippled in a kick-boxing fight by Bolo Yeung.His hallucinations lead him to a temple and his karmic twin priest;their fates are inextricably linked, and that's bad,since the priest was killed by a black magician.Xiong initially sceptical is eventually convinced-the graphic scene of eel-vomiting seems to do the trick - and agrees to become a monk in order to take on the forces of darkness and save both the priest's soul and his own.This surreal and completely over-the-top HK trashy horror flick has to be seen to be believed.The special effects are weak,however you will laugh until it hurts watching several totally weird moments.The action is fast and the film is loaded with hallucinatory imagery straight from Jodorovsky's works.9 out of 10 for sheer pleasure of watching this surreal madness.

I've seen a lot of freaky Asian cinema - and many of the strange horror/black magic stuff from the Phillipines and Indonesia makes your jaw drop but I must say, BOXER'S OMEN (or MO)has to be one of the weirdest if not THE weirdest films I've ever seen. There is a plot but it almost doesn't matter - just the mind-blowing action sequences are enough for you and your like-minded friends to enjoy. Demon bats, spiders, eels emerge from people's mouths, strange insects burrowing into people's openings, alligator's being cut open so a corpse can be laid inside to bring the dead soul back, man oh man. Now most of the effects are really cheesy and laughable but hey - this is almost 25 years ago! Then again, some of the effects are very EFFECTive - enough to make you gasp, while as I said, many will make you howl with laughter. Produced by The Shaw Brothers, who have made legendary kung-fu movies and such horrid big gorilla movies like Mighty Peking Man totally deliver the goods with this fun trainwreck of a movie - it's like David Lynch meets John Waters meets the Mystic Of Bali. The new DVD release is great - the print is spotless.

A shady Chinese boxer gets caught up in a web of fate, buddhism and black magic when he's in Thailand to avenge his brother who was crippled in a dirty fight with a thai boxer. It turns out in a past life he was the twin brother of a enlightened buddhist monk, who is now preserved in a state between life and death after being poison-spelled by a powerful black magician who wanted to stop him to reach full enlightenment and eternal life. Only the power of Buddah stops the semi-dead monk's body from decomposing, and since their fates are linked from previous lives, when the monk finally decomposes the boxer will die too... a horrible, messy death! So the boxer has to become a taoist monk and beat the black magician to break the poisonous spell and save his life and the eternal life of his ex-twin brother (are you confused yet?). But the black magician has a few cards up his sleeve too... or rather decks and decks of 'em to! The final battle between good and evil that takes place is in an inferno of laser beams, crocodile carcasses, weird magic, maggots, bats, magic relics, devouring of disgusting foods, adult baby birth, monk chanting, puke eating, monsters etc. etc. etc... You could go on and on and on!

At the risk of sounding like a fashion-blogger: GAH! OMG! I can't believe I haven't seen this before! All I can say is do believe the hype because this is an amazing slice of HK black magic-weirdness. And best of all it's not only "so weird it's good" like movies like Devil Fetus or Wolf Devil Woman, it's actually a really good, original, well-crafted weird film with good actors, production values, lots and lots of imaginative effects and impressive trippy cinematography... visually it looks nothing else! All the actors work fine but extra credit goes to the guy who played the black magician (he's sort of like an though-to-be harmless, half-crazy old hobo who gets sudden outbursts of extreme anger) - best voodoo-style screen black magician ever! Genius! Not a guy I would let anywhere near a chicken farm though... A question: Did HK producers hire their cast at the geek section at their local freak show or was it considered a normal thing to eat maggots, kill animals and puke live barracudas (!) in Hong Kong movies?

Even though I didn't find it scary (a little bit disgusting maybe) I had WILD nightmares about witches and black magic all night tonight. I even woke up at five in the morning scared as hell, decided it was too good to miss and fell right back to sleep. It was like the film's sweetness continued in my dreams.

Sorry catholicism, paganism, old school (pre-LaVey) satanism & Jewish mysticism - close but no cigar, buddhism is now the coolest religion on the block. An absolute must-see!

I have to give this film a high rating just for the fact that it is so utterly insane, disgusting but at times brilliant. When I was in the USA last year, I went into a cool little Indy Music and DVD shop looking for a Martial Arts movie to watch that night. This little gem jumped off the shelf into my hands. Watching it that night, I actually found myself so horrified with some of the scenes, I was looking around the room to see if anyone else might be watching me watching the movie. You see, I was visiting family and didn't want to be categorised as the strange chap from London who watches films where wizards eat chickens testicles. To me, it had the spirit of Jodorowsky with some absolutely amazing scenes of transcendence by Buddhist meditation that still look awesome with today's technology. Not many movies like this. Really glad i found it.

I reckon that if I were to ever try and compile a Top Ten list of the craziest Hong Kong films ever made, it's almost a dead cert that The Boxer's Omen would be in there somewhere: the film is bats••t bonkers from start to finish. I doubt that a mere written description of the weirdness on display could ever do the film justice, but here's my best shot....

Chan Hung is a Hong Kong boxer who travels to Thailand to avenge his brother, who was crippled in a fight with unscrupulous opponent Mr. Bu-bo (played by martial arts movie legend Bolo Yeung, who rarely fights fair in his films). After agreeing to a boxing match against Bu-bo in three months time, Chan visits a Buddhist temple where he is drawn into a battle with an evil wizard who has used his dark powers to prevent the local abbot from achieving immortality.

The supernatural skirmish that ensues sees the wicked magician using some bizarre techniques to try and gain the upper hand against Chan, including summoning killer bats from the eye sockets of crocodile skulls (which also come alive), using rat blood to bring a skeletal bat back to life, cutting off a chicken's head to perform a spell, conjuring up a flying alien head from a gloopy mess of puke, and ultimately removing his own noggin from his shoulders to launch a last-ditch attack. It's all for nowt, though, 'cos the wizard loses the fight when sunlight makes his head dissolve.

After all of that, the film gets REALLY strange.

A triumphant Chan arrives home to find his girlfriend in the shower and joins her for some soapy fun; unfortunately, this spot of impromptu sex saps him of his powers, which isn't great news for the guy when three more evil wizards start to cause him trouble. They use a dead crocodile to give birth to a naked witch that blinds Chan during his bout with Bu-bo and who attacks him while he is in Nepal trying to find a relic that can end the evil once and for all. There's also something about an extract from a 1000 year-old fungus smeared with honey that can make him invincible. Oh, and the witch has her skin pulled off by a dead lama and gives birth to the three wizards (wrapped in cellophane?!?!) who then sacrifice themselves to create an army of miniature one-eyed dinosaurs with crazy hair (I'm sure I've missed a lot of other equally insane stuff out, but that should be more than enough to give you an idea of just how bizarre the film is).

The special effects used to realise all of this are undeniably cheap and unconvincing, but their shonkiness only adds to the fun. I rate The Boxer's Omen 8/10 purely for being such a relentlessly absurd—and, as a result, hugely entertaining—piece of Asian excess.