VALUTAZIONE IMDb
6,7/10
17.393
LA TUA VALUTAZIONE
Un agente di polizia di Mosca indaga su un terribile triplice omicidio e si imbatte in una cospirazione politica internazionale di alto livello.Un agente di polizia di Mosca indaga su un terribile triplice omicidio e si imbatte in una cospirazione politica internazionale di alto livello.Un agente di polizia di Mosca indaga su un terribile triplice omicidio e si imbatte in una cospirazione politica internazionale di alto livello.
- Regia
- Sceneggiatura
- Star
- Nominato ai 1 BAFTA Award
- 1 vittoria e 2 candidature totali
Juuso Hirvikangas
- James Kirwill
- (as Jukka Hirvikangas)
Heikki Leppänen
- Kostia Borodin
- (as Hekki Leppanen)
Recensioni in evidenza
This film has stood the test of time and repeat viewings for me. Have watched about 10 times over the past 20 years and each time I am totally engrossed. Excellent crime-mystery drama. The dialog in this movie is as good as any I know. Scenery and the settings make you feel like you are in Russia during winter: bleak and frigid. Performances by Hurt, Marvin, Dennehey, and Bannen are all solid if not outstanding. Some may be put off by English and Americans performers posing as Russians, but don't let the lack of dialect authenticity get in your way of enjoying this gem. For comparison I would rank it with LA Confidential within its genre.
A very unique, fast moving and entertaining story about political and criminal intrigue in Cold War (real cold, just watch the movie!) Russia. The grisly murder of three young people sends our protagonist, Inspector Arkady Renko (W. Hurt), on a complex, intertwining mission to find out who and/or what was behind this dastardly crime. As the crime facts unfold, potential suspects begin to surface in the mind of the inspector, suspects that may include American collusion with KGB officials. Maybe not entirely novel on the surface, but the sequences of events and the characterizations set forth are anything but pedestrian.
Perhaps the sequences of the facial reconstruction of the 3 victims "de-skinned" facial bones and the subsequent deductions provide the impetus for an unusual plot setting. The involvement of the American cop (B. Dennehy), the Siberian beauty and romantic interest (J. Pacula) who wants out of her homeland, the rich American (L. Marvin), the inspector's police buddies, to name a few, provide more than mere tangential plot fodder: the sum of their actions coalesces in the inspector's mind and takes him closer yet to what could be a very inconvenient truth. All this is done cinematically with good pace and little wasted motion.
It is noteworthy that most of the so-called Russians are British Isles actors who maintain their native brogue while donning the usual Kossack-like apparel! Yet their histrionic adeptness suffers not and their characterizations come off well. After all, we've seen this type of casting done before, but I don't think we could pull this off in modern Russia. Instead of filming in Finland with British actors, we would be filming in Moscow or St. Pete with Russian actors.
Any additional reviewing will get me into the "spoiler" category, so I'll just sign off by saying see the movie. To me, it is William Hurt's best!
Perhaps the sequences of the facial reconstruction of the 3 victims "de-skinned" facial bones and the subsequent deductions provide the impetus for an unusual plot setting. The involvement of the American cop (B. Dennehy), the Siberian beauty and romantic interest (J. Pacula) who wants out of her homeland, the rich American (L. Marvin), the inspector's police buddies, to name a few, provide more than mere tangential plot fodder: the sum of their actions coalesces in the inspector's mind and takes him closer yet to what could be a very inconvenient truth. All this is done cinematically with good pace and little wasted motion.
It is noteworthy that most of the so-called Russians are British Isles actors who maintain their native brogue while donning the usual Kossack-like apparel! Yet their histrionic adeptness suffers not and their characterizations come off well. After all, we've seen this type of casting done before, but I don't think we could pull this off in modern Russia. Instead of filming in Finland with British actors, we would be filming in Moscow or St. Pete with Russian actors.
Any additional reviewing will get me into the "spoiler" category, so I'll just sign off by saying see the movie. To me, it is William Hurt's best!
10eugenec4
This is a very good movie with excellent performances by William Hurt and Lee Marvin.If I have a list of favorite movies of all the time, this will qualify as such. A very good adaptation of the book by Martin Cruz Smith. The portrayal of life in Moscow was fascinating,although the movie did not remain faithful to the book one hundred percent.Of course for resons of time script had to be changed a little.But none of the suspense was missing. The action was fast paced , it's one of those movies you don't want it to end.The music score complimented this intense detective story set in a frosty Moscow.I recommend this movie to all those who like original stories set in exotic places like this one in Russia.Arkady Renko is really the epitome of the non-conformistic citizen who cynically sneers at the rotten aparatus of the communist state while trying to solve this triple homicide.
9thao
Gorky Park is one of my favorite political thriller and a film I watch regularly. I have never understood why it is not better known and better rated.
