La banda di Eddie

I saw this movie when my family first got cable television. I watched it once, then twice, then the next thing I know I had watched it about 30 times. The story is well told through flashbacks and current events. the casting is good. Michael Pare is Eddie Wilson. Every time I have seen him since, that's the first thing I think about. Tom Berenger is also very good. His character starts out as naive and innocent and then begins to grow as we grow with him. This movie is totally addictive.

This post is not to review or rate "Eddie", but to explain the background of the plot for other posters who seem confused on this.

"Eddie" was based on the 1980 book, same name, by Paul F. Kluge (avail used Amazon). The basis of the plot is simple: If the lead singer in a #1 rock group dies, how are the lives of others in the group altered? Do they try to keep it going, or let go and move on? Do they ever try to "go back"? Et cetera. Mr. Kluge's inspiration for this was the death of Buddy Holly in 1959. He long wondered what happened to the members of the Crickets after that day, and turned his curiosity into this book.

All this per a personal conversation I had with Mr. Kluge in 1996. At that time, he was a professor at a small Ohio college.

This is one the best rock 'n roll movies ever made, but that doesn't say much since there haven't too many that much good to begin with. However, this IS good.

It features solid music by John Cafferty, whose "The Dark Side," is played quite a bit during the movie but is a great song and always enjoyable to hear. The movie also has interesting characters and a somewhat intriguing story. The story features a decent imitation of a Jim Morrison-type lead singer without getting too dramatic.

A very young Ellen Barkin is the female lead here. She looked better when she got a bit older. A young Joe Pantolione also is in here and Michael Pare was effective as the lead singer.

Don't listen to the national film critics who didn't care for the film. The public liked it and most times, they are a better judge.

This movie evokes strange feelings of going back down a road, I have been on before, but did not recall ever being on it.

This was one of those movies I watched on cable during the eighties without noticing much. I would only watch it, if I had nothing else to do.

That said, I was amazed how much I remembered from this movie, when I watched it again recently. Probably because this movie has a lot going for it, that I never considered. It is a good story, with some mystery that compels one into the story. The movie has a good sound track and made an interesting point that good musicians feel tortured when trying to express themselves musically.

Mystery surrounds the death of a rising rock star in director Martin Davidson's `Eddie and the Cruisers,' starring Tom Berenger and Michael Pare. With one successful album under their belts, lead singer and guitarist Eddie Wilson (Pare) takes his Cruisers into the recording studio to make an album he hopes will stand the world on its collective ear. Drawing the title from a work by Nineteenth Century poet Arthur Rimbaud, they begin to lay down tracks for `A Season In Hell.' But all is not well with Eddie and the band; there is dissent, and at least one among them, bassist Sal Amato (Matthew Laurance) disagrees with the direction in which Eddie has taken their music. Early one morning, toward the end of the recording sessions, Eddie's car goes off a bridge into the river; his body is never found. Now, eighteen years later, a reporter, Maggie Foley (Ellen Barkin) is doing a story on the Cruisers, and attempting to uncover the mystery behind the disappearance of the master tapes from the recording sessions, which inexplicably vanished the day after Eddie's apparent death. Pare is perfectly cast as Eddie, the Bruce Springsteen-like rocker; he lip-synchs convincingly to John Cafferty's vocals and deftly captures the persona of an early sixties rock n' roll idol on the rise. Tom Berenger (who is actually the star of the movie) does an excellent job as lyricist Frank Ridgeway, the keyboard player known as `Word Man' by the band. Davidson tells the story by effectively using flashbacks, through which we get to know Eddie and his band, and which establishes the relationships so pertinent to the present day conflicts which emerge during Foley's investigation of Eddie and the missing tapes. The focus is mainly on Ridgeway, therefore as the story unfolds it is predominately from his perspective that we learn what really happened, especially on that last night in the recording studio. That there is a comparison being drawn between Eddie and Jim Morrison of The Doors is unmistakable; the plot draws heavily on the myth that Morrison (and Eddie) is still alive and may have `Pulled a Rimbaud.' Poet Rimbaud (who is considered a genius, and to whom the creation of the form of modern poetry as we know it is attributed) committed `artistic suicide' at the age of nineteen, at which time he abruptly quit writing and disappeared for the next twenty years, only to reappear at last on his deathbed in France. That the title of Rimbaud's masterpiece is `A Season In Hell' is no coincidence. The parallels are drawn convincingly, which heightens the interest and adds to the credibility of the mystery. The supporting cast includes Joe Pantoliano (Doc), Helen Schneider (Joann), David Wilson (Kenny), Michael Antunes (Wendell) and Kenny Vance (Lew). An excellent soundtrack of original songs, written and performed by John Cafferty, provided Davidson with a solid base from which to launch his story. `Eddie and the Cruisers' is entertaining, if not entirely memorable, but the music and performances are good, and all in all this movie will do for a pleasant evening's viewing, with maybe a little popcorn thrown in for effect. If you haven't seen this one, try it out; I think you'll be glad you didn't let it pass you by. I rate this one 7/10.