Aggiungi una trama nella tua linguaThe peaceful countryside village of Solmen is savagely assaulted by wild Ungats led by bloodthirsty Magen. In the midst of battle, two baby boys are miraculously saved by a tribe of Amazon w... Leggi tuttoThe peaceful countryside village of Solmen is savagely assaulted by wild Ungats led by bloodthirsty Magen. In the midst of battle, two baby boys are miraculously saved by a tribe of Amazon warriors known as the Kuniats. The warriors nurture and train the boys for future struggles... Leggi tuttoThe peaceful countryside village of Solmen is savagely assaulted by wild Ungats led by bloodthirsty Magen. In the midst of battle, two baby boys are miraculously saved by a tribe of Amazon warriors known as the Kuniats. The warriors nurture and train the boys for future struggles. The stronger of the two is named , Gunan The Invincible. It is up to Gunan to avenge the... Leggi tutto
- Zukahn
- (as Peter Mc Coy)
- …
- Marga
- (as Melisa Lang)
- Nameless
- (as John Richmond)
- Nuriak
- (as Emil Messina)
- Mevian
- (as Lucky Aras)
- Midwife
- (as Alba Lines)
- Fighter
- (non citato nei titoli originali)
- Nuriak Henchman
- (non citato nei titoli originali)
- Hitman
- (non citato nei titoli originali)
- Nuriak's Man
- (non citato nei titoli originali)
Recensioni in evidenza
The Invincible Barbarian or Gunan il guerriero is one of the first Italian Conan the Barbarian cash-ins. Director Francesco Prosper's outing suffers from all the shortfalls that many of the Italian low budget film at the time, ungainly sound design, camera work, editing and staging. Prosper's overuse of slow motion and other speeds really hampers the film further, along with the countless long and medium shots. That said, there is a handful of memorable visuals, including a beach filled with a tribe of Amazon women and a spacious fire lit cave.
Written by Piero Regnoli there plenty of slashing and sword action, however, it's plodding Roberto Pregadio's heavy handed music does inject energy into the picture. The real locations offer atmosphere and grit. The craftsmanship on the production, from the sets to weapons and costumes are well produced.
Lead Pietro Torrisi looks the part as Zukahn / Gunan, in fact uncannily he looks just like He-Man if he walked out of a frame of drawn celluloid. Top billed Malisa Longo's Marga who gets more dialogue than you can shake a stick at. Emilio Messina's Nuriak is menacing enough. Sabrina Siani as Lenni who steals the third act. Siani is undressed as the script dictates but she has screen presence. Uncomfortable rape scene aside, Siani injects some much needed life into the proceedings but is sadly underused with no real action scenes, aside from a torture device escape.
Ultimately, it not as watchable as Ator, the Fighting Eagle is a (1982), both Torrisi and Siani presence isn't enough to cement this a must see (but don't fret they both get another stab at the swords and sandals sub-genre in The Throne of Fire, Il trono di fuoco (1983)).
Difficult to vote for this one, as it is on one hand one of the poorest productions in the genre I've ever seen, on the other hand it is so funny sometimes! Gunan's enemies die without a drip of blood when he hits them slowly with the flat side of his sword. And then there is one extra eye-candy star for Sabrina Siani. "Gunan" director Franco Prosperi was producer of her previous movie "Mondo Cannibal" which looks like a masterpiece compared to this mess, though.
As you can see from the other user comments posted, this movie is chock full of awful stuff. Obviously, the English dub is horrible, but it's to be expected from a film of this ilk. Even worse are the endless voice-overs at the beginning and ending of the movie. The action scene's are some of the funniest you'll ever see, given that they're all done entirely in slow motion (Watch for the crushing "death blow" Gunan gives at one point where he simply slaps his foe across the back with his sword).
My friend and I believe that the film had to have been directed by two different people, given the drastically different first and second halves of the movie. In the first half, we see the competition between Gunan and his brother to see who is the most "invincible" of the barbarians. Suddenly, the movie turns into Lenne running around topless for the rest of the film, with some strange subplot about a tribe of female warriors which turns into the main battle scene and climax and whatever other garbage the "second" director wanted to toss in. You be the judge.
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- ConnessioniEdited from Un milione di anni fa (1966)
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- Gunan, King of the Barbarians
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- Tempo di esecuzione1 ora 20 minuti
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