Tempesta metallica

Director Charles Band followed up PARASITE, his first successful foray into the 3-D world, with this futuristic action-adventure film. It is pretty obvious he is going for a mix of THE ROAD WARRIOR and STAR WARS, but I'm not entirely sure it is successful and at times comes off looking more like MEGAFORCE. The action is good though and the film moves at a quick clip. I'm sure the 3-D was pretty impressive in the theater as all sorts of objects are chucked at the screen. There is also one psychedelic, TRON-inspired bit during the end chase that probably had audiences puking dayglo in the aisles. The acting is good though for a b-movie with Thomerson doing his best Han Solo and Richard Moll showing up as a leader of a group of Cyclops. The film "ends" with the most laughable cliffhanger where Jared-Syn gets away (so the title lied!) and Dogen vows, "I'll find him in another dimension one day." Huh? Obviously Band was hoping this would be a series but poor box office returns from a Universal theatrical distribution vetoed that idea and he moved on to start Empire Pictures (which kicked off production with THE DUNGEONMASTER, again starring Byron). Now if only someone could tell me what the hell METALSTORM means.

I saw this movie back in 83 when 3-d was making a comeback. I liked it a lot but I was young and it was 3-d. I've seen it a few times after that on HBO and still enjoyed it. I just recently got a 3-d dvd of the movie and I enjoyed it even more. Sure, it's crap but it's fun crap and I'm a sucker for 3-d movies. Watching this in 3-d in my own living room brought back memories. It's definately worth seeing in 3-d.

Don't know why, but in the '80s, I watched this film around 17 times, and when in Hollywood, went to the Band brothers' office to tell them they had made a cult masterpiece. They seemed really surprised that anyone liked it. After watching it several times (which you feel compelled to do for some strange reason), you start to get sucked into believing that somehow the film contains some kind of secret. The problem is that I think I needed to watch it at least 17 more times to 'get' the secret, but I could no longer find the film anywhere. Now I'm an adult, with kids, and they have carefully explained to me that I know nothing about films or hidden realities. So, either I'm an idiot for having wasted so much time watching Metal Storm so many times, or my kids should be forced to watch it 17 times so that they can reach the same level of knowledge as their mother.

Charles Band… yeah producer/director Charles Band and by that name you should know what you are going to get. Well unless it's your first taste, which if it is, 'Metalstorm' is probably not a great starting point. I wanted to like this one more, but by the end I was completely bored with only the saving grace being the performances of an amusing Tim Thomason (who definitely spiced things up) and Richard Moll dressed in make-up. This cheap b-grade post-apocalyptic Sci-fi fling wears its influences for everyone to see, but instills no personality. Aside from the western touches (and that standoff scene is actually well done), it was namely something out of 'Star Wars' and obviously 'Mad Max 2', which you could say Jeffery Byron's ranger character is easily patterned on Mel Gibson's leather-decked road warrior of those films. Nonetheless Bryon's stiff impression is no match. Also appearing with amount of interest is a very beautiful Kelly Preston, but she does quite little than titillate. Mike Preston as the head villain Jared-Syn left a lot to be desired, as I found him laughably nonsensical in a plastic sense.

Although why we watch these films is for some senselessly cheap fun and lousy exchanges. The latter was right on the mark with the dialogues, however sadly I found the junky action quite lackluster and sloppy with a poorly shot desert wasteland backdrop. It feels in slow-motion (and Brand even uses that technique at times), despite the (unfocused) story keeping things moving. It has its moments (probably just not enough even with the few tripped-out visuals) and the make-up of the fancy dressed mutants are decently executed. I couldn't say the same about the dodgy special effects, which really do come to the front at the end. Richard Band's score is a clunker of sorts.

I didn't find it to be completely awful by any stretch, but more so frustratingly drab and unfulfilled with only some minor flourishes and a chirpy Thomerson.

Dogen (Jeffrey Byron) is a Ranger out to take down Jared-Syn who is breaking the peace and recruiting mutants for his holy war. Dhyana (Kelly Preston) and her father are prospectors. They strike the motherlode but Jared-Syn's son Baal kills her father. Dogen finds Dhyana and they discover the crystals could store lifeforce. They are attacked by Baal. Dhyana is transported and taken prisoner. Jared-Syn is storing lifeforce in his giant crystal. Dogen recruits tired old-timer Rhodes (Tim Thomerson) to find Jared-Syn. They impress Hurok (Richard Moll) and his mutant warriors along the way.

This is pretty bad. Byron has as much charisma as a rock with as much usefulness for the lead actor. Tim Thomerson does a couple of good turns before he gets out of there. It's following Mad Max style in its desert car-chase action B-movie. However it doesn't have the kinetic energy and relies too much on slow motion. The special effects aren't that special. It's also part of the 80s 3D revival which only adds to the cheese factor. This is not good and not bad enough to be fun. The only good part is the memorable look of Baal.