Professione: poliziotto

After the success of LE PROFESSIONAL and the likes of PEUR SUR LA VILLE and L'ALPAGUEUR - major action crime flicks - and before the failure of his last action film - LE SOLITAIRE- Jean-Paul Belmondo gave us this one, directed by Jacques Deray, with whom he made BORSALINO, PAR UN BEAU MATIN D'ETE, and LE SOLITAIRE. It is obviously inspired by the DIRTY HARRY fashion, the tough, rough cop - Philippe Jordan - who applies his own methods, against all codes, rules, except his very own ones. Henry Silva plays the villain, this American actor who already played in Daniel Vigne's LES HOMMES and jean Claude Roy's L'INSOLENT, two gritty French crime flicks. The Paris car chase, under the aerial subway line, is of course a tribute to BULLITT, or FRENCH CONNECTION - also car chase under the New York aerial subway line - scene.

I'm a huge fanatic of harsh, gritty and excessively violent cop thrillers from the 70's and early 80's. You know, those flicks with one macho copper solving cases through using hugely unorthodox methods (much against the will of his supervisors) and stumbling upon complex networks and internal corruption. The rudimentary plot is always secondary to the charisma of the lead character, the obligatory virulent car chases, the hardcore violence and the exciting soundtrack. The most famous films are American, like "Dirty Harry" starring Clint Eastwood and "The French Connection" starring Gene Hackman, but over in Europe there was quite a vast number of nasty cop thrillers as well. Most of them were made in Italy, obviously, but the French had Jean-Paul Belmondo! He depicts the ideal macho copper who – dressed in a leather jacket and jeans – singlehandedly pulverizes the Paris-Marseille drug cartel. I'm not at all familiar with Belmondo's work (or at least, not yet) but he boosts the exact right balance between arrogance and utter coolness. Belmondo plays the Parisian police commissioner Philippe Jordan, sent to Marseille to help the local police force with deconstructing the drug business led by Mr. Meccacci. Jordon's methods are effective but slightly nonconformist, like throwing 200kg heroine into the sea. Due to Meccacci's political influences, Jordon is transferred back to Paris, but as a desk clerk in a sleazy red light district. Still he doesn't give up his battle against Meccacci, especially not when his henchmen annihilate one of Jordan's personal friends. There are some impressive action sequences, like the helicopter vs. the speedboat sequence and the wild chase through Paris with an awesome and bulletproof Ford Mustang. The fact that J.P. Belmondo apparently did all of his stunt work himself makes it even more impressive, as some of that stuff looked quite dangerous. The great and heavily underrated Henry Silva portrays the relentless drug baron/super villain, but he's criminally underused and his voice is horribly dubbed. The score is nice but not exceptional and definitely not Ennio Morricone's best work. Overall I certainly cannot say I was displeased with my very first acquaintance with Jean-Paul Belmondo and I'm already curious to check out the other film of his I have lying around; "The Professional".

This film is a guilty pleasure. It is by no means a very good film but it works. You get straight into the action when Belmondo's tough guy cop is sent from Paris to clean up Marseilles with his very unconventional methods. They backfire and he is put on the backburner. However, in a good cop movie, the cop never lets go. The story is rather pointless (and funnily enough a lot of villians in 80s Belmondo films have the same name) but the action works really well. Henry Silva as the villain makes the film stand out from the rest. And watch out for the red Fiat 131 that was used in every film Belmondo made in the 80s.

This is really nothing very special but tells its story efficiently enough and is packed with action. Some time after about the halfway mark, I began to get a little restless as we went through yet another rather predictable punch up but then the film changes gear and we are off to a laid back but pleasing denouement. Belmondo is great throughout, aged 50 at the time and if he really did do all those stunts as we are told it is remarkable. What with crossing motorways and dodging the traffic and leaping out of trains and a helicopter and the impressive Paris car chase, this is one massive performance and still remaining his iconic self with that twinkle in the eye. Henry Silva, five years older than Belmondo has less to do but still helps give the film its gravitas. The Morricone score is fine and even sounds really 80's at times, although I'm not sure that's a good thing. Plenty of attractive location shooting in both Marseille and Paris and plenty also of pretty girls along the way. Nothing profound here but a well made and tough action movie.

The four star I have given to it is just because of the camerawork. That is (was) very good. However, even Ennio Morricone went way bellow of his standard with this one.

The script is so bad, full of holes, you wonder 'How did we get here?' Broad shoulders, balls dividing in tight jeans, and that famous grin after beating up criminals.

This is Belmondo at his lowest.