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Carmen story

Titolo originale: Carmen
  • 1983
  • R
  • 1h 42min
VALUTAZIONE IMDb
7,4/10
3746
LA TUA VALUTAZIONE
Antonio Gades and Laura del Sol in Carmen story (1983)
DrammaMusicaRomanticismo

Aggiungi una trama nella tua linguaA group of flamenco dancers are rehearsing a very Spanish version of Bizet's dramatization of Prosper Merimee's novella Carmen. The choreographer Antonio falls in love with Carmen, the main ... Leggi tuttoA group of flamenco dancers are rehearsing a very Spanish version of Bizet's dramatization of Prosper Merimee's novella Carmen. The choreographer Antonio falls in love with Carmen, the main dancer. Their story then turns similar to the play.A group of flamenco dancers are rehearsing a very Spanish version of Bizet's dramatization of Prosper Merimee's novella Carmen. The choreographer Antonio falls in love with Carmen, the main dancer. Their story then turns similar to the play.

  • Regia
    • Carlos Saura
  • Sceneggiatura
    • Prosper Mérimée
    • Carlos Saura
    • Antonio Gades
  • Star
    • Antonio Gades
    • Laura del Sol
    • Paco de Lucía
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,4/10
    3746
    LA TUA VALUTAZIONE
    • Regia
      • Carlos Saura
    • Sceneggiatura
      • Prosper Mérimée
      • Carlos Saura
      • Antonio Gades
    • Star
      • Antonio Gades
      • Laura del Sol
      • Paco de Lucía
    • 27Recensioni degli utenti
    • 22Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 1 Oscar
      • 9 vittorie e 10 candidature totali

    Foto23

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    Interpreti principali55

    Modifica
    Antonio Gades
    Antonio Gades
    • Antonio
    Laura del Sol
    • Carmen
    Paco de Lucía
    Paco de Lucía
    • Paco
    Marisol
    Marisol
    • Pepa Flores
    • (as Pepa Flores)
    Cristina Hoyos
    Cristina Hoyos
    • Cristina
    Juan Antonio Jiménez
    • Juan
    José Yepes
    • Pepe Girón
    Sebastián Moreno
    • Escamillo
    Gómez de Jerez
    • Cantaores
    Manolo Sevilla
    • Cantaores
    Antonio Solera
    • Guitarristes
    Manuel Rodríguez
    • Guitarrista
    Lorenzo Virseda
    • Guitarristes
    M. Magdalena
    • Artistas invitados
    La Bronce
    • Artistas invitados
    El Fati
    • Artistas invitados
    Enrique Ortega
    • Artistas invitados
    Diego Pantoja
    • Artistas invitados
    • Regia
      • Carlos Saura
    • Sceneggiatura
      • Prosper Mérimée
      • Carlos Saura
      • Antonio Gades
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti27

    7,43.7K
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    Recensioni in evidenza

    10namdc

    You don't need to love opera or flamenco(I don't)to be captured, enraptured, enthralled by this film

    This is an amazing film, both for the incredibly energy evoked from the frenetic flamenco dancing, and from the unique way that the filmmakers interweave the story of the stage production with the lives of the characters preparing for it. Spellbinding is the only word I can use to describe the experience. This is not 'Bizet's Carmen' by any usual standard. This is not a usual film by any standard. Every nuanced glance, every stomp of the foot, every piece of the music is intertwined so captivatingly that you can't take your eyes off the screen. You don't need to love opera or flamenco(I don't)to be captured, enraptured, enthralled by this film. Subtle and direct; loud and still; One of, if not the best, movies of it's kind, because there are so few like it.
    bogyo-3

    wonderful, passionate film

    This is a wonderful film! Full of passion, music and drama. It follows the story of the opera of the same name. Even Carmen-haters will agree that this is a version that overcomes the boredom bred of familiarity and infuses new life into this overproduced work.

    The setting is a flamenco school in Spain, and the search is on for the star of a production of a flamenco Carmen. The director finds, and then falls in love with his new leading lady. The complications arise from there, from some unhappiness on the part of the best dancer in the troupe who feels she should be the star and not the newcomer, and from the storyline of the opera.

    The director of the film is the real-life director of one of the most famous dance schools in Spain, and the dancers, except for the character of Carmen, are members of the school.

    The dancing is exciting and dangerous, the story, though very familiar, attains fresh vigor in the new setting, and is altogether one of the best films of the eighties.
    Geofbob

    Carmen reclaimed for Spain, but not for the 20th century

    On the face of it, Carlos Saura's 1983 Carmen is simply yet another version - to join dozens of others - of Bizet's world-famous opera, using flamenco music and dance, and a modern story-line, alongside elements of the opera. Following in the footsteps of many a Hollywood musical, Saura sets his story in the period of rehearsal before a new production, except in this case there is no successful opening night as the climax of the movie, but a tragic death echoing the opera. The music and dancing are dramatic, passionate and exciting, especially for those of us who love flamenco; and the weaving together of the modern characters and plot with those of the opera is effective, if somewhat contrived.

