Getting It On

Simple-minded sex farce aims for sly smiles. On that level, it is amiable enough. All the actors seem to be having a genial enough time. There's not much else to tell -- just silly suburban hijinks, but nothing I found particularly offensive, or particularly interesting. But it was on a local UHF station while I worked out at a hotel gym, and for that it filled the bill nicely.

The phrase "so bad, it's good" gets thrown around way too much. A lot of movies like this one are not really THAT bad, and they're certainly not "good" in any sense of the word. But due to their very low-budgets, independent origins, and, yes, some amount of film-making ineptitude, they manage to be kind of, uh, well, different in a kind of interesting way. Although this is called "Getting It On", for instance, the two teen protagonists never do technically get around to really "getting it on". Most of the sex here actually involves the two heroes' balding, middle-age principal who they set up with a hooker, and the principal's sexy daughter who is involved with one of the protagonist's older brother.

The main protagonist, "Alex" (Martin Yost), is a video voyeur who uses early 80's video technology to spy on all the neighbor girls, including the pretty new-girl-next-door (Heather Kennedy) , who he also openly romances at the same time, and who somehow doesn't find his voyeurism the least bit creepy at all. However, when his best friend,"Nick", an orphan who lives with his older brother is in danger of being sent to a juvenile hall (for stealing a porno magazine!), he decides to take action by using his video equipment. In perhaps the weirdest scene in this weird movie, the protagonist, his friend, and the friend's brother--in order to put their crackpot plan into action--sneak into a local community costume party all dressed as Ku Klux KLANSMAN(!) and nobody even NOTICES!! I don't know if this is wry subversive genius or complete ineptitude on the part of the filmmakers, but it sure is different.

Of course, there is a smattering of female nudity involving the principal's daughter, and some neighborhood girls who are having a slumber party that turns into a sexy topless pillow fight (as girls' slumber parties invariably do). The two protagonists also spend a lot of time watching the girls' P.E. class, who wear VERY short gym shorts and seem to do A LOT of stretching. But what I really liked about this movie was it's sheer indie weirdness. I don't mean "indie" in the pretentious modern-day sense--most modern-day "indie" films are actually backed by Hollywood--I mean these old, truly independent exploitation films made by Middle American regional filmmakers who would never come anywhere NEAR legitimate Hollywood, and really had a COMPLETELY different sensibility. Anyway, if you like this movie, also check out another very bizarro early 80's teen comedy called "Incoming Freshman".

Originally titled "American Voyeur" but released as "Getting It On", this North Carolina-lense teenage comedy nimbly pumps new life into the overdone high school hijinks genre. Though marketed as another raunchy "Porky's" followup, the William Olsen production is a well-acted, sweet and funny picture.

Filmmaker Olsen targets our consumerist and video-obsessed culture for some ribbing in this story of high school freshman Alex Carson (Martin Yost), with a crush on the girl next door, Sally (Heather Kennedy). Devising a video software business to earn money, Alex borrows his startup capital (at 15% interest) from his very businesslike dad, and with the help of his cutup classmate Nicholas (Jeff Edmond) takes the video equipment to record hidden camera footage of Heather and other pretty girts. When Nicholas is kicked out of school by mean principal White (Charles King Bibby), the heroes enlist he services of a friendly prostitute (Kim Saunders) to record footage of White in flagrante delicto.

What makes this material work is a fresh, enthusiastic cast, witty writing and direction by Olsen that bears no hint of malice. Though Alex's parents are caricatures, more interested in getting the latest satellite dish installed in the backyard than in their son's future, they are drawn as ingratiating characters, and even the practical joke directed against the principal turns out to benefit everyone, with no hard feelings. The script even includes a subplot reminiscent of the Matt Dillon-starrer "Tex", concerning Nicholas and his older brother Irving without parental supervision.

Young, attractive cast members match the teenage role requirements, though the pleasant lead player Martin Yost, an empathetic Timothy Hutton type, is of course older than the virginal 14-year-old in the script. Of special note is Bryan Elsom, very funny in a small role as a loquacious young Southern cab driver.

Tech credits for this modestly-budgeted effort are fine.

My review was written in August 1983 after a Times Square screening.

I recently watched Getting It On (1983) on Tubi. The story follows a high school peeping Tom and virgin who stumbles upon video equipment, taking his obsession to the next level. Will his new hobby deepen his fixation, or will it unexpectedly lead him to love?

Written and directed by William Olsen (Southern Belles), the film stars Terry Loughlin (Out of Time), Martin Yost, Heather Kennedy (Leprechaun), and Jeffrey Edmond (Out of the Black & Blue).

This is a by-the-numbers 80s sex comedy in the vein of Porky's, Animal House, and Hardbodies, but without the charm or impact. Everything about it is mediocre at best. While there's the expected nudity, the storyline feels like an excuse to make a movie rather than something with any real substance. The acting is average, the dialogue is uninspired, and the coming-of-age elements are watered down. There's no standout scene that makes it worth watching.

In conclusion, Getting It On is a forgettable 80s sex comedy with far better options available. I'd rate it a 3/10 and recommend skipping it.

GETTING IT ON bills itself as a typical promiscuous sex comedy and fails miserably. It is a painfully amateur production with a cast of no-names that tend to make a viewer cringe every time they open their mouths. The cast is lead by Martin Yost, who plays Alex, a teen-age Peeping Tom who decides to turn his perverted pastime into a money-making scheme. His father blindly agrees to give his son the $4000 to start a security surveillance business, which Alex can then use as an excuse to spy on other people, presumably "in the act". The father is unbelievably naive. It would have helped if the father was more suspicious of what his son was doing with all this expensive equipment. As for the "peep" sequences, they are far and few in the film and lack imagination for what the film is trying to advertise. No new ground is broken here.

There is no drive to the film. It is dull and the actors just seem to be going through the motions. That and the director tries to use two different sequences in which an actor pulls a gun on someone else as a surprise comedic effect, which is a lousy attempt at cheap laughs. The film weighs in at about 90 minutes, and by 90 minutes it's too long! Don't bother with this one. Try PORKY'S or MISCHIEF instead.