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4,3/10
1050
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA group of teenage summer campers and one counselor share the stories of their first sexual experiences when a rock slide traps them in a cave.A group of teenage summer campers and one counselor share the stories of their first sexual experiences when a rock slide traps them in a cave.A group of teenage summer campers and one counselor share the stories of their first sexual experiences when a rock slide traps them in a cave.
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The First Turn-On!! Attempts to deliver a quirky, sex-fueled teen comedy but ends up lost in its own bizarre tone and uneven pacing. With a cast made up of mostly unknown actors and a plot that wanders through strange, disconnected scenarios, the film struggles to find its footing between absurdity and amusement.
There are a few moments that might earn a chuckle-mainly due to their sheer randomness-but they're far and few between. Most of the humor leans awkward or outdated, and the movie often feels like it's trying too hard to be shocking or edgy without much payoff.
It's weird, messy, and ultimately forgettable. Not the worst of its genre, but certainly not one worth seeking out unless you're into obscure cult oddities. 3/10.
There are a few moments that might earn a chuckle-mainly due to their sheer randomness-but they're far and few between. Most of the humor leans awkward or outdated, and the movie often feels like it's trying too hard to be shocking or edgy without much payoff.
It's weird, messy, and ultimately forgettable. Not the worst of its genre, but certainly not one worth seeking out unless you're into obscure cult oddities. 3/10.
Even though this movie is an "80s" movie, it still stands out a bit on its own. It's a raunchy sexually charged teen flick that has grown adults who are hard pressed to pass as teenagers, well, acting as teenagers.
This flick is a mindless, offbeat teen entertainment sprinkled with sexual stimulus throughout. It does what it does. They don't hand out Academy awards for this type of movie.
This was probable the 1st rated R movie I ever saw. I was about 9 years old at the time. And cable tv then had a button on the remote that would unscramble whichever 'Pay Per View' movie you wanted to see and it charge your monthly bill. However, I had discovered if you didn't watch more than 30 seconds at a time, you would never get charged. This movie had me coming back in 30 second bits until I saw it all. My only complaint was how they got out of the cave. Just when things were getting the most interesting. I the movie could have been 5 minutes longer at the end.
I see a few reviewers mentioning how ugly the women are in the movie. Not only do I disagree, I find that just an excuse to be mean to people. These women rock it on camera. This movie holds a special place in my erotic comedy heart. And I come back to it from time to time. I don't do that with a lot of movies.
This flick is a mindless, offbeat teen entertainment sprinkled with sexual stimulus throughout. It does what it does. They don't hand out Academy awards for this type of movie.
This was probable the 1st rated R movie I ever saw. I was about 9 years old at the time. And cable tv then had a button on the remote that would unscramble whichever 'Pay Per View' movie you wanted to see and it charge your monthly bill. However, I had discovered if you didn't watch more than 30 seconds at a time, you would never get charged. This movie had me coming back in 30 second bits until I saw it all. My only complaint was how they got out of the cave. Just when things were getting the most interesting. I the movie could have been 5 minutes longer at the end.
I see a few reviewers mentioning how ugly the women are in the movie. Not only do I disagree, I find that just an excuse to be mean to people. These women rock it on camera. This movie holds a special place in my erotic comedy heart. And I come back to it from time to time. I don't do that with a lot of movies.
I used to hate 80's teen movies (it was bad enough actually BEING a teenager in the 80's without having to watch a bunch of crappy movies about it). But now a warm glow of nostalgia (or incipient senility) has set in and I kind of like some of them. I still don't care for some of the more famous ones ("The Breakfast Club", "Dirty Dancing", etc.), but I like some of the ones that are kind of realistic (if somewhat depressing) like "Fast Times at Ridgemont High" and "The Last American Virgin", or, on the other hand, films like this one that are so ridiculous you can't take them seriously at all. Since this film was made by Lloyd Kaufman and Michael Herz of Troma, it is of course very self-consciously campy (if not quite as much as their more famous "Toxic Avenger" series). It takes place at a strange camp where the "campers" all seem to be in their early twenties. A counselor and four "campers" get trapped in a cave and decide to pass the time by telling each other stories of their "first time".
