Re per una notte

Saw it first time late at night and never thought about sleeping again for a couple of days.

DeNiro nails perfectly the unflappable and determined comic wannabe. We watch him throughout the whole film, wondering, Is he really just that sure of himself, or is he dangerously deranged? That question will take you through right to the end. Between Rupert, whose basement (in his mother's house) is decorated like a comedy club, and his oddball chum (S.Bernhard), there's considerable pathos. Jerry Lewis gives a lot of insight into the real person behind his easygoing public persona.

Part of what makes this movie so compelling is Scorsese's decision to keep the musical score to a minimum. Music could force the viewer to a conclusion that isn't entirely accurate. Listening to Rupert's endless exchanges Jerry, and everyone who stands in his way -- as is, without musical coloring -- enhances the "squirm factor."

Anyone who has been in the uncomfortable position of coming to regret being nice to someone will relate to this movie. It's a must-see, and despite being more than 20 years old now, it is not a bit dated.

/r

The time when Scorsese took another turn by making a disturbing dark comedy. This film turns the spotlight towards the show business industry by exploring the subjects of fame and celebrity and their influence over individuals and society as a whole. With a nice tone, excellent cinematography, good setting and a thrilling plotline, Scorsese crafted the perfect image of a delusional and obsessive sociopath portrayed by none other than Robert De Niro. I have to say that "The King of Comedy" along side "After Hours" are the most overlooked pictures in Martin Scorsese's catalogue.

'The King Of Comedy' is easily Martin Scorsese's most underrated and misunderstood movie. Scorsese and Robert De Niro's previous collaboration was the brilliant boxing biopic 'Raging Bull', generally regarded by most people as a masterpiece. Then the two made 'The King Of Comedy'... What a brave move! You couldn't find a more different movie, but one just as impressive and extraordinary. This movie is disliked by many, deliberately ignored by others. It's a very uncomfortable film. It's a (very) black comedy and is genuinely funny in places, but much of it is embarrassing to watch. Not because it is inept, but because of the believability of De Niro's obnoxious and irritating "loser" and wanna be comic Rupert Pupkin. De Niro has made a lot of disappointing movies in the last few years but 'The King Of Comedy' reminds you of just how brilliant he can be. I can't think of many actors who would be brave enough to play this part! Jerry Lewis is a performer I have always disliked, but he is excellent in this movie, probably because he is playing someone very close to himself in real life. The rest of the supporting cast aren't the most obvious choices, led by confrontational comedienne Sandra Bernhard and the "forgotten" Charlie's Angel Shelley Hack. Plus there are Tony Randall and a couple of other celebrities playing themselves, and a blink and you'll miss it cameo by The Clash (!). I really admire Scorsese for taking such a risk with this movie, which is one of the most original and provocative ever released by a major Hollywood studio. Bravo! This is must see viewing for not only all Scorsese or De Niro fans, but anyone who appreciates unusual or difficult movies.

I have yet to meet anyone who doesn't like this movie. It is hugely funny in places yet has a dark menacing strand running through it. Jerry Lewis and his TV-show world are totally believeable and De Niro as Pupkin plays the part like an exercise in total embarrassment.Also, much as you realise Pupkin is derranged,you can't help being on his side. One of the highlights is Pupkin's monologue. This is really well written and will remind most people of every bad comedian they have ever heard.The jokes are terrible but Pupkin's delivery seems just able to carry it off. When this movie was made the studio sat on it for two years before it was released.They probably did not know how to sell a movie like this.Sure it is an intelligent piece of work etc. but it is a most unusual film ,really quite unique.In the UK,it was barely released in cinemas and for years it was not even available on tape.Strange, because it really is a most excellent movie.

Martin Scorsese and Robert De Niro seem to have taken a different road to arrive to very familiar places. Forttunately we're all in for the ride. This is a bitter, dark comedy in the tradition of Pietro Germi and Mario Monicelli. In Scorsese's hands it becomes something we've never seen before. De Niro travels unknown territory with the panache of a seasoned explorer. His Rupert Pupkin is a sub Jay Leno without an agent. His hunger is as shallow as his talent. The arrival to Jerry Lewis's house without an invitation trying to impress his girl is one of the most painful studies in modern humiliation ever put on film. I found myself laughing in horror. "The King of Comedy" is ripe for a revival. Some people consider it a "minor" Scorsese. I disagree. I think it's one of Scorsese and De Niro's best.