    There is, however, an ironic aspect to the film. Possibly no country in the western world has a stronger culture than Spain. Spanish food, drink, language, literature, music, dance and much else are unique and immediately identifiable. Yet one of its national icons - the free-spirited gypsy Carmen, who seduces and abandons men at will - is a totally French creation. Bizet, who never set foot in Spain, based his 1875 opera on a story by Prosper Merimée, also a Frenchman; and no matter how Spanish his music sounds, it is merely imitation. So for Saura to base a film on Carmen has a significance not shared by the other two films in his "flamenco trilogy" - Blood Wedding and Love the Magician - where the originals are quintessentially Spanish.

    It is tempting therefore to regard the film as a kind of reclamation for Spain of Bizet's pseudo-Spanish Carmen. And certainly in the adaptation for guitar of some of Bizet's music, and in the translation to flamenco dance of some of the action of the opera, such a reclamation or reconciliation has taken place. But I for one wish that Saura had gone further; had deconstructed the original stereotypes; and had shown that by the late 20th century José had grown up, and could refrain from knifing Carmen, no matter how Spanish he might feel and how free-spirited she might be. In other words, perhaps a happy Hollywood ending would not have been such a bad idea!
    10Galina_movie_fan

    Saura/Gades' " Carmen" is the most sensual of all adaptations and truly Spanish

    Passionate, dramatic, riveting as Flamenco itself, the film is simply amazing. It is set on the immortal Bizet's music. The original music is written and performed by one of the greatest classical guitarists, leading proponent of the Modern Flamenco style, Paco de Lucia who plays a musician with the same name. Legendary Flamenco dancer and choreographer Antonio Gades co/wrote the script and choreographed this fabulous version of the celebrated Georges Bizet/Prosper Mérimée novella/opera. He plays a main character Antonio, the famous dancer/choreographer who works on retelling the story of Carmen in the Flamenco style that combines dances with singing and rhythmic hand clapping and has a highly charged level of dynamics that appeals enormously to the viewers.

    Brilliant and graceful Cristina Hoyos whose technical excellence matches the elegant artistry of her dancing shines in the supporting role. Hoyos had been the first dancer in Gades' company for twenty years (1968-1988) and she was the protagonist of three films that Carlos Saura made of Gades' three great shows: "Bodas de Sangre" (1978), "Carmen" (1983) and "El Amor Brujo" (1985). Gorgeous Laura del Sol is a young dancer named Carmen in whom Antony sees from the first sight another Carmen, who was immortalized by two Frenchmen, the writer Prosper Mérimée in his most famous novella written in 1846 that had inspired George Bizet's world famous Opéra-Comique version from 1875.

    As in the opera and in the novella, Carmen in Saura's film is desirable and deadly, the ultimate femme fatale who has to be free above anything else. She could not tolerate the possessive love of any man and would prefer death to submission. There some 50 movie adaptations of the story and the opera to the screen, and as different as they are, they all have in common the only possible tragic end. Saura/Gades' film is unique as the most sensual of all and truly Spanish. I fell in love with it from the first time I saw it over twenty years ago and it is as special and beautiful today as it was back then. Highly recommended.
    8evso

    well done

    This is one of the best films we watched in my high school Spanish class. If you are a fan of the opera, this film will strongly entertain you. Of course, the dancing is wonderful. Watching these amazing dancers moving to the music of Bizet is well worth checking out.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The film is the second part of Carlos Saura's "Flamenco Trilogy". The first was Bodas de sangre - Nozze di sangue (1981) whilst the third was L'amore stregone (1986).
    • Connessioni
      Featured in At the Movies: Heart Like a Wheel/The Buddy System/La Balance/Carmen/Lonely Hearts (1984)
    • Colonne sonore
      Carmen
      Music by Georges Bizet

      Conducted by Thomas Schippers

      Performed by Regina Resnik (Carmen), Mario Del Monaco (Don José), Tom Krause (Escamillo)

      Courtesy by Decca London St 259 - 8

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    Dettagli

    Modifica
    • Data di uscita
      • 22 dicembre 1983 (Italia)
    • Paese di origine
      • Spagna
    • Sito ufficiale
      • Official site
    • Lingua
      • Spagnolo
    • Celebre anche come
      • Carmen
    • Aziende produttrici
      • Emiliano Piedra
      • Televisión Española (TVE)
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 42 minuti
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.66 : 1

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