Canicola

Canicule has the distinct aroma of tax write off and trip to France for Lee Marvin in one of his last and least films of his career.

Marvin plays American bank robber Jimmy Cobb who is on the run and now in France. The French authorities want this guy bad, they're even armed to the teeth. The beginning is a homage to Sam Peckinpaugh and The Wild Bunch with a shootout on the Paris streets where a whole lot of people get themselves killed in a botched attempt to take Marvin.

Lee's on the loose with the loot from a bank job that was obviously committed in America because it's in dollars as opposed to francs. But he manages to get to the Normandy countryside where he falls into the hands of a family of farmers who've got their own ideas about him and his loot and his reputation. And by no means is it unanimous.

Canicule is a French attempt to make an American style gangster film and they're not bad at it when doing things like Lemmy Caution with American expatriate Eddie Constantine. This one could have used the real Sam Peckinpaugh however directing this mostly French cast of players with Lee Marvin and Tina Louise. The dubbing and editing is hardly first rate. Marvin is in bad health which the camera plainly shows.

As another reviewer stated Gorky Park is a far better film. That and Death Hunt are the last two really great films Lee Marvin made.

This film was just downright depressing for me as a sleaze-movie lover and a fan of the great Lee Marvin. It had all the right elements, but the director, Yves Boisset, really screwed this film up. I blame him for everything that is wrong with it. His direction is so sloppy and third-rate I couldn't even tell what the hell was going on half the time. It could have been an interesting, if somewhat disturbing, black comedy. As other reviewers have stated, there are similarities between this film and Marvin's Prime Cut, but that film found a good balance between the repulsive and the humorous. This one fails on almost every level. It isn't even worthy enough to go into detail of its flaws. Also, Lee Marvin is totally wasted in this film. Once the first 5 minutes are over he is given absolutely nothing to do. Boisset had this incredible actor in the twilight of his career to work with. He could have made it into a sort of Last Great Film for the man, a study of a bad guy at the end of his life played by an actor famous for playing bad guys near the end of his life. Instead, that honor goes to Gorky Park. But I guess none of that really matters as Marvin was very sick during the making of this film, and you can tell. He seems tired, bored, and physically he looks haggard and ill. You can practically see his skull through his skin. This is NOT the way you will want to remember this great actor, so please, if you like Lee Marvin, do yourself a favor and honor his memory by never ever watching this movie. You have been warned.

Not to be underestimated, this French black comedy of sorts stars Marvin in one of his last film roles as a fugitive bank robber, but he's really more of a plot device to showcase the crazy antics of his French co-stars, each with their own offbeat characterisation proving more dangerous than Marvin himself.

Lovely Miou-Miou is the film's leading lady, a captive farming wife of an abusive husband (Lanoux) who sees Marvin as her opportunity for emancipation. Man-child Bennent is a highlight playing a smart-mouthed inbred kid, himself a victim of the Lanoux character's rough handedness who clues onto Marvin's gambit from the outset, setting himself up as the hero of the ensuing farce making for a satisfying climax.

Also grabbing the attention is Bernadette Lafont playing one of the toothless farmhouse occupants with a comically lubricious lust for carnality. Virtually the entire cast play a whacky assortment of oddballs, offset (ironically) by Marvin as the only predictable character in the plot. Apart from Marvin, the only other native English-speaker in the cast is Tina Louise in a small supporting role as one of Marvin's accomplices during the opening heist.

Well photographed with sharp dialogue, a catchy bass guitar sound and overall sympathetic characters, 'Dog Day' might be an unknown quantity for most casual Marvin fans, but is surely worth a look if you're open-minded to a bit of depraved French farmhouse farce.

Canicule or Dog day is completely bonkers. It is a cartoon really, but a pretty violent and ludicrous one. Lee Marvin in one of his final roles is not given enough screen time, only at the climax of the film is he terrific, really giving his all as the dying gangster (he was probably ill himself then). In the rest of the film he looks on in disbelief and looks like he would rather be elsewhere. There is a lot of 'business' going on inside the farm which is not worth going into and much of the film would be seen a French Farce or as being like 'Carry on' or 'Benny Hill'- if it was not so violent or just plain nasty in its depiction and abuse of its characters.

The film is violent towards women and negative about humans and sexuality in general. The film collapses into the absurd as the body count mounts up as the crazy inhabitants of the farm, police and nearby innocents are all brutally wiped out and the best remaining parts are between the small boy in his surreal 'boat' shaped den and the great Marvin. Ne actor has looked this dislocated from a film since Terence Stamp in 'Theorem'. Lee Marvin was a great actor, but this film is not worthy of him and is only worth a look if you want to see Marvin in this piece of weird French surrealism.

Although I haven't seen every one of his movies, I am reasonably confident to call "Dog Day" the strangest movie Lee Marvin ever appeared in. Why he decided to appear in it, I have no idea, especially since he was still a big star back home in the United States. Fans of Marvin will likely be disappointed by the fact that Marvin doesn't appear in this movie as frequently as he does in his other movies - in fact, he almost becomes a secondary character. The other characters in the movie are a real weird lot, disappearing and reappearing seemingly at random, and acting in random ways when they do appear. Certainly, the movie at first does command your attention because you've likely not seen anything like it before, but it soon becomes tiresome, and you likely won't care what happens at the end when it eventually gets there.