Re per una notte

I have yet to meet anyone who doesn't like this movie. It is hugely funny in places yet has a dark menacing strand running through it. Jerry Lewis and his TV-show world are totally believeable and De Niro as Pupkin plays the part like an exercise in total embarrassment.Also, much as you realise Pupkin is derranged,you can't help being on his side. One of the highlights is Pupkin's monologue. This is really well written and will remind most people of every bad comedian they have ever heard.The jokes are terrible but Pupkin's delivery seems just able to carry it off. When this movie was made the studio sat on it for two years before it was released.They probably did not know how to sell a movie like this.Sure it is an intelligent piece of work etc. but it is a most unusual film ,really quite unique.In the UK,it was barely released in cinemas and for years it was not even available on tape.Strange, because it really is a most excellent movie.

Rupert Pupkin (Robert De Niro) is, in his own mind, the greatest undiscovered comic of his generation. He knows that he's destined for stand-up superstardom. All he really needs is a chance to display his vast talent on TV.

Enter mega- talk show host, Jerry Langford (Jerry Lewis), who will see Pupkin's mastery of comedy one way or another. Whether he likes it or not. Even if extreme measures must be taken.

How could Rupert's plan possibly fail?

THE KING OF COMEDY is Director Martin Scorsese's wonderfully dark jab at the insanity of celebrity culture. Watching it unfold is both frightening and hysterically funny. De Niro's Pupkin is perfectly pitiful, as is Masha (Sandra Bernhard), his equally unbalanced cohort.

Mr. Lewis is remarkably restrained in his noteworthy role. He comes across as pissed, flabbergasted, and terrified by turns. If you only know him as a cinematic buffoon, then you need to see him here.

This movie is a crackpot masterpiece...

The time when Scorsese took another turn by making a disturbing dark comedy. This film turns the spotlight towards the show business industry by exploring the subjects of fame and celebrity and their influence over individuals and society as a whole. With a nice tone, excellent cinematography, good setting and a thrilling plotline, Scorsese crafted the perfect image of a delusional and obsessive sociopath portrayed by none other than Robert De Niro. I have to say that "The King of Comedy" along side "After Hours" are the most overlooked pictures in Martin Scorsese's catalogue.

From Jerry Lewis's subtle, deeply personal performance, to Robert DeNiro's amazing interpretation of a neurotic nerbish whose fantasy world collides with reality on late night talk TV, "The King of Comedy" is a true original that guts the glamour from showbiz and finds it cold and empty inside. Then there's the media, always ready to create another celebrity, even if he's an autograph hound and hack comic turned kidnapper who believes he's earned a shot in the spotlight. Cynical and melancholy, at times hilarious, it bombed when first released, but has been surprising video treasure hunters ever since.

Saw it first time late at night and never thought about sleeping again for a couple of days.

DeNiro nails perfectly the unflappable and determined comic wannabe. We watch him throughout the whole film, wondering, Is he really just that sure of himself, or is he dangerously deranged? That question will take you through right to the end. Between Rupert, whose basement (in his mother's house) is decorated like a comedy club, and his oddball chum (S.Bernhard), there's considerable pathos. Jerry Lewis gives a lot of insight into the real person behind his easygoing public persona.

Part of what makes this movie so compelling is Scorsese's decision to keep the musical score to a minimum. Music could force the viewer to a conclusion that isn't entirely accurate. Listening to Rupert's endless exchanges Jerry, and everyone who stands in his way -- as is, without musical coloring -- enhances the "squirm factor."

Anyone who has been in the uncomfortable position of coming to regret being nice to someone will relate to this movie. It's a must-see, and despite being more than 20 years old now, it is not a bit dated.

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