As is often with Cold War Spy films, the system is corrupt on both sides, and it's the every day people who pay the price of the greed and dishonesty of those playing the games behind the scene. The only way to survive is to be invisible and never get mixed up in a case that has political ties. William Hurt plays Arkady Renko, a Moscow police man who gets one of those cases. Three bodies are found in Gorky Park. Faces and fingertips have been removed and KGB seams to know something about this but they do not want the case. KGB does not like Arkady Renko very much since he has tried to prove their guilt once before and he is sure that they are now out for a revenge. The case is somehow connected to Jack Osborne, an American business man played by Lee Marvin.
The film does not shy away from criticizing both sides. Not only do the politics come off as hypocritical, the whole world of espionage is shown as an inhuman and cruel game of greedy and power hungry opportunists.
Some have criticized the film for not capturing the book well enough. It is rather unfair to expect a 2 hour long film to include everything from a 600 page book. A feature film of such a long book is always going to be a shortened version. I think Dennis Potter (yes the one and only) does a great job of capturing the moral bankruptcy of both systems, communism and capitalism. How they are in fact the same. Just a way to keep the little man busy and blind so those in power can get rich by corrupting the system.
Not perfect but not far from it.
As is often with Cold War Spy films, the system is corrupt on both sides, and it's the every day people who pay the price of the greed and dishonesty of those playing the games behind the scene. The only way to survive is to be invisible and never get mixed up in a case that has political ties. William Hurt plays Arkady Renko, a Moscow police man who gets one of those cases. Three bodies are found in Gorky Park. Faces and fingertips have been removed and KGB seams to know something about this but they do not want the case. KGB does not like Arkady Renko very much since he has tried to prove their guilt once before and he is sure that they are now out for a revenge. The case is somehow connected to Jack Osborne, an American business man played by Lee Marvin.
The film does not shy away from criticizing both sides. Not only do the politics come off as hypocritical, the whole world of espionage is shown as an inhuman and cruel game of greedy and power hungry opportunists.
Some have criticized the film for not capturing the book well enough. It is rather unfair to expect a 2 hour long film to include everything from a 600 page book. A feature film of such a long book is always going to be a shortened version. I think Dennis Potter (yes the one and only) does a great job of capturing the moral bankruptcy of both systems, communism and capitalism. How they are in fact the same. Just a way to keep the little man busy and blind so those in power can get rich by corrupting the system.
Not perfect but not far from it.
This is a fairly common story, that of an honest man fighting alone against a corrupt system. The setting is unusual, and the plot has some entertaining twists.
William Hurt plays Senior Investigator Renko, of the Moscow Militia (i.e. police). He is assigned to a high-profile murder case, and finds himself alternately prodded on, hindered or even threatened by his own superiors, by the KGB and by his obvious suspect. All these people are acting so self-confidently compared to Renko's plodding, that the sense of loneliness, or even of paranoia is very apparent.
Much of the action is contrived and unconvincing, both in its development and denouement, although the film does build to a good climax. On the other hand, all the characterisations of ordinary russians, who must have been strange creatures to film directors and audiences alike at the time, is very good.
The directors discarded one of the original novel's best tricks, that of sending Renko to New York (to recover valuable state property), and confronting him with the law enforcement system which gave rise to "Kojak" and the "Hill Street Blues".
Overall this is quite a good film, and fairly close to the novel. There are some sequels written which deserve to appear on the screen.
William Hurt plays Senior Investigator Renko, of the Moscow Militia (i.e. police). He is assigned to a high-profile murder case, and finds himself alternately prodded on, hindered or even threatened by his own superiors, by the KGB and by his obvious suspect. All these people are acting so self-confidently compared to Renko's plodding, that the sense of loneliness, or even of paranoia is very apparent.
Much of the action is contrived and unconvincing, both in its development and denouement, although the film does build to a good climax. On the other hand, all the characterisations of ordinary russians, who must have been strange creatures to film directors and audiences alike at the time, is very good.
The directors discarded one of the original novel's best tricks, that of sending Renko to New York (to recover valuable state property), and confronting him with the law enforcement system which gave rise to "Kojak" and the "Hill Street Blues".
Overall this is quite a good film, and fairly close to the novel. There are some sequels written which deserve to appear on the screen.
Lo sapevi?
- QuizWhen Lee Marvin arrived on the set, in Helsinki, he was sent to the local hospital because of his long-time illness due to alcoholism. Director Michael Apted rehearsed with Marvin in the hospital bedroom.
- BlooperDuring the final scene, pine martens were substituted for sables, clearly identifiable by the yellow fur on their chests.
- Citazioni
Irina Asanova: KGB have better cars, you know.
Arkady Renko: Ah, but they don't always take you where you want to go, do they?
- ConnessioniFeatured in The Making of 'Gorky Park' (1983)
- Colonne sonoreIt's So Easy
Written by Buddy Holly and Norman Petty
Published by MPL Communications, Inc. and Wren Music Co., Inc.
Performed by Bad Sign (uncredited)
[performed at the carnival]
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Dettagli
Botteghino
- Budget
- 15.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 15.856.028 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.290.754 USD
- 18 dic 1983
- Lordo in tutto il mondo
- 15.856.028 USD
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