The stories are all REALLY dumb, but this movie uses an interesting device where the flashbacks on screen often contradict the story the character is telling. I remember a few years later a mainstream critic practically wetting himself when overrated film genius Steven Sodeberg did this in "sex, lies and videotape". Of course, this device is much more incompetently rendered here and a plot twist near the end really makes hash of it (but then again "sex, lies, and videotape" doesn't end in a big orgy like this one does).
But I'm sure nobody but me cares about any of this so let's get to the two most important things--the "T", and of course, the "A". There's plenty of it here naturally as in any Troma movie. Most of the girls, however, aren't stunningly attractive except for Sheila Kennedy, who was a former Penthouse Pet and years later appeared in the TV "reality dreck "Big Brother" (and I don't which of these is the skeleton in her closet). This movie is definitely a skeleton in the closet of Emmy and Academy Award-nominated actor Vincent D'nofrio. I certainly don't agree with Lloyd Kaufman's introductory comment that Sheila Kennedy is better in this than D'nofrio was in "Full Metal Jacket", but she's better than he is in this movie (of course, she doesn't have to stretch herself too much since she's actually playing a Penthouse Pet here). Anyway, those that enjoy this kind of celebrity early-career embarrassment will certainly enjoy Vince here.
The stories are all REALLY dumb, but this movie uses an interesting device where the flashbacks on screen often contradict the story the character is telling. I remember a few years later a mainstream critic practically wetting himself when overrated film genius Steven Sodeberg did this in "sex, lies and videotape". Of course, this device is much more incompetently rendered here and a plot twist near the end really makes hash of it (but then again "sex, lies, and videotape" doesn't end in a big orgy like this one does).
But I'm sure nobody but me cares about any of this so let's get to the two most important things--the "T", and of course, the "A". There's plenty of it here naturally as in any Troma movie. Most of the girls, however, aren't stunningly attractive except for Sheila Kennedy, who was a former Penthouse Pet and years later appeared in the TV "reality dreck "Big Brother" (and I don't which of these is the skeleton in her closet). This movie is definitely a skeleton in the closet of Emmy and Academy Award-nominated actor Vincent D'nofrio. I certainly don't agree with Lloyd Kaufman's introductory comment that Sheila Kennedy is better in this than D'nofrio was in "Full Metal Jacket", but she's better than he is in this movie (of course, she doesn't have to stretch herself too much since she's actually playing a Penthouse Pet here). Anyway, those that enjoy this kind of celebrity early-career embarrassment will certainly enjoy Vince here.
J. Canker Huxley doesn't know what he's talking about. American Pie is garbage. It isn't funny. The First Turn-On is a classic from the days when there were such things as "teenage sex romps." It has no aspirations other than to amuse and to exploit. Movies like Road Trip and American Pie want to have their cake and eat it too---they try to be lewd and crude, yet still contain a "message" or be moral. The First Turn-On has no morals and therefore succeeds in being entertaining.
This is the last straight comedy produced by Troma before they found their niche in action/horror spoofs and the only film directed mostly by Michael Herz. Its a very sophomoric and amateur take off on Porky's and Meatballs 2 designed to be zany and irreverent. Troma's early comedies all suffer from sleaze, grime and laziness, but they usually have a redeeming sly sense of satire and a fun cartoon logic thanks to Lloyd Kaufman. "Turn On" then is very interesting Troma fans as they can see just what Herz' contributions were before he stopped teaming with Kaufman. Herz directs "Turn On" with a humanist energy. His actors are happy and free and he pays no attention to blocking or coverage. He's all about performances. The later Troma films are missing this naturalistic acting style and the sensuality Herz seems obsessed with. Kaufman is definitely a better director of action and comedy but maybe Troma would've grown stronger with Herz's style still complimenting Lloyd's.
Lo sapevi?
- QuizVincent D'Onofrio's film debut.
- Citazioni
Johnny the Maniac: Zingo!
- Curiosità sui creditiProduction Naturalist: Ruth Kaufman Production Foot Doctors: Ed Wolf, Charles Kaufman Tarantula's Foot Doctor: Susan Kaufman
- ConnessioniFeatured in Apocalypse Soon (2002)
- Colonne sonoreYou Were the First (To Turn Me On)
by Anne Benjamin and Terry Fabrizio
Performed by Terry and the Tornadoes
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